Scan 30
Musical Courier 1902-08-20: Vol 45 Iss 1169, 1902
129 lines. Read by computer on 21 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1THE MUSICAL COURIER.
3GRAND PRIX.
5BALDWIN PIANOS
6ARE IDEAL CREATIONS OF ARTISTIC ENDEAVOR.
7D. H. BALDWIN & CO.
8142-144 West Fourth Street, CINCINNATI, OHIO.
9257 Wabash Avenue, . . . CHICAGO, ILL.
11PARIS 1900.
13STRICH & ZEIDLER,
14STRICTLY HIGH-GRADE GRAND AND UPRIGHT PIANOS,
15134th Street and Brook Avenue, . . . NEW YORK.
17POPULAR PEASE PIANOS.
19CONCERT DIRECTION
20(Agency Founded 1870.)
21HERMANN WOLFF.
22Germany: Berlin and Flottwellstrasse 1.
23Cable address: Musikwolff, Berlin.
24Proprietor and Manager of the Philharmonic Concerts, Berlin; the new Subscription Concerts, Hamburg; the Hechstein Hall, Berlin.
25Sole Representative of most of the leading artists, viz. Joachim d'Albert, Lavanhauser, Mme. Carreño, Mlle. Kleberg, Mlle. Marcelia Zembrih, Emil Goetz, the Berlin Philharmonic Orchestra, Manager of the American tours of Josef Hofmann, Eugen d'Albert and Pablo de Sarasate.
26Principal Agency for Music Teachers.
27APPLY FOR CATALOGUE.
29PEASE PIANO CO.
30Factories: West 43d Street.
31Office and Salesrooms: 109 West 42d Street,
32NEW YORK.
34HANS TIETGEN,
35VIOLIN MAKER
36and dealer in Old Italian Violins.
38Importer of VENETIAN and
39Prepareo Roma "Pure Quint" Strings.
4032 Union Square East,
41NEW YORK CITY.
43A. B. CHASE
44PIANOS.
45Highest type of Artistic Instruments
46For the pianist, the singer, the teacher,
47the student, the conservatory, the concert.
48Factory at NORWALK, OHIO.
49REFERENCE: The Editor-in-Chief of THE MUSICAL COURIER.
51Royal Conservatory of Music and Theatre, Dresden, Germany.
52Forty-sixth Year, 1899-1900: 1,277 Pupils; 72 Recitals. 118 Instructors, among whom are:
53Frau Auer-Herbeck, Bachmann, Braunroth, Döring, Dreeseke, Fährmann, Frau Falkenberg, Fuchs, Höpner, Janssen, Iffert, Kluge, Fr. von Kotzebue, Krause, Mann, Fr. Orgeni, Paul, Frau Rappoldi-Kahler, Remmert, Reuss, Schmole, Von Schreiner, Schulz-Heuthen, Fr. Sievert, Fr. Spitt, Starcke, Troedel, Wolff, Ursula Voss, etc. The Conservatory is the home of the Royal Court Orchestra, headed by Concertmaster Rappoldi, Grätzmacher, Feigerl, Bauer, Bierling, Fricke, Gabler, Wolfmann, etc. Education from beginning to finish. Full courses or single branches. Principal admission times begin April and September. Admission granted also at other times. For prospectus and other information apply to our American Representative.
54E. A. LEOPOLD, Vocal Instructor, NEW HAVEN, CONN.
56The Stern Conservatory of Music,
57FOUNDED 1850.
5822. Bernburgerstrasse (Philharmonie), Berlin, S. W.
59Royal Professor GUSTAV HOLLAENDER, Director.
60CONSERVATORY: Development in all branches of music. OPERATIC AND DRAMATIC SCHOOL: Complete Training for the Stage. ORCHESTRAL SCHOOL (comprising all solo and all orchestral instruments). Choral and Orchestral training for teachers. CHORUS SCHOOL. ELEMENTARY PIANO AND VIOLIN SCHOOL.
