Books › Musical Courier 1907-11-20: Vol 55 Iss 21, 1907 › scan 36
Scan 36
Musical Courier 1907-11-20: Vol 55 Iss 21, 1907
177 lines. Read by computer on 23 September 2026, twice; the two readings disagreed in places. Printed page 37. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1MUSICAL RECORD OF THE PAST WEEK IN NEW YORK.
2Wednesday afternoon, November 13, Fritz Kreisler, violin recital, Carnegie Hall.
3Wednesday evening, November 13, "Carmen," Manhattan Opera House.
4Wednesday evening, November 13, Hattie Scholder, piano recital, Mendelssohn Hall.
5Wednesday evening, November 13, and every evening and Saturday matinee, until further notice, "The Merry Widow," New Amsterdam Theater.
6Wednesday evening, November 13, and every evening and Saturday matinee, until further notice, "Tom Jones," Astor Theater.
7Thursday morning, November 14, Haarlem Philharmonic musicale—artists, Adamowski Trio and Mary Hissem de Moss, soprano—Waldorf-Astoria.
8Thursday afternoon, November 14, Bispham, song recital, Mendelssohn Hall.
9Thursday evening, November 14, Russian Symphony concert, Carnegie Hall.
10Thursday evening, November 14, song recital by Theodore van Yorx, Mendelssohn Hall.
11Thursday evening, November 14, Sembrich, song recital, Baptist Temple, Brooklyn.
12Friday afternoon, November 15, New York Philharmonic public rehearsal, Kirkby-Lunn, assisting soloist, Carnegie Hall.
13Friday evening, November 15, "Les contes d'Hoffmann" (first time), Manhattan Opera House.
14Saturday afternoon, November 16, Richard Buhlig, piano recital, Mendelssohn Hall.
15Saturday afternoon, November 16, "La Gioconda," Manhattan Opera House.
16Saturday evening, November 16, New York Philharmonic concert, Kirkby-Lunn, assisting soloist, Carnegie Hall.
17Saturday evening, November 16, "Carmen" (popular prices), Manhattan Opera House.
18Saturday evening, November 16, song recital by Mrs. Clarence Eddy, assisted by Jean Gerardy, cellist, Waldorf-Astoria.
19Sunday afternoon, November 17, New York Symphony matinee, assisted by Rudolph Ganz, Carnegie Hall.
21THE VON KUNITS
22SCHOOL OF MUSIC AND ART.
23Luigi von Kunits, Concertmaster of the Pittsburgh Orchestra, Director
24501 South Highland Ave., East End, PITTSBURG, PA.
26FRANK J. BENEDICT
27VOICE CULTURE
28Organist St. Paul's M. E. Church
29Longacre Studios, 754 Seventh Ave.
30Telephone, 6715 Columbus.
31Send 10c for "How Beautiful Singing Voices Are Made." Plain answers to typical questions about Voice Culture and the Art of Singing
33Important Notice!
34CHAS. F. ALBERT
35Philadelphia's Celebrated
36Old Reliable Violin House
37HAS REMOVED
38FROM
39205 SOUTH NINTH ST.
40TO
4130-32 South Sixteenth Street
43VOICE SPECIALIST
44May Decsi,
451213 CARNEGIE HALL
46Telephone: 3535 Columbus
47GERTRUDE SANS-SOUCI
48Address: Hotel Grenoble, New York.
49Composer-Planiste
50Popular Recital Songs: "Love is a Rose," "When Long to Meet," "Wishes," "Where Blossoms Grow" (Spring Song), and others.
51JOHN FINNEGAN
52Tenor
53Soloist St. Patrick's Cathedral Concert, Oratorio, Recital
543157 Broadway
555145-J, Morningside
56PAUL DUFALT
57Tenor
58ORATORIO, CONCERTS, RECITALS
59INSTRUCTION
60339 West 23d Street
61LEIPSIC
62ROYAL CONSERVATORIUM of MUSIC in LEIPSIC
63Own building, with one large concert hall and two small halls, also fifty teaching rooms. Founded by F. Mendelssohn-Bartholdy in 1843. Yearly attendance, 950 students of all countries. Students received at Easter and Michaelmas each year, but foreigners received at any time, in accordance with page 9 of the regulations.
