Bow & Bridge Violin and bow makers, as the old books printed them

Scan 20

Musical Courier 1902-08-20: Vol 45 Iss 1169, 1902

153 lines. Read by computer on 22 September 2026, twice; the two readings disagreed in places. Printed page 21. See the scan on archive.org.

A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.

1CONCERT AT NORTH ASBURY PARK.
3A CONCERT with dramatic numbers was given last Friday evening, August 15, at the Hotel Franklin, North Asbury Park, N. J., for the benefit of the Municipal Hospital. The entertainment was cleverly managed by Frank Cuddey, of Brooklyn, N. Y. Mrs. Cuddey accompanied for the vocal and violin solos. The program was enjoyed by a large and fashionable audience:
5Violin solo, Cavatina…………………………………………..Raff George F. Moore, of New York city.
6Vocal Lanciers (Fancy Dance)………………………………………(Dances arranged by Prof. George E. Rutherford, of Poughkeepsie, N. Y.)
7Misses Marie and Alice Dunn, Jean Marks and Marjorie Horton, Masters Everett and Walter Finch, Cyril Klein and Harold Whitcoock.
8Chinese song and dance. one of two readings
9Master George Rutherford. one of two readings
10Chinese song and dance………………………………………Master George Rutherford. one of two readings
11Violin duet, Pleyel……………………………………………..Miss Vivien Bryan and George Moore.
12Character Dance, Negro. one of two readings
13Song character, When Shakespeare Comes to Town, Jerome and Black B. W. Parmenter. one of two readings
14Character Dance, Negro………………………………………Song character, When Shakespeare Comes to Town. Jerome and Black B. W. Parmenter. one of two readings
15Fancy dance, Le Petite Fleur………………………………………Miss Marjorie Horton
16Tenor solo, For All Eternity………………………………………Mascheroni
17Thos. D. Powell, of South Kansas (pupil of Mme. Ogden Crane).
18Baritone solo— one of two readings
19The Shade of the Palm…………………………………………..Stuart Violeta one of two readings
20Baritone solo—The Shade of the Palm……………………………….Stuart Violeta one of two readings
21W. H. Thompson.
22(Courtesy of Charles W. Smith, of Ross-Fenton Farm).
23Soprano solo, Elsa's Dream………………………………………Wagner
24Miss Sadia Pounds, of Paterson, N. J. (pupil of Mme. Ogden Crane).
25Recitations— one of two readings
26As the Moon Rose……………………………………………..Phelps one of two readings
27Recitations—As the Moon Rose………………………………………Phelps one of two readings
28Her Letter………………………………………………………..Harte
29Miss Rose Maxwell.
30Baritone solo— one of two readings
31The Chase………………………………………………………..Mattei one of two readings
32Baritone solo—The Chase………………………………………Mattei one of two readings
33Mary………………………………………………………..Burns
34The Old Garden……………………………………………..Temple
35James D. Fitzgerald, late of London, England.
36Poetic and dramatic recital— one of two readings
37My Ships………………………………………………………..Wilcox one of two readings
38Poetic and dramatic recital—My Ships………………………………………Wilcox one of two readings
39The Jolly Old Pedagogue………………………………………Arnold
40The Chariot Race, from Ben Hur……………………………….Wallace
41B. Russell Throckmorton, of New York city.
42Selections by quartet from The Farm.
44Fanciulli.
46THE Washington Capital of last week published the following:
47"Our old friend Professor Fanciulli, formerly leader of the Marine Band, has been in town, and the town knows it. Fanciulli, perhaps, was one of the most popular musicians we ever had. He did really wonderful things for the Marine Band, and despite his aggressive character made friends of the men under him. The class of music given under his direction of the band was of a high order, and for that reason Professor Fanciulli was not as popular with the masses as his intrinsic merit warranted. He will be in the city but long enough to make an arrangement with the committee having charge of the music for the G. A. R. encampment."
49Leopold Winkler's Busy Summer.
51LEOPOLD WINKLER is one of the local pianists who has had a busy and prosperous summer at home. Mr. Winkler has played at several places near the city and at the concerts in the Circle Auditorium. That his performances had been regarded as musical events may be understood from reading the following extracts:
