Books › Musical Courier 1909-03-17: Vol 58 Iss 11, 1909 › scan 54
Scan 54
Musical Courier 1909-03-17: Vol 58 Iss 11, 1909
143 lines. Read by computer on 25 September 2026. No printed page number was found. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1THE MUSICAL COURIER
3THE Baldwin PIANO
5"I consider the Baldwin the Stradivarius of the few really great Pianos of the world." —De Pachmann.
7"A great Piano! It satisfies me completely."—Pugno.
9"A tone which blends so well with my voice."—Sembrich.
11THE BALDWIN COMPANY
12MANUFACTURERS
13142 W. FOURTH STREET, – CINCINNATI
15THE MUSICIAN'S PIANO
16Packard
17The Packard G.
18Port Wayne, Ind.
20It's peerless tone charms at once and always
22NEW YORK GERMAN CONSERVATORY OF MUSIC
2323 WEST 42d STREET, NEW YORK
24Empowered by law to confer Diplomas and the Degree of Doctor of Music.
25DIRECTORS: CARL HEIN, AUGUST FRAEMCKE.
26Instruction given in all branches of music from first beginning to highest perfection.
27Thirty-eight of the most known and experienced professors.
28TERMS, $10 UP PER QUARTER
29Special Departments for Beginners, Amateurs and Professionals.
30Free advantages to students: Harmony lectures, concerts, ensemble playing, vocal sight reading.
31SEND FOR CATALOGUE.
33AMERICAN INSTITUTE OF APPLIED MUSIC
34(THE METROPOLITAN COLLEGE OF MUSIC)
35EDGAR O. SILVER, President.
36212 West 59th Street, New York City
37Telephone: 2329 Columbus
38FACULTY, EXAMINERS AND LECTURERS
39Albert Ross Parsons
40Harry Rowe Shelley
41Paul Savage
42Paul Ambrose
43Raymond Baker
44Herwegh von Ende
45Modest Altschuler
46Kate S. Chittenden
47William F. Sherman
48Geo. Coleman Gow
49McCall Lanham
50Mary Fidelia Burt
51Adrienne Remyen von Ende
52Fannie Greene
53Daniel Gregory Mason
54Leslie J. Hodgson
5523d year began Monday, September 28th, 1908.
56Send for Circulars and Catalogues. KATES. CHITTENDEN, Dean of Faculty
58CONCERT DIRECTION
59EMIL GUTMANN
60MUNICH, Theatiner St. 38 GERMANY
61CABLE ADDRESS. Konzertgutmann Munich
62TELEPHONE: 2215.
63Agency for first-rate concerting artists and musical societies.
64Management of concert tours and single concerts in all important towns of Europe.
65Organization of concerts and conferences in Munich.
66Greatest concert direction of Southern Germany
68THE OSCAR DURYEA SCHOOL
69200 West 72d Street
70NEW YORK
71Tuition in "DURYEA" AESTHETICS, DANCING AND DEPORTMENT
72THREE SEPARATE BALL ROOM SUITES FOR DANCES
73SEATING CAPACITY 125, 250 AND 450
74FOR MUSICAL RECITALS
75MOST ATTRACTIVE ROOMS IN TOWN
77CONCERT DIRECTION
78HERMANN WOLFF
79The World's Greatest Musical Bureau
80GERMANY: BERLIN and FLOTTWELLSTRASSE 1
81Cable Address: Musikwolf, Berlin
82Proprietor and Manager of the Philharmonic Concerts, Berlin; the new Subscription Concerts, Hamburg; the Bechstein Hall, Berlin.
83Representative of more than 400 artists, including d'Albert, Ysaye, Anserge, Thibaud, Kreisler, Sembrich, Risler, Van Rooy, Hecking, Caruso and many other celebrities. Also manager of the Berlin Philharmonic Orchestra and of Arthur Nikisch.
84Principal Agency for Music Teachers
86LEONARD Berlin, W.
87Schelling St. 6
88CONCERT DIRECTION
89Apply for "Concert Mitteilungen," New music paper for artists.
91A. Y. CORNELL
92TENOR and TEACHER
93VOCAL INSTRUCTION
94607-S Carnegie Hall Phone, 1350 Columbus
96RARE OLD VIOLINS
97BARGAINS
98PRIDE of ancestry, the prestige of long-conceded position, the honor of a fixed status, is recognized as a precious heritage by refined people in all countries. And this is equally valuable to violinists.