64The course of tuition includes every branch of musical instruction, namely: Piano, all stringed and wind instruments, organ, solo singing and thorough training for the opera, chamber music, orchestra, and sacred music, theory, composition history of music, literature and aesthetics. one of two readings
65The course of tuition includes every branch of musical instruction, namely: Piano, all stringed and wind instruments, organ, solo singing and thorough training for the opera, chamber music, or orchestra, and sacred music, theory, composition history of music, literature and aesthetics. one of two readings
66Prospectus in English or German sent gratis on application.
67Director of THE ROYAL CONSERVATORIUM of MUSIC
68DR. ROENTSCH
70Sunday evening, November 17, operatic concert, Manhattan Opera House.
71Sunday evening, November 17, New York Arion concert, assisted by Jean Gerardy, Arion Hall Club House.
72Monday afternoon, November 18, Carl organ recital, "Old First" Presbyterian Church.
73Monday evening, November 18, "Adriana Lecouvreur" (opening night), Metropolitan Opera House.
74Monday evening, November 18, "Les contes d'Hoffmann," Manhattan Opera House.
75Tuesday afternoon, November 19, De Pachmann recital, Carnegie Hall.
76Tuesday afternoon, November 19, Susan Metcalfe, song recital, Mendelssohn Hall.
77Tuesday evening, November 19, concert by the Margulies Trio, Mendelssohn Hall.
78Tuesday evening, November 19, song recital by Gertrude Hinz, College of Music Hall.
79Tuesday evening, November 19, general meeting of the National Association of Teachers of Singing, Steinway Hall.
81Madame Szumowska's Success.
82In the Springfield (Mass.) Daily Republican, of Thursday, November 7, there appeared an analytical criticism on a concert given by the Adamowski Trio. The piano part was played by Madame Szumowska, the well known and gifted pianist, and of this part the criticism reads as follows:
83Of the solos none was more delightful than the exquisite little romanza by Mozart, which Madame Szumowska played at her last recital. It is perfect in its grace and simplicity, and in a hall that is rather too resonant it enjoys a great advantage over most modern piano music. Madame Szumowska played it charmingly, with a singing tone in which both player and the unusually good instrument had their share. She won much applause, too, in the superb nocturne in C minor by Chopin and in the Paganini-Liszt "Campagnella," giving for encore a Chooin etude.
84It is with justice to an artistic ambition to state that the instrument that Madame Szumowska played was a Mason & Hamlin grand, and the Mason & Hamlin grand is, as the Springfield Republican says, an unusually good instrument; it is more—an unusually fine instrument and a remarkable piano product. How much good pianists do for themselves and for the musical art when they use pianos of such quality!
86Charles W. Clark in Chicago.
87Charles W. Clark's American tour, under Loudon Charlton's direction, has begun most favorably, the baritone having been enthusiastically received in a dozen or more cities of the Middle West. The following excerpts will serve to indicate the favor that he met with in Chicago:
88He was never in better voice. It has retained all its rich, vibrant and sympathetic quality. His high notes have the same power to thrill. He has curbed the fiery impetuosity and now relies more upon his mentality. It was this phase of his art that held the close attention of the audience last night. For each of his songs he created a mood. His conception was intelligent and subtly conveyed. Every change of emotion was reflected in his voice, which is to him what the face is to the actor. It mattered little whether the listener understood the text of his French songs, he felt the mood.
89The writer heard only the latter part of the program, which included a group of French songs by Faure, all of which were given with an unusual beauty of tone, even for Clark, and a miscellaneous collection of English songs, including two by Walter M. Rummel, a very talented young American. In these songs Rummel has shown great originality of idea, and facility of invention. The one entitled "Ecstasy" is very meritorious. Jules Wertheim, new to Chicago, furnished fine accompaniments.—Chicago Journal.
90Mr. Clark sang well and with the musically feeling that characterizes all his efforts. Three songs of Schubert were given a pleasurable interpretation, and the serenade had to be repeated. Five songs by the French composer, Fauer, were introduced, of which "Automne" showed his greater to be possessed of thoughtful charm not often associated with the music of the French.—Evening Post.
92Operatic Lecture-Recitals.
93Isabel Hauser, the pianist, will assist at a series of operatic lecture-recitals to be given at the Waldorf-Astoria, Friday mornings in December. The lecturer is Julia Pauline Leavens. The operas include "Helene," Saint-Saëns; "Otello," Verdi; "Louise," Charpentier; "Les Huguenots," Meyerbeer; "La Damnation de Faust," Berlioz; "Adriana Lecouvreur," Cilea; "Fidelio," Beethoven; "Jongleur de Notre Dame," Massenet, and "Mephisto," Boito.
