Scan 6
Musical Courier 1907-03-20: Vol 54 Iss 12, 1907
103 lines. Read by computer on 25 September 2026. No printed page number was found. See the scan on archive.org.
1Joseph Joachim, Herr und Frau R. von Mendelssohn, Klara Erler, Professor Markees.
2Royal Opera—"Lohengrin."
3Comic Opera—"Tosca."
4West Side Opera—"Schwerenöter von Anno Tobak."
5Lortzing Opera—"Merry Wives of Windsor."
7MONDAY, FEBRUARY 25.
8Bechstein Hall—Ella Schmucker, vocal; Erna Promnitz, piano.
9Philharmonie—Nikisch Philharmonic; soloist, Ferruccio Busoni, piano.
10Royal Opera—"Salome."
11Comic Opera—"Romeo and Juliet in the Village."
12West Side Opera—"Schwerenöter von Anno Tobak."
13Lortzing Opera—"Fra Diavolo."
15TUESDAY, FEBRUARY 26.
16Beethoven Hall—Richard Koennecke, vocal.
17Bechstein Hall—Hjalmar Frey, vocal.
18High School Theater Hall—Annamarie Huber, vocal.
19High School Concert Hall—Pfannschmidtcher Choir concert; soloists, Elisabeth Ohlhoff, vocal; H. Dechert, 'cello.
20Mozart Hall—Josef Weiss, piano.
21Philharmonie—Philharmonic "Pop."
22Singakademie—Blanche Marchesi, vocal.
23Royal Opera—"Das war ich." "Postillion von Lonjumeau."
24Comic Opera—"Tosca."
25West Side Opera—"Magic Flute."
26Lortzing Opera—"Martha."
28WEDNESDAY, FEBRUARY 27.
29Beethoven Hall—Terese and Artur Schnabel, vocal and piano.
30Bechstein Hall—Theresa Slottko, piano.
31High School Theater Hall—Sandra Droucker and Carl Halir, sonata evening.
32Hotel de Rome—Erna Bauer, vocal; Heinr. Hacke, recitations.
33Mozart Hall—L. Calzin, piano, assisted by Mozart Orchestra.
34Philharmonie—Philharmonic "Pop."
35Royal Opera—"Mignon."
36Comic Opera—"Carmen."
37West Side Opera—"Postillion von Lonjumeau."
38Lortzing Opera—"Merry Wives of Windsor."
40THURSDAY, FEBRUARY 28.
41Beethoven Hall—Anna von Gabain, piano, with Philharmonic Orchestra.
42Bechstein Hall—Wladimir Shaievitch, piano.
43Mozart Hall—Sacred concert of Musical Society.
44Singakademie—Joachim Quartet.
45Royal Opera—"Tristan and Isolde."
46Comic Opera—"Hoffmanns Erzählungen."
47West Side Opera—"Der Trompeter von Säkkingen."
48Lortzing Opera—"Glückchen von Eremiten."
50FRIDAY, MARCH 1.
51Beethoven Hall—Betty Tennenbaum, violin, with Philharmonic Orchestra.
52Bechstein Hall—Else Gipser, piano
53Künstlerhaus—Maria Speet, lecture and demonstrations on the art of singing, declaiming, etc.; assisted by Amelia Liebeknecht.
54Philharmonie—Lilli Lehmann, vocal.
55Philharmonic (small hall)—Philharmonic Trio (Witek, Gerhard and Malkin).
56Singakademie—Sydney Biden, vocal.
57Royal Opera—"Salome."
58Comic Opera—"Tosca."
59West Side Opera—"Merry Wives of Windsor."
60Lortzing Opera—"The Mikado."
62RECORD OF THE PAST
63WEEK IN NEW YORK.
64Wednesday evening, March 13, "Fra Diavolo," Manhattan Opera House.
65Wednesday evening, March 13, "Aida," Metropolitan Opera House.
66Thursday afternoon, March 14, piano recital by Josef Lhévinne, assisted by Madame Lhévinne (piano), Carnegie Hall.
67Thursday afternoon, March 14, organ recital by Moritz E. Schwarz, Trinity Church.
68Thursday evening, March 14, concert by the Russian Symphony Orchestra, assisted by Alwin Schroeder ('cello), Carnegie Hall.
69Thursday evening, March 14, concert for the benefit of the MacDowell Fund, direction of C. de Macchi, Carnegie Lyceum.
70Thursday evening, March 14, concert by the Catholic Oratorio Society, direction of Emil Reyl, Madison Square Garden Concert Hall.
