Scan 25
Musical Courier 1903-06-24: Vol 46 Iss 1213, 1903
217 lines. Read by computer on 23 September 2026, twice; the two readings disagreed in places. Printed page 26. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1San Francisco
2and the Pacific Coast
4Sherman, Clay & Co.'s,
5San Francisco, Cal., June 15, 1903
7During the week there were few musical events, and already many of our musicians are en route to the seaside or mountains. Mrs. Oscar Mansfeldt with her inseparable charge, Maurice Robb, has gone to Lake Tahoe for a fortnight's rest.
9The Hugo Mansfeldts are spending their vacation in Napa, Mrs. Mansfeldt remaining there during the week and Mr. Mansfeldt going to the city once a week to attend his class there.
11Elizabeth Westgate, of the Alameda Argus, has gone to her retreat in the Santa Cruz Mountains, where she spends every summer.
13Louis Eaton spends a few days every week at St. Helena, where he combines business with pleasure, and teaches while there.
15Miss Mabel Mansfeldt will go to San Joaquin Valley for her vacation. Miss Eula Howard, the talented little pupil of Hugo Mansfeldt, has returned to her home at Grant's Pass, Ore., for the summer, after which she will return to 'Frisco to resume study. The weather has been so delightful of late, many have delayed going away till the warm season began. Mrs. Mary Fairweather, who went to Monterey quite early on account of ill health, has greatly benefited by the rest and change, and will probably soon be able to resume her literary and other duties.
17A recital was given at the Von Meyerinck School of Music on Friday evening of last week at which the following program was rendered. The Von Meyerinck recitals are always exceedingly interesting, and are attended by large and interested audiences. The recital took place in the recital hall of the school:
19By the Arcadian Ladies' Quartet.
20Mrs. A. Reinhold Denke, first soprano; Miss Mabel Craig, second soprano; Miss Olga Herman, first alto; Mrs. Lydia Sterling, second alto.
21Quartet, Boat Song……………………………………………..Geibel
22Villanelle………………………………………………………..Dell' Acqua
23Mrs. Denke.
24Duet, Tuscan Folksongs………………………………………Miss Craig and Mrs. Sterling.
25Solo, Auf Flügeln des Gesanges (On Wings of Song)…Mendelssohn
26Miss Herman.
27Quartet, Ride of the Elves………………………………….Mendelssohn one of two readings
28Quartet, Ride of the Elves…………………………………….Mendelssohn one of two readings
29Solos—
30Menet Marten……………………………………………..Old French one of two readings
31Menet Marten…………………………………………………Old French one of two readings
32Paris est au Roi……………………………………………..Old French one of two readings
33Paris est au Roi……………………………………………….Old French one of two readings
34Miss Craig.
35Trio of the Rhinedaughters, from Götterdämmerung……..Wagner
36Mrs. Denke, Miss Craig and Mrs. Sterling.
37Duet, Gypsies…………………………………………………Brahms one of two readings
38Duet, Gypsies………………………………………………….Brahms one of two readings
39Mrs. Denke and Miss Craig.
40Songs from cycle, Eliland………………………………….Von Fielitz one of two readings
41Songs from cycle, Eliland…………………………………….Von Fielitz one of two readings
42Irmengard.
43Anathema…………………………………………………….Mrs. Sterling. one of two readings
44Anathema………………………………………………………Mrs. Sterling. one of two readings
45Trio—
46Ye Banks and Braes………………………………………Old Scotch one of two readings
47Ye Banks and Braes…………………………………………..Old Scotch one of two readings
48Comin' Thro' the Rye………………………………………Old Scotch one of two readings
49Comin' Thro' the Rye…………………………………………Old Scotch one of two readings
50Miss Craig, Miss Herman and Mrs. Sterling.
51Duet from Aida……………………………………………..Verdi one of two readings
52Duet from Aida………………………………………………….Verdi one of two readings
53Mrs. Denke and Mrs. Sterling.
54Quartet, Annie Laurie………………………………………Old Scotch one of two readings
55Quartet, Annie Laurie…………………………………………Old Scotch one of two readings
56At the piano, Mrs. Arthur Lewis.
58A musicale was given last Thursday evening at the residence of Miss Katherine Rosenbauer, 3307 Clay street, complimentary to Mr. and Mrs. Samuel Bollinger, in honor of the first anniversary of their marriage. A program of music was arranged in which Mr. Bollinger, who has for long been out of active solo work on account of ill health, took part and demonstrated his ability to resume his former position as a concert performer. The Misses Lillian Capp and Rosenbauer are both pupils of Mr. Bollinger, the former being but twelve years of age, and already doing work that attracts attention to her talent. Mrs. Bollinger, who is one of her husband's pupils and his assistant in his class work, played very beautifully "Spring Rustle," by Sinding. Chas. Schmitz, the violinist, played two movements from a sonata for violin and piano composed by Mr. Bollinger, who accompanied Mr. Schmitz in the piano part. Following is the program:
59Piano, Spring Rustle………………………………………Sinding one of two readings
60Piano, Spring Rustle…………………………………………Sinding one of two readings
61Mrs. Samuel Bollinger.