53Last week the feature of the symphony night was clearly, and in spite of Dr. Dvorak's "New World" symphony, Leopold Winkler's performance of Beethoven's G major concerto. Dohnyani gave a memorable performance of the work, which is much less known than the "Emperor." But Mr. Winkler's performance was especially noteworthy for the success with which the pianist brought out the essentially intimate character of the composition, which, in spite of its scoring for piano and orchestra, is really, as he made it appear, a piece of chamber music meant to please and to be appreciated by the select few. The completeness with which the pianist put his technical equipment in subordination to his sense of the meaning of the composition, and renounced chances for the display of virtuosity, was noteworthy and highly artistic.—New York Times, Sunday, August 17, 1902.
55Among the best of the local pianists is Leopold Winkler, who is this year and was last a favorite soloist at the Kaltenborn concerts. Mr. Winkler's specialty, so far as a pianist has a specialty, is Liszt, and he plays the works of this composer admirably.—Commercial Advertiser, New York, Saturday, August 2, 1902.
57The Commercial Advertiser of August 2 also published an excellent portrait of Mr. Winkler. At the Kaltenborn concert tomorrow evening (Thursday) Winkler will play Schubert's "Wanderer Fantasie."
59An American Student in Paris.
61E. M. BOWMAN is at the Hotel St. Petersbourg, in Paris, with Mrs. Bowman and Miss Bessie Bowman, and writes that he is entirely satisfied with the progress that his daughter has made in her studies. As showing that she has worked assiduously under Madame Marchesi and Jacques Bouhy, Mr. Bowman mentions that Miss Bowman has thoroughly learned, besides committing a good part of them to memory, one or two, and in some cases more, songs in French, Italian or German by Carissimi, Pergolesi, Paisiello, Handel, Schubert, Brahms, Berlioz, Saint-Saëns, Bizet, Massenet, Widor, Lalo and Augusta Holmès. This month, Miss Bowman, accompanied by Mr. and Mrs. Bowman, will go to Wales for a brief rest, and then to London.
63Oratorio and concert songs will be the field of Miss Bowman's effort. This has always been her aim, and to it her voice and talents are adapted.
65RECITALS BY ERSKINE PORTER.
67ERSKINE PORTER, the boy soprano, gave two very successful recitals during this past week, one at Watch Hill House, Watch Hill, R. I., on the 4th, and the other at the Imperial, Narragansett Pier, on the 6th. His numbers were received with tremendous enthusiasm by the large and fashionable audiences, which thronged the ballrooms and verandas. Many of those present expressed great wonder at the boy's clear, ringing voice, finished style, absolutely correct time and memory, and many were the congratulations which were showered upon the little artist when he stepped down from the platform.
69Following are the program and press notices:
71These Are They (The Holy City)………………………………………Gaul one of two readings
72These Are They (The Holy City)……………………………….Gaul one of two readings
73Hush, My Little One……………………………………………..Bevignani one of two readings
74Hush, My Little One…………………………………………Bevignani one of two readings
75The Merry Brown Thrush………………………………………Dudley Buck
76Summer………………………………………………………..Chaminade
77The Four Leaf Clover……………………………………………..Brownell one of two readings
78The Four Leaf Clover…………………………………………Brownell one of two readings
79You and I………………………………………………………..Liza Lehmann one of two readings
80You and I………………………………………………………Liza Lehmann one of two readings
81The Last Rose of Summer (Irish air)……………………………….Moore
82A May Morning……………………………………………….Denza
83Waiting………………………………………………………..Millard
84Japanese Lullaby……………………………………………….Neil one of two readings
85Japanese Lullaby……………………………………………..Neil one of two readings
86The Little Red Fox (old Irish)…………………………………….Jessie Gaynor one of two readings
87The Little Red Fox (old Irish)………………………………….Jessie Gaynor one of two readings
88The Slumber Boat……………………………………………..Mrs. H. H. A. Beach one of two readings
89The Slumber Boat…………………………………………….Mrs. H. H. A. Beach one of two readings
90Wouldn't That Be Queer?………………………………………A. Mack one of two readings
91Wouldn't That Be Queer?…………………………………….A. Mack one of two readings
92Jack o' Lantern……………………………………………….Yerman
93Who'll Buy My Lavender?………………………………………Home, Sweet Home. one of two readings
94Who'll Buy My Lavender?…………………………………….Home, Sweet Home. one of two readings