61Principal Teachers: HARMONY AND COMPOSITION—Max Loewengard, Hans Pfitzner, Prof. Philipp Rother, Prof. E. E. Laubert. VIOLIN—Emmi Koop, Felix Dreyachow, Anton Fiedler, Oskar Feiner, Prof. Ernest Jedlicka. A. Papendick, Gustav Pohl, A. E. E. E. Taubl, Gunther Freudenberg. SINGING—Frau Prof. Selma Nicklass-Kempner, Mme. Bianche Corelli, Wladyslaw Sedlmann, Alexander Reinmann. OPERATIC AND DRAMATIC CLASS—Jacques Goldberger. VIOLIN—H. Halle, Wilhelm Bernhard, etc. PROF. Gustav Gilliatt, Bernhard Hass, Willy Nickling, W. Rampelmann. 'CELLO—Eugen Sandow. HARP, HARMONIUM—Franz Poenitz. ORGAN—Anto Dinkel, Royal Music Director, &c. one of two readings
62Principal Teachers: HARMONY AND COMPOSITION—Max Loewengard, Hans Pfitzner, Prof. Philipp Rother, Prof. E. E. Laubert. VIOLIN—Emmi Koop, Felix Dreyachow, Anton Fiedler, Oskar Feiner, Prof. Ernest Jedlicka. A. Papendick, Gustav Pohl, A. E. E. E. Taubl, Gunther Freudenberg. SINGING—Frau Prof. Selma Nicklass-Kempner, Mme. Bianche Corelli, Wladyslaw Sedlmann, Alexander Reinmann. OPERATIC AND DRAMATIC CLASS—Jacques Goldberger. VIOLIN—Halle, Wilmann, Hennig, etc. PROF. Gustav Gilliatt, Bernhard Hass, Willy Nickling, W. Rampelmann. 'CELLO—Eugen Sandow. HARP, HARMONIUM—Franz Poenitz. ORGAN—Anto Dinkel, Royal Music Director, &c. one of two readings
63Charges: Frauen, 100 Marks ($100) to 500 Marks ($1200) Annually.
64Prospectuses may be obtained through the Conservatory. Pupils received at any time. Consultation hours from 11 a. m. to 1 p. m.
66Klindworth-Scharwenka Conservatory of Music.
67BERLIN W., STEGLITZERSTRASSE, 19.
68Director: Dr. HUGO GOLDSCHMIDT. Principal Teachers: PROF. XAVER SCHARWENKA, K. K. Hofpianist; P. H. SCHARWENKA, C. ANSORGE, W. BERGER, W. LEIPHOLZ, MAYER-MAHR (Piano); GOLDSCHMIDT, LINA BECK (Singing); ZAJIC, GRUENBERG, VAN BRENNERBERG (Violin); VAN LIER (Cello); KNUPFER (Opera).
69Pupils received at any time.
71THE NEW LOCATION OF THE
72Cincinnati Conservatory of Music,
73MISS CLARA BAUR, Directress,
74HIGHLAND AVENUE AND OAK STREET.
75The Conservatory instructs, trains and educates those seeking a musical education after the best methods of foremost European Conservatories.
76The faculty includes some of the leading Artists and Musicians of America.
77The environment of the NEW LOCATION, with respect to refinement, home comfort and luxurious surroundings, is ideal.
78DELIIGHTFULLY LOCATED on the hills overlooking the city, in the FINEST BUILDING DEVOTED TO MUSIC IN AMERICA.
79Day and boarding pupils enrolled at any time.
80For catalogue address
81MISS CLARA BAUR,
82Cincinnati Conservatory of Music,
83Highland Ave. & Oak St., CINCINNATI, Ohio, U.S.A.
85HUGO GORLITZ
86119 New Bond Street,
87LONDON, W.
88European-American Concert Bureau
89Nine years Director of Paderewski's Tours
90Sole Agent and Manager of Kubelik.
91AMERICAN TOUR OF KUBELIK, 1901-1902
92Under Management of
93MR. DANIEL FROHMAN & MR. HUGO GORLITZ.
95ASHTON'S ROYAL AGENCY
9638 Old Bond St., LONDON, W.
97BY APPOINTMENT TO
98His Majesty The King, Her Majesty Queen Alexandra, and
99Their Royal Highnesses Prince and Princess of Wales.
100Concert, Theatrical, Variety.
101Artists introduced, Tours and Concerts arranged and managed.
102The Royal Agent for Drawing Room Entertainments.
104CONCERT DIRECTION
105CHARLES KING,
106312 Regent Street, London, W.
107Telegraphic Address: "ARTISTLIKE, LONDON."
108AGENCY FOR LEADING ARTISTS AND MUSICAL ORGANIZATIONS.
109RECITALS DIRECTED AND MANAGED.
110TOURS ARRANGED. WRITE AND ARRANGE APPOINTMENT.
112THE CONCORDE CONCERT CONTROL
113and Orchestra, Entertainment and Lecture Bureau.
114Telephone: 4153 GERRARD. Telegrams: "CONCORDIST, LONDON." Cable Code: THE CONCORDE CODE.
116"Hundertakes Good Artists Only."
117The St. James Budget says: Mr. Norman Concorde is the most energetic and up to date man in his profession.
118Music says: The C. C. C. is influenced solely by artistic merit.
119The Musical Courier says: His name has become a guarantee of artistic merit.
120The Zeitschrift fur Musik (Leipzig) says: Herr Concorde's principium besteht darin: wenig zu versprechen und viel zu halten.
121The Court Chronicle says: He is most reliably served in London.
122Address: 310 Regent St., London, W.
124Hazelton Brothers
125PIANOS,
126THOROUGHLY FIRST-CLASS IN EVERY RESPECT,
127APPEAL TO THE HIGHEST MUSICAL TASTE.
128Nos. 34 & 36 University Place, New York.
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