95Warford's New Studio.
96Claude H. Warford has interesting vocal and piano classes at his new studio, 39 West Twentieth street. The first in a series of pupils' recitals will be given the last week in November. Later in the season Mr. Warford will present a Chinese scene, with a musical setting by a French composer.
9812 Years of Misery
99Boy's Eczema Pronounced Incurable—Used Two Sets Cuticura Remedies—Skin Now Smooth as Silk
100"Your wonderful Cuticura has put a stop to twelve years of misery I passed with my son. As an infant I noticed on his body a red spot and treated same with different remedies for about five years, but when the spot began to get larger I put him under the care of doctors. Under their treatment the disease spread to four different parts of his body. One doctor told me that my son's eczema was incurable, and gave it up for a bad job. One evening I decided to give Cuticura a trial. When I had used the first box of Cuticura Ointment there was a great improvement, and by the time I had used the second set of Cuticura Remedies my child was cured. His skin is now as fine and smooth as silk. Michael Steinman, 7 Sumner avenue, Brooklyn, N. Y., April 16, 1905"
102WE HAVE YOU?
103Ugly, Frown Lines.
104R. Wrinkled Forehead Lines.
105E. Flabby Eyelids.
106E. Crow's Feet Wrinkles.
107O. Poet's Pitting, Scars.
108N. Pimpled, Blemished Face.
109W. Warts, Veins, Moles.
110Y. Superfluous Hair.
111R. Red Nose, Blotches.
112E. Scaly, Troubled. one of two readings
113E. Scaly Troubles. one of two readings
114WE HAVE YOU?
115Sagging Cheeks.
116C. Drooping Mouth Corners.
117O. Oily Nose. one of two readings
118O. Flabby Nose. one of two readings
119F. Flabby Neck. one of two readings
120G. Flabby Neck. one of two readings
121B. Baggy Chin.
122E. Baggy Cheeks. one of two readings
123B. Baggy Cheeks. one of two readings
124E. Check or Eye Hollows. one of two readings
125B. Check or Eye Hollows. one of two readings
126B. Projecting Ears.
127T. Thick Lips. one of two readings
128B. Thick Lips. one of two readings
129C. Imperfect Facial Contour.
130T. Permanently one of two readings
131(no line here) one of two readings
132IMMEDIATELY
133CALL OR WRITE FOR FACE BOOK NO. 14, FREE.
134DR. PRATT, Face Experts, Registered Physicians and Surgeons
135NEW YORK, PITTSBURGH, MILWAUKEE, CHICAGO, BOSTON
1362121 Broadway, 432 Wood. 1st Wisconsin, 314 State, 160 Tremont
138In Tone Relation and Intonation for Vocal and Piano Students. $1.25 postpaid. A book that every teacher should place in the hands of every pupil. Send for illustrated circular.
139Vocal Studio: 32 Liberty St., E., SAVANNAH, GA.
141SELF HELP
142Mrs. W HARRY TEASDALE.
144RALPH OSBORNE
145BASSO CANTANTE
1461402 Broadway
147NEW YORK
148Direction: J. E. FRANCKE
150EDWARD STRONG
151TENOR
1527 West 92d St
153NEW YORK
154Telephone 1424 River
156LEONARD Berlin, W.
157Schelling St. 6
158CONCERT DIRECTION
159Apply for "Concert Mittellungen."
160New music paper for artists.
162Manhattan College of Music
16340 WEST 115TH STREET.
164COMPLETE Musical Education. All branches under
165DISTINGUISHED FACULTY.
166Director: LEON M. KRAMER.
168CARLO KOHRSSEN
169PIANIST
170CONCERT—RECITAL—INSTRUCTION
171STUDIOS
172249 W. 136th St., NEW YORK
174THE MICHELSON TRIO
175Henrietta Michelson, Piano; Hugo Riesenfeld, Violin; Louis Heins, Cello.
176Three Recitals at Mendelssohn Hall, N. Y., Tuesday, Nov. 12; Wednesday, Jan. 22; Tuesday, March 3. Tickets for course, $2.50 and $4.00. Single concerts, $1.00 and $1.50. For sale at offices of People's Symphony Concerts, 32 Union Square, East.
The computer misreads some letters and numbers. Where a name matters to you, read the scan.