Scan 25
Musical Courier 1902-05-14: Vol 44 Iss 1155, 1902
178 lines. Read by computer on 22 September 2026, twice; the two readings disagreed in places. Printed page 26. See the scan on archive.org.
1the period. The Pope has always been fond of recalling this experience when receiving Irish pilgrimages and visitors. He had at that time a serviceable acquaintance with the English language and could converse in it. Leo XIII. was then Archbishop Pecci, and spent the whole of February 1846 in London. While in London the Pope also officiated in two churches, the old Sardinian Chapel and St. Mary's, Moorfields, the old London Catholic Cathedral.
3DELMA-HEIDE.
5Hauser Violin Pupils' Recital.
7SOME thirty young pupils of Carl Hauser, the well-known violinist, of the Philharmonic Society, gave a recital at Carnegie Lyceum last Saturday afternoon, serving to show various degrees of proficiency and talent. These were the players: Walter Binger, Miss Miriam Birdseye, Master Julius Breitenbach, Arthur Carroll, Francis Edwards, Miss Lucile Spencer-Hall, Master Arthur Hauser, Master Edwin Hauser, Master Eric Hauser, Miss Bessie Hays, Miss Bertie Heine, Miss Illa Kahle, Master George Kahle, Dean Langmuir, William C. Macduff, Romeo Manowitch, Arthur Neustadt, Master Franz Obermann, Master Sylvain Ortlieb, Walter Pach, Master Louis Pallay, Master J. Pfeiffenschneider, Max Reich, Master Howard Reiling, Miss Carola Seitz, Master G. Herbert Semler, Master Albert Stirn, Master Albert Trageser, Master Robert Toedt, Master William Zinser. Of the boys, young Obermann possesses most virtuosity, playing the long Vitali Chaconne without the notes and with much spirit. Little Irma Williams-Proschwitzky played the solo in the Bach-Gounod "Ave Maria," the entire class of thirty players uniting in this, and showed that she, too, has much talent and good memory.
9Another ensemble number, enlisting six players, was Hermann's Canzonetta, played by Masters Obermann, Ortlieb, Toedt, Pallay, Hauser and Irma Williams. Master Robert Toedt played well, his number being a Nardini Sonata, in which he showed excellent tone and bowing. The other solo players were Louis Pallay, Sylvain Ortlieb, Wm. C. Macduff, the latter young man playing the difficult Adagio from the Bruch Concerto in G minor; this he did with real feeling, correct intonation, and most musically.
11Mr. Hauser played all the piano accompaniments and directed the ensemble numbers, Miss Grace Trageser playing the piano part.
13A good sized audience attended, and showed by their close attention that they were much interested. Mr. Hauser has certainly a class of much present and still more future promise, and the showing made can well rejoice the hearts of the parents.
15Good Engagements Secured by the American School of Opera Students.
17CECELIA QUINN, for the Morrissey English Opera Company, at the Grand Opera House; Sinclair Gore, for the same organization; Walter Wheatley, as leading tenor for Terrace Garden; Zetti Kennedy, for the Robinson Opera Company, at the New Star Theatre; Andreas Schneider, basso, and Freda Busing, for the William G. Stewart Opera Company, at the Providence Opera House, Providence, R. I.
19Madison Smith, for the Castle Square Opera Company, at the Boston Music Hall, Boston, Mass., and Edna Stern, leading contralto for the Grand Opera House.
21ANNA BUSSERT RETURNS.—This charming singer returns from her month's tour with Herbert's Orchestra fairly well covered with honors, and THE MUSICAL COURIER will later reprint some of the very flattering press notices she received. She leaves for European study this summer, on the 24th of this month, and her friends will look forward to hearing her on her return.
23New York College of Music,
24128-130 East 58th Street.
25ALEXANDER LAMBERT, Director.
26Private Instruction in Piano, Singing, Violin, 'Cello and all branches of music, by a faculty unsurpassed for its excellence.
27SPECIAL DEPARTMENT FOR BEGINNERS.
28All instrumental and vocal students receive free instruction in harmony, counterpoint, vocal sight reading, ensemble playing and free admission to concerts, lectures, etc., etc.
29Students received daily. Catalog sent on application.
30ETHEL L. ROBINSON
31(LONDON CONCERT DIRECTION)
32Telegrams: 11 Wigmore St., Cavendish Square, W.
33"Musikchor, London."
34LONDON, ENGLAND.
35FÉLIX FOX, Pianist
36Address HENRY WOLFSOHN, 131 East 17th St., NEW YORK.
38The Guilmant Organ School.
