Scan 27
Musical Courier 1905-06-21: Vol 50 Iss 1317, 1905
152 lines. Read by computer on 23 September 2026, twice; the two readings disagreed in places. Printed page 28. See the scan on archive.org.
1Bush Temple Conservatory students' recital Saturday afternoon, June 18, at 3:30.
2Clara Len, piano, and Charlotte Peterch Richards, vocal.
3Harmonious Blacksmith ………………………………………….. Handel
4Fable ………………………………………………………………………. Raff
5Miss Len.
6Spring Has Come ……………………………………………………. Hawley
7Mrs. Richards.
8Prelude, C major ……………………………………………………. Heller
9Song Without Words, A flat ……………………………………… Mendelssohn
10March of the Dwarfs, op. 54, No. 3 …………………………… Greig
11Miss Len.
12Winds in the Trees ………………………………………………… Goring Thomas
13Day Is Gone ……………………………………………………….. Margaret Ruthven Lang
14Mrs. Richards.
15Vogel als Prophet ………………………………………………… Schumann
16Impromptu in A flat …………………………………………….. Chopin
18Ella O'Neal, the soprano, who sang Juliet in the Chicago Musical College production of the opera "Romeo and Juliet" last April, has been engaged by F. C. Whitney to sing Laura in "Love's Lottery" next season with Schumann-Heink. This makes the third Devries pupil engaged by Mr. Whitney this season.
20Vernon d'Arnalle leaves next week for Knoxville, Tenn., where he gives four elaborate historical programs for the Summer School of the South. Mr. d'Arnalle was engaged for a series of recitals at this place three years ago, and created a sensation by the tremendous scope of his programs as well as by his artistic delivery of them. The programs contained in all over 100 of the great representative songs of classic literature.
22ROGERS IN LONDON.
23[Cable to THE MUSICAL COURIER.]
24June 17, 1905.
25SOCIETY and the musical world were well represented at the song recital by Francis Rogers, the American baritone, at Aeolian Hall. Bruno Huhn, formerly of London, but now a resident of New York, was the accompanist. The program, which was received with marked demonstrations of approval, included a group of Mr. Huhn's Irish songs. Mr. Rogers was in excellent voice and his singing was admired by the critics.
27Sousa at the Hippodrome.
28JOHN PHILIP SOUSA and his band appeared before another large audience at the Hippodrome Sunday night, June 18. Sousa marches were demanded and re-demanded by the enthusiastic admirers of the March King. The program follows:
29Overture, William Tell ………………………………………….. Rossini
30Cornet Solo, Sounds From the Hudson ……………………….. Clarke
31Herbert L. Clarke.
32Suite, At the King's Court ……………………………………… Sousa
33Her Ladyship, The Countess.
34Her Grace, The Duchess.
35Her Majesty, The Queen.
36Air and Variations ………………………………………………. Proch
37Estelle Liebling.
38Flute obligato by Marshal Lufsky.
39Grand Scene, The Night of the Classical Sabbath …………. Boito
40Scenes Espagnole, Sevillana (new) …………………………… Elgar
41Ballet, The Gypsy (new) ……………………………………… Ganne
42March, The Diplomat ………………………………………….. Sousa
43Walther's Farewell, from Trumpeter of Sakkingen ………. Nessler
44Franz Helle.
45Overture, Poet and Peasant ………………………………….. Suppe
47GRACE WHISTLER MISICK TO SAIL.
48RACE WHISTLER MISICK, the contralto, is to sail for Europe tomorrow on the steamer La Bretagne. Madame Misick is booked to sing in London, Paris, Berlin, Vienna and Prague. In Paris the artist will sing at the Opéra Comique. Madame Misick takes with her two of her best pupils, Theresa Ross and Vine Warner, who will continue their studies with her in the different cities.
49Some weeks ago Madame Misick returned from an extended tour with Ovide Musin, the violin virtuoso. Every-
51The following are some of Madame Misick's press notices:
52Grace Whistler Misick, the contralto, was greeted with prolonged outbursts of applause. This was especially true of her aria from "Samson and Delilah," and D'Hardelot's "I Know a Lovely Garden," which rivaled the artistic work of Musin in popularity.—Cleveland Plain Dealer.
54Madame Misick has a contralto voice of much beauty, which she uses with marked effect and good understanding.—Cleveland Town Topics.
56Madame Misick was heard in several songs, which she gave with much intelligence and expression. Her voice is a contralto of sympathetic quality and extended range.—Cleveland Press.
58Grace Whistler Misick, a contralto of great range and power, sang superbly and was a distinct success.—Toledo Times.
60Madame Misick's sing of the "Samson and Delilah" aria (Saint-Saëns) and "I Know a Lovely Garden" (D'Hardelot) proved her an artist.—Trenton, N. J., Daily True American.
62Grace Whistler Misick, the contralto, possesses a most beautiful and well trained voice. Her singing is without the slightest affectation, and every word she sang could be heard to the farthest end of the house.—Youngstown, Ohio, Telegram.
