Books › Musical Courier 1909-09-15: Vol 59 Iss 11, 1909 › scan 38
Scan 38
Musical Courier 1909-09-15: Vol 59 Iss 11, 1909
140 lines. Read by computer on 25 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1THE MUSICAL COURIER
3THE Baldwin PIANO
5"I Consider the Baldwin the Stradivarius of the few really great Pianos of the World." —De Pachmann
6"A great Piano! It satisfies me completely."—Pugno
7"A tone which blends so well with my voice."—Sembrich
9THE BALDWIN COMPANY
10MANUFACTURERS
11142 W. FOURTH STREET, – CINCINNATI
13Packard
14The synonym for absolute perfection in every detail of piano making.
15WRITE FOR CATALOGS OF PIANO AND PLAYER-PIANOS
16THE PACKARD COMPANY.
17FORT WAYNE, INDIANA.
19NEW YORK GERMAN CONSERVATORY OF MUSIC
2023 WEST 42d STREET, NEW YORK
21Empowered by law to confer Diplomas and the Degree of Doctor of Music.
22DIRECTORS: CARL HEIN, AUGUST FRAEMCKE.
23Instruction given in all branches of music from first beginning to highest perfection.
24Thirty-eight of the most known and experienced professors.
25TERMS, $10 UP PER QUARTER
26SEND FOR CATALOGUE.
28AMERICAN INSTITUTE OF APPLIED MUSIC
29(THE METROPOLITAN COLLEGE OF MUSIC)
30EDGAR O. SILVER, President.
31212 West 59th Street, New York City
32Telephone: 2329 Columbus
33FACULTY, EXAMINERS AND LECTURERS
34Albert Ross Parsons
35Kate S. Chittenden
36Harry Rose Shelley
37Harvey von Ende
38Paul Savage
39McCall Lanham
40Albert Ross Parsons
41Kate S. Chittenden
42Harry Rose Shelley
43Harvey von Ende
44Paul Savage
45McCall Lanham
4624th year begins Monday, September 27th, 1909.
47Send for Circulars and Catalogues. KATE S. CHITTENDEN, Dean of Faculty
49S. PFEIFFER & CO.
50Tel 4567-79th
51220 East 86th Street, New York
52FINE OLD VIOLINS
53Violas, Cellos and Basses. Leather Cases and French Rosins, Fine Tested and Silver Strings our specialty.
54Artistic repairing by the renowned Violin Maker and expert . . . . MR. WM. V. PEZZONI
55VIOLINS IMPROVED
56:SEND FOR STRING PRICE LIST:
58CONCERT DIRECTION
59EMIL GUTMANN
60MUNICH, Theatliner St. 38 GERMANY
61CABLE ADDRESS, Konzertgutmann, Munich
62Agency for all first-rate concerting artists and musical societies
63Management of concert tours and single concerts in all important towns of Europe
64Organization of concerts and conferences in Munich
65Greatest concert direction of Southern Germany
66TELEPHONE: 2215.
68CONCERT DIRECTION
69HERMANN WOLFF
70The World's Greatest Musical Bureau
71GERMANY: BERLIN and FLOTWELLSTRASSE 1
72Cable Address: Musikwolf, Berlin
73Proprietor and Manager of the Philharmonic Concerts, Berlin; the new Subscription Concerts, Hamburg; the Beethoven Hall, Berlin.
74Representation of more than 400 artists, including d'Albert, Ysaye, Anserme, Thibaud, Kreisler, Sembrich, Risler, Van Rooy, Heikkil, Carreño and many other celebrities. Also manager of the Berlin Philharmonic Orchestra and of Arthur Nikisch.
75Principal Agency for Music Teachers
77LEONARD Berlin, W. Schelling St. 6
78CONCERT DIRECTION
79Apply for Leonard's "Illustrated Musical News."
81A. Y. CORNELL
82TENOR and TEACHER
83VOCAL INSTRUCTION
84607-8 Carnegie Hall Phone 1350 Columbus
86REINDAHL VIOLINS and BOWS
87Violas and 'Cellos
88Artists know the rarity of violins whose tones are "sweet" from lowest G to A in all strings. You know how much you desire a violin whose tone qualities are distinguished by richness, intensity, brilliance, evenness, sympathy, perfection of open fifth, and the ability to play octaves, clear harmonics, pure pizzicato tones, distinct arpeggios, and the ability to trill and staccato, and withal qualities that can stand the pressure from real pianissimo to fortissimo. If you have not, you will be interested in a new book, "Artists' Touch"—which I will gladly mail you FREE, and which contains the secrets of a world famous artist, who uses REINDAHL VIOLINS. one of two readings
89Artists know the rarity of violins whose tones are "sweet" from lowest G to A in all strings. You know how much you desire a violin whose tone qualities are distinguished by richness, brilliance, evenness, sympathy, perfection of open fifth, and the ability to play octaves, clear harmonics, pure pizzicato tones, distinct arpeggios, and the ability to trill and staccato, and withal qualities that can stand the pressure from real pianissimo to fortissimo. If you have not, you will be interested in a new book, "Artists' Touch"—which I will gladly mail you FREE, and which contains the secrets of a world famous artist, who uses REINDAHL VIOLINS. one of two readings
90Violins sent to responsible persons on trial, for comparison with other new or famous old violin; if desired, gradual charge accounts opened.
