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Musical Courier 1907-10-02: Vol 55 Iss 14, 1907
96 lines. Read by computer on 23 September 2026. Printed page 10. See the scan on archive.org.
1the way of decoration being added, so it will be even more attractive than ever.
3The young composer, Gennaro Vapali, pensioner of the Academy Saint-Cécile (Rome), has just finished an opera entitled "Jacopo Ortis," book by M. Catapano. "Jacopo Ortis," the celebrated romance by Ugo Fono, is the Italian counterpart to the German "Werther," and as far as known, has never before been used as a subject for an opera libretto.
5When Godowsky comes to England for his first recital this season, which is to take place the afternoon of October 29, he will not only play in London but is also to be heard at Bolton and Manchester. At the latter place he appears at one of the Hallé concerts and also at one of the Gentlemen's Concerts. Then, in London, he plays at a Broadwood concert, and afterwards at an Albert Hall Sunday concert. His own recital is, as stated, late in October, and again he will give a recital in February.
7Mademoiselle Kashperow, a pupil of Anton Rubinstein, who made a real hit last season when she played in London, is giving a concert at Queen's Hall, October 22. For this concert she has engaged Jean Gerardy to play her cello sonata and other works. Jean Gerardy, by the way, is to be married on October 7 to Miss McQuade, of Australia, who will accompany him on his tour to America.
9Harold Bauer will give his only recital for the season in London late in October, previous to leaving for America, where he is to make an extensive tour.
11The death is announced of Henry Nicholson, one of the most talented flute players of his age. He was present and took part in the first performance of "Elijah," at Birmingham, and was a member of the Handel Festival Orchestra. He was also the conductor of several choral societies.
13A. T. KING.
15London Opinions of Madame De Vere-Sapio.
17The following press opinions from some of the leading papers of London tell of Madame De Vere-Sapio's recent successes in opera at the Lyric Theater, London, with the Moody Manners Opera Company:
19The rendering of Mascagni's popular opera derived its chief strength from the Santuzza of Madame de Vere-Sapio, for she sang and acted with sincerity and dramatic force, and so well earned the compliments lavished upon her.—Daily Telegraph, July 18, 1907.
21As Santuzza, Madame de Vere-Sapio scored a distinct success both in her singing and acting; hers was certainly the best interpretation.—Pall Mall Gazette, July 18, 1907.
23Madame de Vere-Sapio made a very fascinating Santuzza.—Daily Express, July 18, 1907.
25The soprano music in particular, so typical of the bel canto school, was brilliantly sung by Madame de Vere-Sapio, who is one of the best qualified exponents of the old Italian method of singing at present on the English stage.—Morning Post, July 25, 1907.
27Madame de Vere-Sapio was a Santuzza of individuality and charm, as she has a pure, flexible voice, and her singing was clear and artistic.—Standard, July 18, 1907.
29"Cavalleria Rusticana" was notable by the fine singing and impressive acting of Madame de Vere-Sapio as Santuzza.—Evening Standard, July 18, 1907.
31Madame de Vere-Sapio infused decided individuality into her performance of Santuzza; her singing was thoroughly artistic.—Observer, July 18, 1907.
33One of the most notable points of the performance being the admirable Santuzza of Madame de Vere-Sapio.—Sunday Times, July 21, 1907.
35Madame de Vere-Sapio was an ideal Elsa.—Evening Standard, July 19, 1907.
37Madame de Vere-Sapio sang finely and with warmth as Elsa.—Tribune, July 19, 1907.
39Madame de Vere-Sapio's Elsa is too well known to need criticism.—Daily News, July 19, 1907.
41Madame de Vere-Sapio (Elsa) sang with freshness and with the right touch of lyricism.—Times, July 19, 1907.
43Her singing was most finished and clear in tone.—Scotsman, July 19, 1907.
45Madame de Vere-Sapio's Elsa was charming in its vocal purity, and her natural acting brought out the simple, essentially human side of the character with considerable subtlety.—Standard, July 19, 1907.
47Madame de Vere-Sapio was very successful as Leonora, and sang the well known arias with fluency and taste.—The Daily Express, July 25, 1907.
