Bow & Bridge Violin and bow makers, as the old books printed them

Scan 14

Musical Courier 1902-03-05: Vol 44 Iss 1145, 1902

94 lines. Read by computer on 21 September 2026, twice; the two readings disagreed in places. Printed page 15. See the scan on archive.org.

1sical at her studio in the Pouch Gallery, Tuesday afternoon, February 25. The program speaks for itself:
2Sonata, op. 12, No. 2, violin and piano…………………Beethoven
3Miss Florence Austin and Mrs. Beardsley.
4Soprano—
5Liebesglück……………………………………………..Spicker
6An Open Secret (by request)………………………..Woodman
7Miss Genevieve Brady.
8Recitation, As the Moon Rose………………………..Rose Maxwell.
9Violin—
10Paroles du Coeur………………………………………Massart
11Mazurka, op. 14, No. 2……………………………….Musin
12Miss Austin.
13Baritone—
14To Anthea……………………………………………..Hatton
15Der Wanderer…………………………………………Schubert
16Don Juan's Serenade…………………………………Tchaikowsky
17John C. Dempsey.
18Ballade and Polonaise……………………………….Vieuxtemps
19Miss Austin.
21The movements from the Beethoven Sonata were most musically played by Miss Austin and Mrs. Beardsley. The vocal numbers by Mr. Dempsey and Miss Brady were enjoyable, and both singers were cordially applauded. Mr. Dempsey reversed the order of his group, singing first the "Don Juan Serenade." The violin solos by Miss Austin added to the attractiveness of the program, and the recitation by Rose Maxwell, a little girl, fitted nicely into the musical features. Mrs. Beardsley played the piano accompaniments with musicianly skill. J. Charles Kunz, an advanced pupil of Mrs. Beardsley, who happened to be present, was invited to play several piano solos, and he responded with a Chopin Prelude and Waltz, revealing in both the fine training of the Beardsley studio.
23TOPPING RECITAL AT WISSNER HALL.
25Miss Minnie Topping, a professional pupil of Richard Burmeister, gave a piano recital at Wissner Hall Saturday evening, March 1, assisted by Mrs. Theresa Elsman, soprano, and Richard Ridgely, baritone. Miss Topping's playing is notable for a warm musical tone, breadth of conception and a highly developed technic. Her numbers included the following:
26Rhapsody in G minor………………………………….Brahms
27On Wings of Song…………………………………….Mendelssohn-Liszt
28Perpetuum Mobile…………………………………….Weber
29Etude in E major, op. 15…………………………….Chopin
30Dedication……………………………………………..Schumann-Liszt
31Concerto in G major (first movement)…………….Beethoven
32Miss Topping.
33Second piano accompaniment, A. G. Crawford.
34Margaret at the Spinning Wheel……………………..Schubert-Liszt
35Hark, Hark, the Lark!………………………………..Schubert-Liszt
36Erlking……………………………………………………Schubert-Liszt
37Miss Topping.
39HENRY SCHRADIICK'S PUPILS.
41Henry Schradiick, the violinist, and one of the greatest violin teachers of the country, continues to illustrate by living in Brooklyn that the mountain occasionally "comes to Mahomet." Pupils from all over the United States come to Brooklyn to study with this distinguished teacher. Mr. Schradiick also has a big class in Philadelphia. Two Schradiick pupils played at a recital in Wissner Hall last Wednesday evening. Miss Lucille Billingsley played the violin part of the Mozart Sonata in E minor, for piano and violin, the piano being played by Miss Johanna Wolz. Thomas Ball Couper, accompanied at the piano by Mrs. William Couper, performed as violin solos "Regrets," by Vieuxtemps; Mazurka, by Mlynarski, and Mazurka (Obertass), by Wieniawski. Both pupils show the results of studying with a master.
43UNION LEAGUE CLUB MUSICALE.
45The Listemann Trio, consisting of Paul Listemann, violin; Franz Listemann, 'cello, and Miss Ellen Berg-Parkyn, pianist, and Miss Mary Mansfield, soprano, appeared at a musicale given last Thursday afternoon by the Brooklyn Union League Club. Franz Listemann, the 'cellist, also played solos in addition to the ensemble numbers, and all were greatly enjoyed by the audience of women, invited as guests of the club.
47BROOKLYN SAENGERBUND MATINEE.
49Louis V. Saar and Miss Frieda Stender assisted in the program given at the Brooklyn Saengerbund last Sunday afternoon. Miss Stender sang a group of Mr. Saar's beautiful songs, which have been reviewed by THE MUSICAL COURIER. Mr. Saar played a group of his own interesting piano compositions, and also played the piano part of the Schumann Quartet for piano, violin, viola and 'cello, Messrs. Bauer, Wilhelms and Laser performing the violin, viola and 'cello parts.
51ANNOUNCEMENTS.
53The Hanchett lecture-recital, given Monday afternoon at Adelphi College, will be reported in next week's MUSICAL COURIER.