99Plying my art as violin-maker quite frequently places in my hands Superb Old Violins of fixed value—fixed status—having not only the prestige of priority, but, as well, the glory of high achievement.
100The instruments named below will be sent for trial and examination upon prepayment of carriage charges. Each is a superb instrument for either solo or ensemble playing. And any one seeking a superior instrument at a moderate price should try one or more of them before finally deciding.
101(1) GENUINE JOSEPH GUARNERIUS. A perfect specimen, and in the pink of condition.
102(2) MATHIAS ALBANUS, 1657. Wonderfully well preserved, and at the zenith of its powers.
103(3) FERDINANDUS GAGLIANO. (Filius Nicolai, Fecit Anno 1760.) Tone is powerful, and of unusual depth and breadth for a Gagliano instrument.
104Price and full description of either or all above instruments sent free on request.
105Booklet, "An Artist's Touch," concerning Rein-dahl Violins, mailed to any address on receipt of postal request.
107KNUTE REINDAHL
108Maker of Violins and Bows
10926 E. Van Buren Street Chicago, Ill.
111A. B. CHASE PIANOS
112HIGHEST TYPE OF ARTISTIC INSTRUMENTS
113For the Pianist, the Singer, the Teacher, the Student, the Conservatory, the Concert
114Factory at NORWALK, OHIO
115REFERENCE: The Editor-in-Chief of THE MUSICAL COURIER.
117BUSH & LANE PIANOS
118A Quality of Tone Which Will Please the Most Critical
119A Piano Which Will Stand the Test of Years of Usage
120Case Designs Which Are Original Artistic and Beautiful
121BUSH & LANE PIANO CO.
122HOLLAND, MICH.
124THE STERN CONSERVATORY OF MUSIC
125FOUNDED 1850
12622a Bernburgerstrasse (Philharmonie), Berlin, S. W.
127Royal Professor GUSTAV HOLLAENDER, Director
128Branche-Institute, Berlin-Charlottenburg, 8-9, Kantstr.
129CONSERVATORY: Development in all branches of music. OPERATIC AND DRAMATIC SCHOOL: Complete Training for the Stage. ORCHESTRAL SCHOOL (comprising all solo and all orchestral instruments). SEMINARY: Special training for teachers.
130Principal Teachers: HARMONY AND COMPOSITION—Alexander von Fielitz, P. Geyer, Wilhelm Klatte, Prof. Arno Kleffel, Prof. Philipp Ruefer, Prof. E. E. Taubert, Arthur Willner. PIANO—Georg Bertram, Severin Eisenberger, Al. von Fielitz, Guenther Freudenberg, Bruno Hineke-Reinhold, Ernst Hoffrimer, Emma Koch, Prof. Martin Krause, Clara Krause, Prof. James Kwast, Prof. Kwast-Hodarp, Jr. P. Luttenberg, Gustav Pohl, Prof. Ruefer, Martha Savan, Prof. A. Sormann, Theodor Schenberger, Ludwig Schytte, August Spanuth, Vernon Spencer, Prof. E. E. Taubert, F. W. Otto Voss. SINGING—Eugen Brieger, Frau Marg. Brieger-Palm, Madame Blanche Corelli, Frau Lydia Hollm, Karl Mayer (Chamber Singer), Frau Prof. Selma Nicklas, Scherner, Nikolaus Rothmehl (Royal Chamber Singer), Paul Schultze, Adolf Schultze, Sibylle Kihlmann, Wladala Sedlmann, Alfred Michel. OPERATIC CLASS—N. Rommel, VIOLIN—Prof. Gustav Hollaender, Alexander Fiedmann, Max Grünberg, Theodore Spiering, &c. &c. HARP—Franz Poenitz. ORGAN—Bernhard Irrgang, Royal Music Director. 'CELLO—Erich Hollaender, Eugen Sandow, &c.
131Prospectuses may be obtained through the Conservatory and the Virgil School. Pupils received at any time. Consultation hours from 11 a. m. to 1 p. m.
133Royal Conservatory of Music and Theatre
134DRESDEN, GERMANY
135Fiftieth Year, 1905-1906. 1,505 Pupils, 82 Recitals, 116 Instructors
136Education from beginning to finish. Full courses or single branches. Principal admission times begin April and September. Admission granted also at other times.
137Prospectus and List of Teachers from the Directorium
139HAZELTON BROTHERS PIANOS
140THOROUGHLY FIRST-CLASS IN EVERY RESPECT
141APPEAL TO THE HIGHEST MUSICAL TASTE
142Nos. 66 and 68 University Place NEW YORK
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