39COPYRIGHT.
40President:
41ALEXANDRE GUILMANT.
42Director:
43WILLIAM C. CARL.
44Vice-Presidents:
45THÉODORE DUBOIS,
46JULES MASSENET,
47EUGÈNE GIGOUT,
48J. FREDERICK BRIDGE,
49EDMUND H. TURPIN,
50T. YORKE TROTTER,
51CHARLES H. PEARCE,
52GERRIT SMITH,
53JOHN E. WEST,
54W. STEPHENSON HOYT.
55Send for Catalogue.
56Schedule of Work.
57The schedule includes the study of the organ, harmony, counterpoint, orchestration, musical form, musical history, musical analysis, organ tuning and practical work in preparation for the church service.
58Two years constitute the course. Examinations are held at the end of the Fall, Winter and Spring Terms, and diplomas awarded at the end of the second year to all students who successfully pass the examinations and give evidence of their ability.
59A special feature is made of hymn-tune playing and sight-reading.
60Students are prepared for the American Guild of Organists.
61Recitals occur each month during the season, and exceptional advantages for organ practice are offered.
62Students desiring to study the organ under Mr. Carl, without taking the regular course, have the privilege of doing so.
63Vacations occur at Christmas and Easter.
6434 West 12th Street, NEW YORK.
66Vocal—
67Calm as the Night……………………………………………..Bohm
68Good Night…………………………………………………….Mascheroni
69William Arnold.
70Vocal—
71Rose Dark the Solemn Sunset……………………………Hastings
72Summer………………………………………………………..Chaminade
73Elizabeth Meyer.
74Vocal—
75Lullaby, Jocelyn……………………………………………..Godard
76I Will Extol Thee…………………………………………..Costa one of two readings
77I Will Extol Thee……………………………………………Costa one of two readings
78Lillie Deremo.
79Piano—
80Fantaisie, Impromptu………………………………………Chopin
81Tarantelle………………………………………………………Nicode
82Anna M. Frazier.
83Vocal, Aria, Joan of Arc………………………………….Bemberg
84Vocal, All Praise to oGd………………………………….Wagner one of two readings
85Vocal, All Praise to oGd…………………………………….Wagner one of two readings
86Mrs. Lerch, Mrs. Rose Pitton Kabbes, William A. Beck and Mr. Lerch.
87Mr. Lerch is one of the most conscientious and painstaking of teachers. His success is being demonstrated in the growing number of his pupils, who are a credit to him and to his methods of teaching.
89CINCINNATI May 10, 1902. one of two readings
90Richard Schlinoorn presented some of his advanced pupils on the violin in a recital on Saturday evening, May 3, in Steinway Hall. They were assisted by Miss Mazie Homan, pianist, and Miss Irene Clarke, contralto, in the following program: one of two readings
91THE season of closing exercises of the music schools is on and henceforth will be as thick as blackberries on a bush. There will be a brief intermission next week on account of the biennial May Festival. one of two readings
92Miss Mazie Homan, piano; Miss Irene Clarke, contralto; one of two readings
93On Thursday evening, May 8, Miss Dell M. Kendall, mezzo soprano, of the Mme. Tecla Vigna vocal school, was heard in a song recital at the Aeolian Hall, presenting the following program: one of two readings
94Miss A. Hill, Mrs. C. Crumb, Miss M. Brand and Miss M. Harall, accompanists. one of two readings
95Tannhäuser Overture………………………………………Wagner one of two readings
96Fantaisie, Trovatore…………………………………………Singelée one of two readings
97Æolian pipe organ. one of two readings
98Master Carl Crumb. one of two readings
99Aria from Tannhäuser, Elizabeth's Prayer…………………Wagner one of two readings
100Concerto No. 5……………………………………………….De Bériot one of two readings
101With Æolian pipe organ accompaniment. one of two readings
102Miss Else Fritsch. one of two readings
103Oh! Had I Jubal's Lyre………………………………….Händel one of two readings
104Sonata in D minor…………………………………………..Rust one of two readings
105Woman's Love……………………………………………..Schumann one of two readings
106Miss Pauline Dittrich. one of two readings
107Seit ich ihn gesehen. one of two readings
108Kammenoi-Ostrow…………………………………………..Rubinstein one of two readings
109Er der Herrlichste von Allen. one of two readings
110Miss Mazie Homan. one of two readings
111Ich kann's nicht fassen, nicht glauben. one of two readings
112Sonate in G minor…………………………………………Tartini one of two readings
113Du Ring an meinem Finger. one of two readings
114John Hoffmann. one of two readings
115Helft mir, ihr Schwestern. one of two readings
116Swedish Dances……………………………………………..Bruch one of two readings
117Süßer Freund, du blickest mich verwundert an. one of two readings