62Songs, selected……………………………………………..Miss Ella Blake. one of two readings
63Songs, selected……………………………………………….Miss Ella Blake. one of two readings
64Piano—
65Spring Song…………………………………………………Merkel one of two readings
66Spring Song……………………………………………………Merkel one of two readings
67Mazurka………………………………………………………..Moszkowski
68Miss Lillian Capp.
69Violin and piano, Sonata (first and second movements)…S. Bollinger
70Charles Schmitz and Mr. Bollinger.
71Piano, Aufschwung………………………………………Schumann one of two readings
72Piano, Aufschwung…………………………………………..Schumann one of two readings
73Miss Clara Campbell.
74Songs………………………………………………………..Miss Blake.
75Piano—
76Danse Mélancolique………………………………………Bollinger one of two readings
77Danse Mélancolique………………………………………….Bollinger one of two readings
78Valse, E minor……………………………………………..Chopin one of two readings
79Valse, E minor……………………………………………….Chopin one of two readings
80Mrs. Bollinger.
81Violin and piano, Romance……………………………….Bollinger one of two readings
82Violin and piano, Romance………………………………….Bollinger one of two readings
83Messrs. Schmitz and Bollinger.
84Piano, Ballade (Romanzo Lamentosso)…………………Bollinger one of two readings
85Piano, Ballade (Romanzo Lamentosso)…………………….Bollinger one of two readings
86Samuel Bollinger.
88Madame Mantelli, the contralto, gave two concerts at Fischer's Theatre last week which I was unable to attend, but which were said to be an artistic success. The programs were selected from operas and the numbers given were done in costume, an innovation that was greatly enjoyed.
90Not long ago one of my letters contained a notice of a concert given by the Loring Club, at which Dolores sang at the Theatre Republic, for many years known as Metropolitan Temple. Two weeks ago during the engagement of Nance O'Neil the place was entirely destroyed by fire, Miss O'Neil losing a valuable wardrobe and many souvenirs of her travels that she greatly prized. There is hardly a place in Frisco more closely associated with musical memories than old Metropolitan Temple. One end was almost filled with a large pipe organ, and its large seating capacity made it very desirable for affairs of any moment. The Henschels when here the last time, the tour just before Mrs. Henschel's death, gave all their concerts there. Hoffman, in his last concerts, played in the old hall, also Nordica and Emma Nevada. The Chicago Symphony concerts were given here, and many local affairs for years have made it their choice for public recitals. It is one of the oldest landmarks, and was endeared by a thousand pleasant memories. The site it is said will be used for the building of a new hotel.
92Friday evening a studio recital was given by the pupils of Harry Barnhart at his residence on Hyde street. Illness prevented my being present, but I hope to secure a program for my next letter, as Mr. Barnhart has many beautiful and really noteworthy voices in his class, and the work is exceedingly interesting.
94The closing recital for the season of the Junior Saturday Club, of Sacramento, was a very successful affair. The hall was filled with an enthusiastic and interested audience, and applause was given without stint after every number. The program was rendered as follows:
95Program Analysis…………………………………………….Ethel Cox.
96Piano duet, Hungary, op. 23, No. 6……………………….Moszkowski one of two readings
97Piano duet, Hungary, op. 23, No. 6………………………..Moszkowski one of two readings
98May Deterding and Mila Landis.
99Piano, Tarantelle…………………………………………….Pecezonka one of two readings
100Piano, Tarantelle……………………………………………..Pecezonka one of two readings
101Ethel Barton.
102Piano, Butterflies, op. 158, No. 1………………………….Gurlitt
103Gesine Schaden.
104Piano—
105Berceuse, op. 13…………………………………………….Ijinsky one of two readings
106Berceuse, op. 13……………………………………………..Ijinsky one of two readings
107Au Matin, op. 83…………………………………………….Godard one of two readings
108Au Matin, op. 83……………………………………………..Godard one of two readings
109Lulu Schnauss.
110Song, Bid Me But Stay…………………………………….Hartwell Jones one of two readings
111Song, Bid Me But Stay………………………………………Hartwell Jones one of two readings
112Piano, Sonata, op. 53………………………………………Beethoven one of two readings
113Piano, Sonata, op. 53……………………………………….Beethoven one of two readings
114May Conway.
115Piano, Canzonetta…………………………………………Schutt one of two readings
116Piano, Canzonetta……………………………………………Schutt one of two readings
117Anna Woodbridge.
118Violin, Cantilene…………………………………………….Hollander one of two readings
119Violin, Cantilene……………………………………………..Hollander one of two readings
120Edith Hammer.
