Scan 29
Musical Courier 1902-08-27: Vol 45 Iss 1170, 1902
273 lines. Read by computer on 22 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
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1entirely new to our programs, and to almost all American musicians.
3The orchestral works offered are in great measure wholly new to the festival, and are mostly modern, though the older generations of composers are generously remembered.
5The engagement of Ossip Gabrilowitsch as solo pianist has, since its announcement in the daily press, caused more than usual hearty congratulations, for this superb artist is an attraction of great strength.
7The festival chorus of nearly 400 voices will be supported by the festival orchestra of sixty-five men, picked from the Boston Symphony Orchestra.
9The choral works to be presented and the artists who will appear in them are as follows:
11"Judith," Lyric Drama by G. W. Chadwick.
12Judith………………………………………Mme. G. M. Stein
13Achior………………………………………Theodore van Yorx
14Ozias……………………………………….Herbert Witherspoon
15Sentinel…………………………………….Theodore van Yorx
16Holofernes…………………………………Giuseppe Campanari
18Christmas Oratorio (Parts 1 and 2), Bach.
19Soprano…………………………………….Mme. Marie Zimmerman
20Contralto…………………………………..Miss Janet Spencer
21Tenor………………………………………..Theodore van Yorx
22Bass…………………………………………Frederic Martin
24These portions of the work have their first presentation at a Worcester Festival, and this production is one of very few attempted in America.
26Upon this occasion the second half of the program will present the closing scene of the first act of "Parsifal," Mr. Martin singing the part of Gurnemanz.
28Performances of choral excerpts from this opera are also most infrequent in America. The portion to be given at this festival is probably the most impressive and beautiful of the entire work.
30Hora Novissima, H. W. Parker.
31Soprano…………………………………….Mme. Suzanne Adams
32Contralto…………………………………..Miss Janet Spencer
33Tenor………………………………………..George Hamlin
34Bass…………………………………………Herbert Witherspoon
36The concluding concert will introduce as soloists Madame Adams, Madame Stein, Mr. Hamlin and Mr. Campanari, who will be heard not only in concert numbers, but in Faure's beautiful work, "The Birth of Venus," which will receive its first public performance in America upon this occasion.
38The orchestral works to be performed include these:
39Concerto for Trumpet, Flute, Oboe, Violin, No. 2…Bach
40Overture, "Leonore"………………………..Beethoven
41Overture, "Fingal's Cave"………………….Mendelssohn
42Overture, "Roman Carnival"………………..Berlioz
43Ballet music, "The Vine"……………………Rubinstein
44Prelude, "Parsifal"…………………………Wagner
46Overture, "Tannhäuser"……………………..Wagner
47Symphony in D minor………………………..César Franck
48Symphony in C minor………………………..Saint-Saëns
49Symphony, "Pathetic"……………………….Tschaikowsky
50Symphonic Poem, "Viviane"………………….Chausson
51Love scene from "Feuersnoth"……………….Richard Strauss
52Love poem, "Avant que tu ne t'en ailles"…C. M. Loeffler
53Romance, "Festival of Pan"…………………Converse
54Concert Overture, "Blomidon"……………….Curry,
56The sale of tickets for the festival will be held in Washburn Hall, Worcester, Mass., at 10 o'clock, Wednesday, September 17, 1902. With the exception of twenty seats reserved for the press and artists, every seat in Mechanics Hall will be offered for the choice of the public.
58The price of season tickets exclusive of premiums will be $7 each.
60Wagner heads the list at the Vienna Opera with ten works and sixty-two performances.
62PARIS.
64SCHOOL FOR ACTING.
65EMIL BERTIN,
661er Régisseur de la Scène de l'Opéra Comique.
67Stage Practice. In Cast.
6841 rue des Martyrs, Paris.
70LA VILLA VIOLETTE
71TROCADERO,
7222 rue Raynouard. Madame Fiessinger.
73Assortment of rooms. Excellent table. Gardens. All facilities of 'bus and tram.
75DELLE SEDIE, Paris.
76Pure Italian Method. Complete course. Stage practice. Voice, lyric, declamation, language, solfège, ensemble music, mise-en-scène. one of two readings
77Pure Italian Method. Complete course. Stage practice. Voice, lyric, declamation, language, sol-fège, ensemble music, mise-en-scène. one of two readings
78Class and single lessons. Terms moderate.