91REINDAHL VIOLINS one of two readings
92USED AND ENDORSED BY one of two readings
93REINDAHL VIOLINS USED AND ENDORSED BY one of two readings
94Bernard Listemann
95Chas. Gregorowits
96Ludwig Hahn one of two readings
97L. H. Hahn one of two readings
98F. E. Haberkorn
99Axel Skovgaard
100E. E. Janzen
101Knut Reindahl
102Knut Reindahl
103Knut Reindahl
104Atelier: 318 Athenaeum Bldg
10526 East Van Buren Street
106CHICAGO, ILLINOIS, U.S.A.
108A. B. CHASE PIANOS
109HIGHEST TYPE OF ARTISTIC INSTRUMENTS
110For the Pianist, the Singer, the Teacher, the Student, the Conservatory, the Concert Factory at NORWALK, OHIO
111REFERENCE: The Editor-in-Chief of THE MUSICAL COURIER.
113BUSH & LANE PIANOS
114A Quality of Tone Which Will Please the Most Critical
115A Piano Which Will Stand the Test of Years of Usage
116Case Designs Which Are Original Artistic and Beautiful
117BUSH & LANE PIANO CO.
118HOLLAND, MICH.
120THE STERN CONSERVATORY OF MUSIC
121FOUNDED 1850
12222a Bernburgerstrasse (Philharmonie), Berlin, S. W.
123Royal Professor GUSTAV HOLLAENDER, Director
124Branche-Institute, Berlin-Charlottenburg, 8-9, Kantstr.
125CONSERVATORY: Development in all branches of music. OPERATIC AND DRAMATIC SCHOOL: Complete Training for the Stage. ORCHESTRAL SCHOOL (comprising all solo and all orchestral instruments). SEMINARY: Special training for teachers.
126Principal Teachers: HARMONY AND COMPOSITION—Alexander von Fielitz, P. Geyer, Wilhelm Klette, Prof. Arno Klein, Prof. Rudolf Ruetz, Prof. Eduard Arthur Willner, PIANO—Georg Bertram, Severin Eisenberger, Al von Fielitz, Gunther Freudenberg, Bruno Hinze-Reinhold, Ernst Hoffzimmer, Emma Koch, Prof. Martin Krause, Clara Krause, Prof. James Kwast, Frieda Kwast-Hodapp, Dr. P. Lutzenko, Gustav Pohl, Prof. Ph. Ruefer, Martha Sauvan, Prof. A. Sowman, Theodor Schonberger, Ludwig Schytte, August Suman, Verne Stenger, Prof. E. T. Tschert, Prof. Otto Voss, SINGING—Eugene Sager, Franz Maria Bierer-Palme, Madame Blanche Corelli, Frau Lydia Holim, Kari Mayer (Chamber Singer), Frau Prof. Selma Nicklass-Kempner, Nicolaus Rothmuehl (Royal Chamber Singer), Dr. Paul Bruns, Adolf Schulz, Sergei Kiblancky, Wladyslaw Seidemann, Alfred Michel. OPERATIC CLASSES—N. Rothmuehl, VIOLIN—Prof. Gustav Hollaender, Alexander Fiedermann, Max Künzling, Theodore Spitz, etc. &c. HARP—Franz Popp, ORGAN—Bernhard Irrgang. Royal Music Director: CELLO—Erich Hollaender, Eugen Sandow, &c. one of two readings
127Principal Teachers: HARMONY AND COMPOSITION—Alexander von Fielitz, P. Geyer, Wilhelm Klette, Prof. Arno Klein, Prof. Dr. Rudolf Prohaska, Prof. Arthur Willner, PIANO—Georg Bertram, Severin Eisenberger, Al von Fielitz, Gunther Freudenberg, Bruno Hinze-Reinhold, Ernst Hoffzimmer, Emma Koch, Prof. Martin Krause, Clara Krause, Prof. James Kwast, Frieda Kwast-Hodapp, Dr. P. Lutzenko, Gustav Pohl, Prof. Ph. Ruefer, Martha Sauvan, Prof. A. Sowmann, Theodor Schonberger, Ludwig Schytte, August Suman, Verne Stenger, Prof. E. T. Tschert, Prof. Otto Voss, SINGING—Eugene Sager, Franz Maria Bierer-Palme, Madame Blanche Corelli, Frau Lydia Holim, Kari Mayer (Chamber Singer), Frau Prof. Selma Nicklass-Kempner, Nicolaus Rothmuehl (Royal Chamber Singer), Dr. Paul Bruns, Adolf Schulz, Sergei Kiblancky, Wladyslaw Seidemann, Alfred Michel. OPERATIC CLASSES—N. Rothmuehl, VIOLIN—Prof. Gustav Hollaender, Alexander Fiedermann, Max Künzling, Theodore Spitz, &c. &c. HARP—Franz Popp, ORGAN—Bernhard Irrgang. Royal Music Director: CELLO—Erich Hollaender, Eugen Sandow, &c. one of two readings
128Prospectuses may be obtained through the Conservatory and the Virgil School. Pupils received at any time. Consultation hours from 11 a.m. to 1 p.m.
130Royal Conservatory of Music and Theatre
131DRESDEN, GERMANY
132Fifty-Fifth Year, 1909-1910. 1,505 Pupils, 82 Recitals, 116 Instructors
133Education from beginning to finish. Full courses or single branches. Principal admission times begin April and September. Admission granted also at other times.
134Prospectus and List of Teachers from the Directorium
136HAZELTON BROTHERS PIANOS
137THOROUGHLY FIRST-CLASS IN EVERY RESPECT
138APPEAL TO THE HIGHEST MUSICAL TASTE
139Nos. 66 and 68 University Place NEW YORK
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