64Grace Whistler Misick sang an aria from "Samson and Delilah" in which she captivated her audience. Madame Misick's contralto is of that rich, mellow tone which is at once pleasing and satisfying.—Mansfield, Ohio, News.
66Powers' Concert at Sea.
67ON the SS. Pretoria, May 28, there was a concert under the direction of Francis Fischer Powers, the artist, pupils making up his party furnishing the program, outside the orchestral numbers. Madame Ellsworth received an ovation for her singing of the Mad Scene from "Hamlet" and some American and English songs. Marie Louise Wadsworth sang a group of modern songs with much success. Ada Ethelyn West's three songs made a hit, and Mrs. Charles B. Grosvenor was one of the most important singers of the concert. Mr. Powers himself sang Ries' "Trennung" and "Am Strande," Henrion's "Spanish Serenade," and, with Madame Ellsworth, Hoffmann's duet, "The Angels," and both singers received rousing applause. Harold Briggs played a number of piano solos and all of the accompaniments with artistic style. Not often is such a thoroughly artistic concert heard on our transatlantic steamers. The Powers party is well and enjoying the trip greatly.
69JOHN B. MILLER
70Tenor,
71202 MICHIGAN AVE., CHICAGO.
73RARE OLD VIOLINS
74Remarkable values in fine old instruments from $80 to $10,000. Largest and finest collection in the world. Send for a copy of our Catalog, just issued, containing Biographies, Facsimile Labels, Etc. Easy Terms.
75LYON & HEALY, 133 Adams St., CHICAGO.
77CHICAGO ADVERTISEMENTS.
79HARRISON M WILD
80CONCERT ORGANIST.
81Studio 6, ..241.. Wabash Ave., CHICAGO.
82The HEINZE SCHOOL of Artistic Piano Playing.
83VICTOR HEINZE, Director.
84LESCHETIZKY PRINCIPLES.
85Send for Pamphlet, etc.
86CHICAGO: Fine Arts Building.
88ALLEN SPENCER,
89PIANIST.
90Concerts, Recitals.
91Address: KIMBALL HALL, CHICAGO.
93WALTER SPRY,
94Piano Summer Term,
95July 1st to August 18th,
96Fine Arts Building, CHICAGO.
98MARY PECK THOMSON,
99SOPRANO,
100620 Fine Arts Building, CHICAGO.
102SIGNOR JANNOTTA,
103VOICE CULTURE,
104Coaching a specialty.
105420 Fine Arts Building, Chicago
107MARC LAGEN, TENOR.
108Management DUNSTAN COLLINS,
109525 Orchestra Bldg., Chicago.
111WILLIAM BEARD, Baritone,
112421 Kimball Hall, CHICAGO, ILL.
114Genevieve Wheat, Contralto.
115CONCERTS, RECITALS and ORATORIO.
116Management DUNSTAN COLLINS, 525 Orchestra Building, CHICAGO
118American Conservatory.
119KIMBALL HALL BUILDING, Wabash Ave. and Jackson Boulevard, CHICAGO.
120THE LEADING SCHOOL OF MUSIC AND DRAMATIC ART IN THE WEST.
121Among the sixty eminent instructors the following might be mentioned:
122PIANO—JOHN J. HATTSTAEDT, VICTOR GARWOOD, ALLEN SPENCER, GERTRUDS MURDOUGH, HENIOT LEVY, J. CLAREN WILLIAMS.
123SINGING—KARLETON HACKETT, EDWARD C. TOWNR, RAGNA LIDDE, MABEL GOODWIN, LOUISE BLISE, GRACE DUBLAY.
124Organ—WILHELM MIDDLE SCHULTZ.
125Violin—JAN VAN OORDT, HERBERT BUTLER.
126Theory, Composition—ADOLF WEDIG, HUBBARD W. HARRIS.
127JOHN J. HATTSTAEDT, President.
128Catalogue mailed free.
130FRANK A. MORGAN,
131Manager of Musical Artists and Concert Tours.
132SUITE 55 AUDITORIUM BUILDING, CHICAGO.
133We negotiate with and can furnish high class American and Foreign Artists.
134Telephone: HARRISON, 4365.
136MRS. THEODORE WORCESTER,
137PIANIST.
138Management Bureau of Fine Arts,
139713 Fine Arts Building, CHICAGO.
141MARIE WHITE
142LONGMAN, Contralto
143513 KIMBALL HALL, CHICAGO.
145LOUISE ST. JOHN WESTERVELT, SOPRANO.
146Concerts, Oratorios, Recitals.
147MANAGEMENT: THE CHICAGO BUREAU AGENCY OF MUSIC, FINE ARTS BUILDING, CHICAGO.
148(no line here) one of two readings
150GRACE WHISTLER MISICK. one of two readings
151where her rich voice and individual art won favor from the critical. Madame Misick has a big repertory, including classical and modern French, German and Italian composers, as well as songs by the leading English and American writers. one of two readings
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