7930 rue St. Petersbourg.
81FRENCH SCHOOL
82M. DUMARTHÉRAY,
83From Sounds to Literature, Pronunciation, Accent, Conversation.
84(Opera.) 14 rue Taïtibout.
86Mme. FLORENZA d'ARONA,
87VOCAL PROFESSEUR, PARIS.
88From May until October.
89Odensegade 4.
90Copenhagen, Denmark.
92MISS JULIA KLUMPKÉ, one of two readings
93MISS JULIA KLUMPKE, one of two readings
94VIOLINISTE.
95Pupil of MM. Eugène Ysaye and G. Rémy. one of two readings
96Pupil of MM. Eugene Ysaye and G. Rémy. one of two readings
97Concerts, Musicales, Lessons, Violin and Accompaniment.
9810 rue Froidevaux.
100Mme. ROSINE LABORDE,
101PROFESSEUR DE CHANT.
10262 rue de Ponthien, Paris.
104MLLE. GRACE LEE HESS
105Supplementary Education. SCHOOL.
106French Language Obligatory.
107145 Avenue Victor Hugo, Paris.
109MLLE. KIKINA,
110PROFESSEUR DE CHANT.
111Ancienne Elève de MARCHESI.
112100 Avenue de Villiers, Paris.
114Entirely New. The
115Chas. F. Albert's
116Artist Rosin.
117Composed of an entirely new mixture, specially adapted to solo work. It has that velvet-like friction and does not powder; trial will convince.
118Chas. Gregorowitch pronounces it the best in the world. Price, 30 cents, postpaid.
119CHAS. F. ALBERT,
120Manufacturer,
121205 South Ninth St., Philadelphia.
123Dr. HENRY G. HANCHETT
124136 Fifth Avenue, New York City.
125LECTURE RECITALS.
127PIANO INSTRUCTION. one of two readings
128(no line here) one of two readings
130PARIS.
132BALDELLI,
133ITALIAN BARITONE.
134Théâtre Royal, Madrid. Professeur de Chant.
135(Champs Elysées.) 6 rue Euler, Paris.
137MLLE. NILANDE,
138Authorized Teacher of the Yersin Phono-Rhythmic Method. French Diction. French Language.
139(Ave. Marceau.) 22 rue de Chaillot.
141MLLE. MARTINI,
142Artiste Opéra, Opéra Comique, Théâtre Lyrique, Professor of "Mime." Silent Interpretation, Stage Business, Gesture, Pantomime, &c.
1433 rue Nouvelle, Paris.
145THE FRENCH LANGUAGE
146Rapidly, easily and correctly acquired by
147G. FRANCE, post free.
148Private lessons by M. D. Kimon,
14910 rue Cambon, Paris.
151MME. J. VIEUXTEMPS,
152VOCAL PROFESSOR.
153Classes and Private Lessons. Placing and Mending of Tones. 25 rue de Tocqueville (Monceau).
155London, England.
157Mr. Edwin Wareham,
158Principal Tenor Covent Garden, etc.
159LESSONS IN VOICE PRODUCTION AND SINGING.
160Address:
16192 Carlton Hill, St. John's Wood, London, N. W.
162Studio: Bechstein's, 40 Wigmore Street, W.
163Will be in Chicago during July and August.
164Address care of Musical Courier.
166RENE PAPIN,
167Authorized Representative of the Yersin Method of French Diction.
1687 Dorset Square N. W., London.
169(Near Baker Street station.)
171MME. EMMA WIZJAK,
172Voice Culture and Art of Singing.
173Italian Method.
174Address: 149 West 47th Street, New York.
176Mesdemoiselles YERSIN,
177Authors of the
178PHONO RHYTHMIC FRENCH METHOD.
179Winter address:
180465 Lexington Avenue, NEW YORK.
181Summer address:
182Newport House, BAR HARBOR, ME.
184MISS EMMA HOWSON,
185VOCAL INSTRUCTION.
186Lamperti Method Perfectly Taught.
187Church, Opera, Concert.
188Tuesdays and Fridays, 110 Carnegie Hall, New York City.
190London, England.
192Edouard Darewski,
193PROFESSOR OF SINGING.
194Percy House, Randolph Rd., Maida Vale, London.