49The character of Leonora was played by Madame de Vere-Sapio in a distinctive manner, for, while her acting was impressive, she sang the familiar arias with admirable fluency and expression.—Standard, July 25, 1907.
51The large audience warmly applauded Madame de Vere-Sapio, and her Aida was a capital piece of work.—Daily Telegraph, August 2, 1907.
53Madame de Vere-Sapio sang the title part (Aida) with much charm and skill. Her voice is a fresh, round one, of ringing quality.—Pall Mall Gazette, August 28, 1907.
55The part of Aida was sustained by Madame de Vere-Sapio, whose impersonation was characterized by much force and pathos, and was in all respects admirable, her art culminating in the important scene in the third act.—The Queen.
57Madame Fournier de Nocé, of the Paris Opera, recently gave two concerts at San Sébastien, Spain which won her success. Among her offerings were "L'Air de de Pamina," by Mozart; "L'Ariette," by Vidal; menuet, by Martini-Weckerlin, and "L'Aubade," from "Cherubim," by Massenet.
59Singers' Fees in Europe.
60(From the London Pall Mall Gazette.)
62To the Editor of the Pall Mall Gazette:
64SIR—It seems to me incredible that any paper could print such a patent absurdity as the statement that Caruso will receive £500 a night at the Vienna Opera House, an establishment where extravagant fees are manifestly impossible. First, if the opera is packed at the prices announced the house will only hold something over £600, so there could be no question of the fee named. Secondly, any novice knows that there is no opera house on the Continent which could or would pay such high terms as those ruling at Covent Garden, where Caruso receives £200—certainly very generous remuneration, and exactly the same as that paid to the idolized Jean de Reszké. In New York Mr. Conried announces that Caruso receives £300 a night; there De Reszké received considerably more. The countries that pay highest terms to singers are South America, the United States, and England. To suggest that any Continental opera could, or would, pay these artists even the same rates as they receive in these places is to display utter ignorance of the conditions that obtain abroad, where even the increased prices of admission are so much lower than the ordinary admission rates charged in South America, the United States, and England that the total takings regularly fall below £400 even on successful nights at Paris, Vienna, and St. Petersburg. It is because of this that even such mascots as Patti and Melba have to be content with reduced fees when they sing in European cities, as, even with Government subsidies, the necessary money cannot be got into the house.
66Yours truly, (Signed) H. BACH.
68Augusta Cottlow Will Play Novelties.
70Augusta Cottlow has returned to New York and is working hard on her programs for this season. Miss Cottlow is anticipating an active winter. Her programs are always inspiring. In addition to the usual piano repertory she has added a number of charming works by MacDowell, Debussy and Bollinger, the last named a rising young American. The pianist will remain in the East until the holidays, when she will make tours West and South. Before Christmas she has many engagements in New York and surrounding States.
72Edwin Lockhart Planning Concert Dates.
74Edwin Lockhart, the basso, has returned to his Carnegie Hall studio, from his vacation, chiefly spent at his bungalow picturesquely situated on Staten Island, 200 feet above sea level. Mr. Lockhart is planning concert and oratorio dates, and all bookings indicate that the singer will have a prosperous season. Mr. Lockhart is a well equipped artist. During the summer Mr. and Mrs. Lockhart entertained many of their artistic and social friends. Both are noted for their hospitality.
76S. C. BENNETT
77VOCAL INSTRUCTION
78Suite 401, Carnegie Hall, New York.
80CLIFFORD WILEY
81WILLIAM NELSON BURRITT
82BEDDOE
83FLONZALEY QUARTETTE
84Taking Rank Among the Most Brilliant of European Chamber Music Organizations
85For Terms and Dates, address LOUDON CHARLTON, 868 Carnegie Hall, New York
87CLARENCE EDDY
88Concert Organist
89Management: HAENSEL & JONES
90542 Fifth Avenue, New York
91Incorporated in 1885 and Chartered in 1891 by Special Act of Congress.
92WASSILI SAFONOFF, Director
9323rd Year
94Admission Daily.
95Address to Secretary Only
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