118Malcolm Dunsmore. one of two readings
119An meinem Herzen, an meiner Brust. one of two readings
120Disappointment……………………………………………..Harris one of two readings
121Nun hast du mir den ersten schmerz gethan. one of two readings
122Selection………………………………………………………Bach one of two readings
123Scherzo Brillante…………………………………………….Wollenhaupt one of two readings
124My Heart Ever Faithful…………………………………….Bach one of two readings
125Le Ruisseau………………………………………………….Wollenhaupt one of two readings
126Violin obligato, Mr. Dunsmore. one of two readings
127Pianola. one of two readings
128Miss Irene Clarke. one of two readings
129The Wooing………………………………………………….Sieveking one of two readings
130Kol Nidrei…………………………………………………….Bruch one of two readings
131Merry, Merry Lark…………………………………………Nevin one of two readings
132Miss Jeanette Peterson. one of two readings
133Auf Wiedersehen…………………………………………..Cole one of two readings
134Fantaisie Impromptu………………………………………Chopin one of two readings
135The Maidens of Cadiz………………………………………Tosti one of two readings
136Miss Mazie Homan. one of two readings
137Aria from Cenerentola, Nacqui all' affanno, al pianto……..Rossini one of two readings
138Ballade et Polonaise………………………………………..Vieuxtemps one of two readings
139Rondo, Non piu mesta, accanto al fuoco. one of two readings
140Miss Jessie Jay. one of two readings
141Miss Kendall's voice has both lyrical and dramatic quality. She sings with a good deal of intelligence and poetic expression, and is altogether a bright example of Miss Vigna's correct methods of vocalization and vocal teaching. Miss Kendall's intention is to devote herself to a concert career. one of two readings
142Miss Else Fritsch is a wee bit of a girl of fourteen or fifteen, and for her age displayed an extraordinary facility of execution. The most advanced pupil is Miss Jessie Jay, whose matured playing was that of an artist. one of two readings
144An interesting recital, out of the ordinary, was given by the pupils of H. C. Lerch, of the Clifton School of Music, on Tuesday evening, May 6, in Aeolian Hall. They were assisted by the following quartet: Mrs. Lerch, Mrs. Rose Pitton Kabbes, Wm. A. Beck and Mr. Lerch. Program was presented as follows: one of two readings
145Pianola, Polonaise, op. 11………………………………….Moszkowski one of two readings
146Vocal— one of two readings
147Bring Her Again to Me……………………………………Hastings one of two readings
148My Love Will Come………………………………………de Koven one of two readings
149Freda Khuon. one of two readings
150Vocal— one of two readings
151Could I………………………………………………………..Tosti one of two readings
152Sing to Me……………………………………………………Denza one of two readings
153Amanda Schroer. one of two readings
154Vocal— one of two readings
155My Little Love……………………………………………..Hawley one of two readings
156A Dream of Paradise………………………………………Gray one of two readings
157Frank Loewe. one of two readings
158Vocal— one of two readings
159Aria, With Verdure Clad…………………………………Haydn one of two readings
160A Song of Sunshine……………………………………….Thomas one of two readings
161Eleanore Schopp. one of two readings
162Piano— one of two readings
163Aufschwung…………………………………………………Schumann one of two readings
164Mazurka………………………………………………………Saint-Saëns one of two readings
165Lena Benz. one of two readings
166(no line here) one of two readings
167Arthur J. H. Barbour, professor of organ at the Cincinnati Conservatory of Music, gave a most instructive and artistic recital on Thursday, May 8. The program was chosen from compositions of the French and Belgian schools of organ literature. The old baronial hall of the Conservatory was filled with a cultured audience.
168Between the numbers Mr. Barbour gave interesting synopses and analyses, which were greatly enjoyed by the large and enthusiastic audience.
169During the summer term, Mr. Barbour will lecture on "Church Music in America."
170Mr. Barbour's organ recital at the Conservatory of Music during the past week embraced the following program:
171French and Belgian Composers.
172Andantino, G minor………………………………………César Franck
173Pastorale, F major……………………………………….Claussmann one of two readings
174Pastorale, F major………………………………………..Claussmann one of two readings
175Absoute (Absolution)……………………………………Th. Salome one of two readings
176Absoute (Absolution)…………………………………….Th. Salome one of two readings
177Grand Chœur, D major…………………………………..H. Deshayes
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