121Piano—
122Piece Romantique, op. 9, No. 1………………………….Chaminade one of two readings
123Piece Romantique, op. 9, No. 1……………………………Chaminade one of two readings
124Air de Ballet, No. 4……………………………………….Chaminade one of two readings
125Air de Ballet, No. 4…………………………………………Chaminade one of two readings
126Estelle Burns.
127Piano quartet, Seguidilla…………………………………..Edward Holst one of two readings
128Piano quartet, Seguidilla…………………………………….Edward Holst one of two readings
129Gertrude Miller, Bernice Carpenter, Gertrude M. Miller and Elsie Orr.
130Piano duo, Adagio Sonata (Moonlight), op. 27, No. 2….Beethoven one of two readings
131Piano duo, Adagio Sonata (Moonlight), op. 27, No. 2…..Beethoven one of two readings
132Josie Levison and Olive Sheehan.
133Piano, Sonata, op. 13, C minor………………………….Beethoven one of two readings
134Piano, Sonata, op. 13, C minor……………………………Beethoven one of two readings
135Alice O'Brien.
136Piano, Melodie, op. 16……………………………………Paderewski one of two readings
137Piano, Melodie, op. 16………………………………………Paderewski one of two readings
138Edna Woods.
139Piano, Valse Noble…………………………………………Meyer Helmund one of two readings
140Piano, Valse Noble…………………………………………..Meyer Helmund one of two readings
141Emma Neumann.
142Song, Florian's Song………………………………………Godard one of two readings
143Song, Florian's Song…………………………………………Godard one of two readings
144Olive Sheehan.
145Piano, Frühlingsrauschen, op. 32………………………..Sinding one of two readings
146Piano, Frühlingsrauschen, op. 32………………………….Sinding one of two readings
147Grace Foizey.
148Piano, Liebestraum, Nocturne No. 3……………………..Liszt one of two readings
149Piano, Liebestraum, Nocturne No. 3………………………..Liszt one of two readings
150B. Leslie Genung.
151Piano duet, Charge of the Uhlan…………………………..Bohm
152Annie Nagle and Emma Scott.
153Piano, Die Silberquelle, op. 137, No. 4…………………Fr. Bendel one of two readings
154Piano, Die Silberquelle, op. 137, No. 4…………………..Fr. Bendel one of two readings
155Ethel Backrath.
156Piano, Shadow Dance…………………………………….MacDowell one of two readings
157Piano, Shadow Dance………………………………………MacDowell one of two readings
158Josie Levison.
159Piano quartet, Danse des Bayaderes……………………..Rubinstein one of two readings
160Piano quartet, Danse des Bayaderes………………………..Rubinstein one of two readings
161Nellie Osgood, B. Leslie Genung, Ethel Backrath and Grace Foizey.
163Mrs. A. Wedmore Jones.
165EDWARD XAVIER ROLKER,
166Specialist in the Development of the Voice. Complete course for Operas, Concert and Teachers.
167Home Studio: 910 Sutter Street.
168San Francisco, Cal.
170HARRY BARNHART,
171BASSO CANTANTE. Soloist Trinity Episcopal Church. Concert, Oratorio and Opera. Voice Culture, Coaching. Studio and Residence: 729 Hyde Street, San Francisco, Cal.
173THE VOICE Art of Singing
174Percy A. R. Dow
1751511 LARKIN STREET
176OAKLAND STUDIO: MASONIC TEMPLE
178CALIFORNIA ADVERTISEMENTS.
180Von Meyerinck School of Music
181841 Fulton Street, San Francisco.
182Under Direction of MME. ANNA VON MEYERINCK.
183The largest and best equipped school on the Pacific Coast, offering all the advantages of Eastern and European Conservatories for a thorough musical education, under guidance of a carefully selected staff of prominent teachers.
184PROSPECTUS UPON APPLICATION.
186LOUIS H. EATON,
187Organist and Musical Director, Trinity Episcopal Church. Concert Organist, Voice Culture, Repertoire, etc. Residence and Studio, 1678 Broadway, San Francisco, Cal.
189CALIFORNIA Conservatory of Music,
190OTTO BENDIX, DIRECTOR.
1911329 Sutter Street, cor. Franklin,
192SAN FRANCISCO, CAL.
194H. J. STEWART,
195TEACHER OF SINGING.
196Pianoforte, Organ, Harmony and Composition.
197Address: 1105 Bush Street, San Francisco, Cal.
199"I HAVE THE KEY"
200To Thrill an Audience.
201By W. ry Fairweather.
202CHEAPER EDITION.
203ONE DOLLAR.
204Address Res. 660 Waller Street,
205San Francisco, Cal.
207CARL SAWVELL.
208SKILL OF SINGING.
209Tone Placing. Choral Conductor.
210841 Hyde Street,
211San Francisco, Cal.
213Frederick Zech, Jr.,
214PIANIST AND COMPOSER.
215Director of Zech's Symphony Orchestra.
216Address: 1806 Pine St., San Francisco, Cal.
The computer misreads some letters and numbers. Where a name matters to you, read the scan.