195Paderewski, writing in March, 1898, says: "I know your remarkable qualities both as a singer and as a vocal teacher, and especially your method, which is ITALIAN IN THE BEST SENSE OF THE WORD."
197MME. MORIANI.
198Private Academy for Voice Training and School for Opera.
199Complete Training for Voice, Style, and the Different Repertoires.
200Special Classes for Gentlemen on each Monday and Thursday from 5 to 7.
201Madame Moriani will continue her Lessons from July 1 to October on the Continent, thus affording change of air.
202French Diction and Acting with Mr. Vermandele, who has taught her pupils in Belgium for fourteen years.
203For terms and particulars write to the Secretary of Madame Moriani's School, St. Ermin's Hotel, Westminster, London, England.
205MARIE WITHROW,
206VOICE PRODUCTION.
20784 New Bond Street, London.
209PROF. MICHAEL HAMBOURG'S
210Academy for the Higher Development of Pianoforte Playing.
2112 Clifton Gardens, Maida Vale.
213COLOGNE-ON-THE RHINE.
214Found in 1850.
215The Conservatory of Music.
216Principal:
217PROFESSOR DR. FR. WULLNER.
219The Conservatory embraces: First, Instrumental (comprising all solo and all instrumental instruments); second, Vocal, and, third, Theory of Music and Composition Schools.
220The Vocal School is divided into two sections—(a) concert singing and (b) operatic singing. There is also a training school for pianoforte teachers. In connection with these subjects there are classes for Italian, German literature, harmony, choral singing, ensemble playing (chamber music), ensemble singing, vocal diction, elocution, sight reading, orchestral playing, conducting, &c. &c. Teaching staff consists of forty teachers.
221Winter term begins September 15; Summer Term, April 1. Entrance examination takes place on the same days at the College (Wolfsstrasse 3-5). The yearly fees are 300 marks ($75) for piano, violin, and other orchestral instruments; 200 marks ($50) for all the other orchestral instruments, and 400 marks ($100) for solo singing. one of two readings
222Winter term begins September 16; Summer Term, April 1. Entrance examination takes place on the same days at the College (Wolfsstrasse 3-5). The yearly fees are 300 marks ($75) for piano, violin, and other orchestral instruments; 200 marks ($50) for all the other orchestral instruments, and 400 marks ($100) for solo singing. one of two readings
223For full details apply to the Secretary.
224WOLFSTRASSE 3-5, COLOGNE, MANAGER.
226NEW YORK.
228GEORGE ENSWORTH,
229Baritone,
230Address, 24 West 72d St., NEW YORK.
232SHANNA CUMMING,
233SOPRANO.
2341424 Pacific Street, Brooklyn.
235Telephone 906A, Bedford.
236WOLFSOHN MUSICAL BUREAU.
238Hildegard HOFFMANN, Soprano.
239Oratorio, Concerts, Festivals.
240498 3d Street,
241BROOKLYN, NEW YORK.
243McCALL LANHAM
244BARITONE.
245OPEN FOR ENGAGEMENTS.
246Opera, Concerts and Oratorio.
247VOCAL INSTRUCTION.
248Care AMERICAN INSTITUTE OF APPLIED MUSIC,
249212 West 59th Street, New York.
251INCORPORATED UNDER THE LAWS OF MICHIGAN.
252MICHIGAN CONSERVATORY OF MUSIC, Washington Ave. and Park St., DETROIT, MICH.
253ALBERTO JONÁS, Director.
254The acknowledged foremost institution of music in Michigan. One of the largest, most complete and handsomely appointed Conservatories in America. Liberal advantages to students. PRICES MODERATE. Faculty of THIRTY-SIX eminent teachers.
255HEADS OF DEPARTMENTS:
256ALBERTO JONÁS, Piano
257MAURICE DE VRIES, Vocal
258FREDERIC L. ABEL, Cello
259J. H. B VAN DER VELPEN, Harmony, Counterpoint and Composition
260NEW, HANDSOMELY ILLUSTRATED CATALOGUES FREE ON APPLICATION.
261P. L. ABEL, Secretary. one of two readings
262F. L. ABEL, Secretary. one of two readings
264AMY MURRAY'S
265"Evenings of Scottish Song,"
266With CHARLES EDWARD WARK at the Piano.
26729 West 20th Street,
268NEW YORK.
270OLEY SPEAKS
271BASSO,
272123 WEST 80th STREET, NEW YORK.
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