71Thursday evening, March 14, concert by the New York Symphony Orchestra, under the auspices of the Brooklyn Institute, Baptist Temple, Brooklyn.
72Friday afternoon, March 15, public rehearsal by the New York Philharmonic, Corinne Rider-Kelsey (soprano) soloist, Carnegie Hall.
73Friday afternoon, March 15, special operatic performance for the benefit of Emil Fischer, Metropolitan Opera House.
74Friday evening, March 15, "Martha," Manhattan Opera House.
75Friday evening, March 15, "La Boheme," Metropolitan Opera House.
76Saturday afternoon, March 16, "Cavalleria Rusticana" and "I Pagliacci" (double bill), Manhattan Opera House.
77Saturday afternoon, March 16, "Madam Butterfly," Metropolitan Opera House.
78Saturday evening, March 16, "Carmen" (popular prices), Manhattan Opera House.
79Saturday evening, March 16, "Tosca" (popular prices), Metropolitan Opera House.
80Saturday evening, March 16, violin recital by Richard Burgin, assisted by Hjalmar von Dameck (violin), Mendelssohn Hall.
81Saturday evening, March 16, concert by the New York Philharmonic, assisted by Corinne Rider-Kelsey (soprano), soloist, Carnegie Hall.
82Sunday evening, March 17, operatic concert, Manhattan Opera House.
83Sunday evening, March 17, operatic concert, Metropolitan Opera House.
84Monday evening, March 18, organ concert to commemorate the fifteenth anniversary of William C. Carl's service as organist and choirmaster at the "Old First" Presbyterian Church, Mr. Carl, assisted by Adele Laeis Baldwin (contralto) and Hans Kronold ('cello), Monday evening, March 18, "Fra Diavolo," Manhattan Opera House.
85Monday evening, March 18, "Aida," Metropolitan Opera House.
86Tuesday afternoon, March 19, musicale by Kitty Cheatham and Edith Chapman-Goold, residence of the Misses Lane, Gramercy Park, for the benefit of summer work among the poor by the Woman's Municipal League.
87Tuesday evening, March 19, "The Apostles," New York Oratorio Society and soloists, conducted by the composer, Sir Edward Elgar, Carnegie Hall.
88Tuesday evening, March 19, violin recital by Dora Becker, Mendelssohn Hall.
89Tuesday evening, March 19, "Das Rheingold," special performance, Metropolitan Opera House.
90Tuesday evening, March 19, piano recital by Leopold Winkler, Memorial Hall, Brooklyn.
91Thursday evening, March 14, reception to Amy Fay and musicale by the Women's Philharmonic Society, Chapter Room, Carnegie Hall.
92Saturday afternoon, March 16, reception-musicale by the Granberry Piano School, Carnegie Hall, in honor of Alexander Scriabine, pianist-composer.
94Huss' "Pater Noster" Well Sung.
95At the first concert of the Church Choral Society on February 20 and 21, at Trinity Chapel, Henry Holden Huss' "Pater Noster" was one of the most successfully performed numbers on a program which included the Boss: concerto for organ and orchestra; the Bach cantata, "God's Time Is the Best"; the fugue in E minor; Mozart's "Ave Verum"; a short chorus by Tchaikowsky; four melodiously naive Biblical songs by Dvorák, well sung by Miss Glanville, the piano accompaniment cleverly scored by the talented director of the society, R. Warren, and Bruch's conventional (if effective) "Jubilate Amen." Mr. Huss' "Pater Noster," a dignified and well written specimen of ecclesiastical music, was provided with accompaniment of strings, four horns and organ for this concert. It was originally written à capella. In this and the Mozart "Ave Verum" the chorus did its best work.
97The University Orchestra's Sixteenth Concert.
98BERKELEY, Cal., March 8, 1907.
99The orchestra of the University of California gave its sixteenth concert Friday afternoon, March 1, in the Greek Theater, Berkeley, Cal.
100Conductor J. Fred Wolle offered a singularly strong and varied program. Moriz Rosenthal played Liszt's E flat concerto and Chopin's E minor concerto. The orchestral numbers were Beethoven's "Leonora" overture, No. 3; "Indian" suite, by MacDowell. The concert proved the best the orchestra has yet given.
102Eugène Ysaye and Moriz Gönczy recently played in three evenings all ten of the Beethoven violin sonatas in Budapest. This was a musical event of a kind new to the Hungarian capital. The concerts aroused much interest.
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