96Probably the best and largest attended entertainments of all the entertainers who have been at the Hill this summer was Erskine Porter, the boy soprano, of New York. Master Porter is only nine years of age, and has a remarkably sweet and clear voice. He commenced regular study when he was but seven years of age, and in his eighth year was soloist of St. Mary's Episcopal Church, in Brooklyn. Master Porter's program consisted of sixteen songs, and at the end seemed to sing as strongly as at the first. His rendering of "The Last Rose of Summer," "Who'll Buy My Lavender?" and "Home, Sweet Home," were particularly pleasing to the audience who crowded the ballroom and verandas. He is to sing at the Imperial Hotel at Narragansett Pier on Wednesday.—The Westerly Daily Sun, Tuesday, August 5.
98At the Imperial last night Erskine Porter, the nine year old boy soprano, appeared and gave a recital of song before a fashionable assembly. He has a rich, clear soprano voice, and his singing gave much pleasure to those present. Master Porter has been soloist at St. Mary's Church, Brooklyn, N. Y., and his repertory consists of over one hundred sacred and secular songs. His program included "You and I," by Lehmann; "Summer," Chaminade; "A May Morning," Denza; "Japanese Lullaby," Neil, and "The Slumber Boat," by Gaynor, all of which were charmingly rendered.—The Daily Times, Narragansett Pier, August 7.
100WEBER'S BAND.—Reports from Cincinnati, Ohio, speak of the big success attending the tour of John C. Weber's band. Louisville, Indianapolis and Cincinnati papers speak highly of the work of the organization.
102Mme. VON KLENNER, Garcia Representative.
103Voice Culture, Style and Repertoire in Four Languages.
104SUMMER SCHOOL:
105Lakewood, Chautauqua Lake, New York.
106PARIS EXPOSITION, 1900.
107Only Honorable Mention or Distinction of Any Vocal Instructor.
108AFTER OCTOBER 1,
109230 West 52d Street, NEW YORK.
111ADELINA SILSA, BRILLIANT HIGH SOPRANO.
112(IN LONDON, MAY-JULY: AMERICA, 1903.)
113Address: H. DELMA, Via Bettino Ricasoli No. 2, MILAN, ITALY.
115MAUD MAC CARTHY
116VIOLINIST.
117ENTIRE SEASON 1902-3.
118DIRECTION: HENRY WOLFSOHN.
119THE ONLY "LESCHETIZKY"
120SCHOOL OF PIANO PLAYING IN AMERICA.
121Named after PROF. THEO. LESCHETIZKY, of Vienna, by his special permission.
122Mme. DE WIENZKOWSKA, DIRECTRESS AND FOUNDER.
123PROF. LESCHETIZKY'S Sole Principal Assistant in this country, formerly in Vienna; also Concert Pianiste.
124CARNEGIE HALL. Address Communications: 147 W. Eighty-second St., NEW YORK CITY.
125LESCHETIZKY—"Mme. Wienzkowska's success as a piano virtuosa and teacher is eminent."
126PADEBEWSKI—"Mme. Wienzkowska is a finished pianiste and possesses an extraordinary ability of communicating to others a complete knowledge of her art."
127HANS RICHTER—"I consider you an artist of finest esprit and taste, and a representative of a most solid school."
129DAVID BAXTER.
130Eminent Scotch Basso.
131In America, beginning November.
132Oratorio, Concert and Recital.
133SPECIALTY:
134Scotch Ballad Recitals.
135TOUR NOW BOOKING.
136Sole Direction:
137LOUDON G. CHARLTON
138CARNEGIE HALL.
140ANTONIA SAWYER,
141Contralto.
1421690 Broadway,
143NEW YORK.
145CONSERVATORY OF THE SOCIETY OF THE MUSIC FRIENDS IN VIENNA.
146Instruction in the Master School of Piano Playing in the newly founded Society of Music Friends in Vienna will begin under the direction of Emil Sauer in September, 1902.
147Application for entrance must be made not later than September 15 of this year to the direction of the Conservatory in Vienna.
148A certificate as to previous musical education, nativity, and state of health is required.
149The initiation fee is 10 Kronen (about $3), and the yearly tuition fee 600 Kronen ($180), payable in three different installments, in advance.
150The examination for entrance will take place on the 23d of September, and the applicants must be able to play a Prelude and Fugue from J. S. Bach's "Well-Tempered Clavichord," something of their own selection, classical as well as modern, and from memory. Applicants will have to bind themselves to attend each school year. one of two readings
151The examination for entrance will take place on the 23d of September, and the applicants must be able to play a Prelude and Fugue from J. S. Bach's "Well-Tempered Clavichord," something of their own selection, classical as well as modern, and from memory. Applicants will have to bind themselves to attend one school year. one of two readings
152All other details will be found in the Prospectus of the Conservatory, which can be had on application, and all letters must be addressed to the Directors of the Conservatory.

The computer misreads some letters and numbers. Where a name matters to you, read the scan.