55The choral numbers to be sung at the Arion concert at the Academy of Music Thursday evening, March 13, will include a number of songs not heard here before. The soloists will be Emma Juch and Bertha Bucklin, the violinist.
57Hugo Troetschel will be the organist of the concert, and Isidore Luckstone and Florestan Domascheditz the pianists.
59The Brooklyn Institute announces a special piano recital by Mrs. Beach, the composer-pianist, at Association Hall, Tuesday evening, March 18.
61James H. Downs, the musical director of the Choral Art Society, has arranged an unusual program for the second concert of the season, to be given Thursday evening, March 20. The following numbers will be sung:
63LENTEN.
64Miserere……………………………………………..Allegri
65Crucifixus……………………………………………..Lotti one of two readings
66Crucifixus…………………………………………….Lotti one of two readings
67Father, Into Thy Hands…………………………….Gounod
69EASTER.
70Terra Tremuit……………………………………….Palestrina
71O Filii et Filiae………………………………………Leisinger
73SPRING.
74Fair Daffodils……………………………………….S. P. Warren
75Take Heed, Ye Shepherd Swains…………………..De Pearsall
76Stilly Night…………………………………………..Brahms
77The Nightingale…………………………………….Rheinberger
78Great Love of God…………………………………De Pearsall
79Madrigal……………………………………………..De Pearsall
81HATTIE SCHOLDER.—Salvator Di Grazia is arranging for a tour for Hattie Scholder, the young pianist. Mr. Di Grazia may be addressed at 76 Withers street, Brooklyn, N. Y., for terms and open dates.
83Mrs. Hadden-Alexander's Musicale.
85At the Powers-Alexander studios, Carnegie Hall, Mrs. A. Hadden-Alexander held an informal musicale at home on Saturday evening, February 15. Piano selections were given by the following pupils: Miss Frances Perley, Miss Lulu Walton, Miss Molly Palmer, Mrs. Grovenor Curran and Earl Scott. At the close of these numbers Charles Charters recited several monologues with excellent effect, and Mrs. Alexander delighted her friends by playing any number of good things, among them four MacDowell compositions, the Valse Etude, by Saint-Saëns, and Liszt's Rhapsodie No. 12.
87A pleasant feature of the evening was the presence of Mrs. Charles Graefe (née Katharine Dorn), of Sandusky, Ohio. Mrs. Graefe before her marriage studied for two years in Berlin with Julius Hey, the vocal teacher and friend of Wagner. Mrs. Graefe's contributions to the program were greatly enjoyed. They were three songs by Beethoven, two from "Egmont," the poems by Goethe, together with the "Freudvoll und Leidvoll." Later she gave Schumann's "Widmung," with the Liszt transcription of the song as accompaniment, played by Mrs. Alexander.
89The next students' musicale will be given Saturday evening, March 1.
91DR. HENRY G. HANCHETT.—The Interpretation Class which Dr. Hanchett is conducting at present engaged in an examination of Beethoven's Sonata in B flat, op. 22, and Saran's Fantaisie-Sonata, op. 5, at its last meeting. Questions of touch and phrasing and the methods of making these most significant received the usual measure of attention, but interest centred on the individualizing of voices and special pedal effects, a good deal of instruction being derived also from the treatment of long lasting diminuendos. The Saran, Fantaisie turned attention to analysis with peculiar force, and the wonderful variety and interest the work gives to a small motive by using it as the basis of all four movements, alike in subjects, developments and episodes, was a revelation to the class of artistic skill of the very highest order in a comparatively little known composer. Dr. Hanchett's original and thorough ways of getting at the heart of the matter and bringing out the importance of details often neglected caused the time to slip away almost unperceived. At the next meeting works of Schumann, Weber and Mendelssohn will be played and examined.
93THIRD MORGAN QUARTET CONCERT.—Mrs. Henry W. Poor's home, in Lexington avenue and Gramercy Park, was the scene Wednesday afternoon of a concert by the Morgan Chamber Music Club. The Morgan String Quartet was assisted by Fritz Kreisler, Herman Hans Wetzler and other well-known artists, and there was a large attendance of the members of the club, who include Mrs. Seth Barton French, Mrs. Stephen Pell, Mrs. Henry F. Dimock, Mrs. Stanford White, Mrs. Robert Abbe, Mrs. J. West Roosevelt, Mrs. Hilborne L. Roosevelt, Mrs. Edward J. Berwind and Mrs. John E. Cowdin. The next concert of the club will take place on March 12 at the house of Mrs. J. W. Miller, while the last two meetings will be held at Mrs. Stanford White's home, in East Twenty-first street.

The computer misreads some letters and numbers. Where a name matters to you, read the scan.