Books › Musical Courier 1907-03-20: Vol 54 Iss 12, 1907 › scan 13
Scan 13
Musical Courier 1907-03-20: Vol 54 Iss 12, 1907
58 lines. Read by computer on 26 September 2026. Printed page 14. See the scan on archive.org.
1FUTURE MUSICAL EVENTS IN NEW YORK.
2Opera every Monday, Wednesday, Friday and Saturday nights, and Saturday matinee, and Sunday night concerts, Manhattan Opera House.
3Opera every Monday, Wednesday, Friday and Saturday nights, and Saturday matinee, and Sunday night concerts, Metropolitan Opera House.
4Organ recitals, Thursday during Lent, at Old Trinity, by Moritz E. Schwarz.
5Thursday evening, March 21, concert by the Boston Symphony Orchestra, Carnegie Hall.
6Thursday evening, March 21, concert by the St. Cecilia Club, Mendelssohn Hall.
7Thursday evening, March 21, concert by the People's Symphony Society, Cooper Union Hall.
8Friday afternoon, March 22, concert by the Boston Symphony Quartet, assisted by Katharine Goodson (piano), Mendelssohn Hall.
9Friday evening, March 22, concert by the Boston Symphony Orchestra, Baptist Temple, Brooklyn.
10Friday evening, March 22, concert by the People's Symphony Society, Carnegie Hall.
11Saturday afternoon, March 23, matinee by the Boston Symphony Orchestra, Carnegie Hall.
12Sunday evening, March 24, concert by the New York Arion, Arion Club house.
13Tuesday evening, March 26, "The Kingdom" (Elgar), by the New York Oratorio Society, Carnegie Hall.
14Saturday afternoon, March 30, Young People's Symphony, Carnegie Hall.
15Tuesday evening, April 2, concert by the Kneisel Quartet, Mendelssohn Hall.
16Tuesday evening, April 2, concert by the Brooklyn Apollo Club, Association Hall, Brooklyn.
17Wednesday evening, April 3, piano recital by Jessie Shay, Mendelssohn Hall.
18Thursday morning, April 11, musicale by the Haarlem Philharmonic Society, Waldorf-Astoria.
19Tuesday evening, April 15, concert by the Mendelssohn Glee Club, Mendelssohn Hall.
20Wednesday evening, April 17, piano recital by Lhévinne, for the benefit of the MacDowell Fund, Mendelssohn Hall.
21Thursday evening, April 18, concert by the Rubinstein Club, Waldorf-Astoria.
22Sunday evening, April 21, concert by the New York Liederkranz, Liederkranz Club house.
23Tuesday evening, April 23, concert by the Musurgia, Carnegie Hall.
24Thursday evening, March 21, song recital by Florence Huberwald, contralto, Waldorf-Astoria Hotel.
25Friday evening, March 22, third concert of the Manuscript Society, the National Arts Club, entrance 121 East Nineteenth street.
27MUSIC IN ST. LOUIS.
28Sr. Louis, March 12, 1907.
29Society, particularly the musical set, had its curiosity aroused as to the Japanese operetta, "O Hanu San," given by the Morning Choral Club, March 5, at the Odeon. The identity of the cast had been kept a secret, the affair was a new departure for the club, and, sub rosa, we wondered whether they would be able to "pull through" without too much of the amateur visible through the bars.
30The whole affair was a very pleasant surprise. Of course, musically, the operetta amounts to nothing; but the really clever way the principals handled their parts, the well trained chorus, the artistic costuming and stage setting, and the fact that all concerned are women well known in musical circles, combined to make a very entertaining evening. Mrs. W. A. McCandless, Mrs. Alfred Chappel, Mrs. Willard Bartlett, Mrs. C. T. Allen, Grace Taussig, Mrs. George Hannaur and Mrs. Roger Annan, the principals, were the recipients of well earned congratulations. Alfred Ernst conducted. Special credit is due Miro Delamotta, the stage director, for the very effective drilling of the chorus.
31E. R. Kroeger's piano recital, March 1, was of special interest on account of the number of St. Louis composers represented on the program. These were: W. H. Pommer, W. J. Hall, L. E. Walker, W. Schuyler, Arthur Lieber and W. W. Stockhoff.
32The fifth recital, March 8, showed us Mr. Kroeger at his best. Beethoven's E flat major sonata, op. 7, was presented in an excellent manner. Pleasing contrast was afforded by several selections from composers of the modern French school.
33The choral department of the Union Musical Club offered a very interesting and ambitious program at its annual Lenten concert, March 7, at the Lindell Avenue M. E. Church. The field covered was wide, ranging from the sixteenth century to the present, many of the works having their first hearing in St. Louis. In some respects the program seemed beyond the grasp of the chorus, an unfortunate lack of precision of attack and of smoothness of performance being very noticeable. The principal interest as regards soloists centered around Janet Spencer, of New York. She did not disappoint us. Her rich, fresh voice and charming presence always win her audience. Mrs. A. I. Epstein, from whom we should have liked to have heard more, was the soprano, and Mrs. Max Kaufman, the contralto, in the trio work. Mrs. Charles B. Rohland directed. The program was:
34Danklied ………………………………………………………..Haydn
35Crucifixus ………………………………………………………..Caldara
36Sicut Locutus est ……………………………………………..Jomelli
37Recordare, Requiem ………………………………………Verdi
38Mrs. Epstein and Miss Spencer.
39Agnus tibi, à capella ………………………………………Orlando di Lasso
40Ave Maria ………………………………………………………..Brahms
41Benedictus, Osanna ………………………………………….Kiel
42Trio and Chorus.
43Inviolata ………………………………………………………..Saint-Saëns
44Thou, from the Realms …………………………………….Liszt
45Miss Spencer.
46This Is the Day, Rose of Sharon ………………………..McKenzie
47Fatherland's Psalm …………………………………………..Grieg
48Hear My Prayer ……………………………………………..Mendelssohn
49Trio and Chorus.
50Souvenez Vous Vierge Marie ……………………………Massenet
51Miss Spencer and Chorus.
52Psalm 116, Laudate Dominum, Graduale from Coronation Mass ……………………………………………..Liszt
53Chorus.
54M. L. W.
56Two Successful Salisbury Pupils.
57Mary Sundbourg-Sundelius, for many seasons a pupil of Madame Salisbury, will be heard during April in the following: "Elijah," "Redemption," "Gallia," "Barbara Freitchie," "Deluge" (Saint-Saëns), and in some performances of Sullivan's opera, "Iolanthe," besides some miscellaneous programs. Mrs. Sundelius has a beautiful voice and has been heard and greatly admired by the King of Sweden. Another pupil of Madame Salisbury's is Miss Osgood, who recently made so signal a success in a private musicale in Back Bay. Her songs were Margaret Lang's "Hills o' Skye," "Del Riego's "To Phillida," Holmes' "Belle du Roi;" "Time's Garden," with 'cello obligato, Thomas; Damrosch's "Minuet" and Mrs. Beach's "The Year's at the Spring."
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