Scan 5
Musical Courier 1913-05-28: Vol 66 Iss 22, 1913
131 lines. Read by computer on 26 September 2026. Printed page 8. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1INEZ BARBOUR SOPRANO
2Management: Wolfsen Musical Bureau, 1 West 34th St., New York
4SPOONER TENOR
5The American Exponent of "Bel Canto"
6205 West 57th St., New York City
7Phone, 6510 Columbus
9GAREISSEN STUDIO HALL
1064 East 34th St.
11NEW YORK CITY.
13George GARRÉ
1415 East 10th St. Tel. 2927 Stuyvesant New York
16HENRY P. SCHMITT
17VIOLIN INSTRUCTION
18RESIDENCE STUDIO: 293 WEST 81st STREET, NEW YORK
19"Phone Schuyler 9517"
21LA RUE BOALS
22Management:
23ANTONIA SAWYER
241425 Broadway, New York
26Umberto SAGCHETTI
27OPERA TENOR, WITH BOSTON OPERA CO.
281425 Bway., Care Lesley Martin
30THE ROBYN PIANO and VOCAL STUDIOS
3123 West 42nd St.
32(Estoy Piano Building)
34WM. PAGDIN TENOR
35Management
36WALTER ANDERSON
37"Phone 228 Columbus"
38171 West 57th Street, New York
40Adriano ARIANI
41ITALIAN PIANIST
42Available entire season in concert
43Address, HAENSEL & JONES, Aeolian Hall, 20 West 42d St., New York
44"Chickering Piano"
46SARTO Baritone
47Concert, Oratorio, Recitals
48Management: F. O. RENARD
49467 Central Park West, New York Tel. 7371 River
51FÉLIX FOX PIANIST
52Direction: Season 1912-13, MRS. PAUL SUTORIUS, 1 West 34th St., New York
54ALBIN ANTOSCH
55AUSTRIAN CELLIST
56MANAGEMENT: WALTER R. ANDERSON 171 WEST 57th ST., NEW YORK
58MR. and MRS. EDMUND SEVERN
59Voice Violin Piano
60STUDIOS: 131 West 86th Street – New York
62FREDERIC A. METS
63PIANIST AND TEACHER
64Representative of Harold Bauer.
65Studio, 864 Carnegie Hall New York
67Mrs. CARL ALVES
68SPECIAL ATTENTION TO CORRECT VOICE PRODUCTION
69Opera, Oratorio and Lieder
70Leipstic, Kaiser Wilhelmstr., 61
72VOCAL STUDIO AND OPERA SCHOOL, (Italian Method)
73KARL SCHNEIDER
74Pupil of Luigi Vannucchi, OCTOBER TO MAY, 1705 Chestnut St., Philadelphia
75MAY TO OCTOBER, 8 Friedrich Str., Muenchen, Germany
77WILLIAM WHEELER TENOR
78Personal Address: 61 Hamilton Place, New York
79ANTONIA SAWYER
801425 Broadway, New York
82THOMAS EGAN(I) GREAT IRISH TENOR
83104 Wes 79th St., New York
85THOMAS FARMER BARITONE
86Management, Concert Direction M. H. HANSON, 497 Fifth Ave., New York
88CINCINNATI
899 The Westmoreland, Mason Street, Mt. Auburn,
90Phone, Avon 2923 R,
91Cincinnati, Ohio, May 18, 1913.
93Dr. Fery Lulek, the well known Austrian baritone now identified with the local coterie through his connection with the Cincinnati Conservatory of Music, gave a notable liederabend before the student body of that institution on Tuesday evening of the past week. Dr. Lulek shows his artistic traits not alone through his singing, but through his program construction, which in this case offered Schubert, Schumann and a closing group of songs by contemporaneous composers, the chief point of interest centering about the Schumann song cycle "Dichterliebe." Dr. Lulek interpretation of the sixteen songs comprising this cycle is art of the highest type and breathes every phase of poetry. The romantic setting of Heine's poems by Schumann are a very fitting medium for the expression of Dr. Lulek's great art as a lieder singer. Exquisite nuance in dynamics and timbres, musically phrasing and clear enunciation were some of the elements contributing to the noteworthy performance. Dr. Lulek possesses a voice of exceptional beauty and richness of tone, compelling power of interpretation, is an engaging personality and his recitals are superior events. His Schubert was superb and the closing numbers included a lyric by R. Trunk, entitled "Am Mein Weil," which will long linger in the hearts and minds of those who heard it. Lena Palmer added much to the success of the evening by her excellent accompaniments.
95With the rise of the MacDowell idea in Cincinnati the great endeavor of which is to contribute toward creating an atmosphere and environment wherein a national American art may flourish, an increased interest in the production of works by local composers has been stimulated. The past week witnessed the performance of some orchestral works of the gifted young composer, Chalmers Clifton, well known in this city, where he was identified with a multitude of musical matters during his five years' course at the Cincinnati Conservatory of Music. Signor Tirindelli presented Clifton's suite for trumpet and orchestra, an andante, a group of enchanting valse, after the style of Schubert, yet wholly characteristic, and a canon, and the Conservatory Orchestra gave these works a beautiful rendition. Clifton's creative gifts command respect, for he has a genius for beautiful fluent melody, virility, originality and spontaneity. The trumpet suite indicated the composer's resourceful use of the orchestra. This work, which has received warm recognition during the past season, having been performed in Boston and a half dozen Eastern points with great success, is in the idiom of Debussy and the moderns and is an example of absolute music of great charm and buoyancy. The andante afforded ample opportunity for orchestral color and showed the maturing composer in a flattering light. A large audience comprised of the musical connoisseurs of the city paid their tribute to the gifted young American by prolonged applause. Clifton is a scholar with high ideals and his lofty aspirations supported by unusual innate talent lead the musical authorities of Paris, where he is now engaged in preparing for his musical career, to make brilliant predictions.
97The conservatory calendar for the week, offering a series of brilliant musical events, is as follows: Tuesday evening, May 20, piano recital by pupils of Theodor Bohlmann; Wednesday evening, May 21, piano recital by Estelle Winter, pupil of Leo Paalz; Thursday evening, May 22, piano recital by Lizzie Rhette Herndon, pupil of Hans Richard; Friday evening, May 23, piano recital by Margaret Jones, pupil of Wilhelm Kraupner; Saturday evening, May 24, violin recital by pupils of Pier Adolfo Tirindelli.
99Louise Isselhardt was one of the conservatory seniors who distinguished herself in her graduation recital this past week. She is a clear, enjoyable interpreter, is always musical and gave good evidence of mature taste. She played the "Pathetique" sonata of Beethoven with character and stability and proved herself a good Chopin player in a group of etudes and the A flat valse. The F sharp minor concerto of Hiller she gave a buoyant, decisive reading, exploiting her talent in beautiful pianistic means. The recital was of decided credit both to Miss Isselhardt and her teacher, Frederic Shailer Evans.
101John A. Hoffmann presented Mary Rose, contralto, in her graduation recital at the Cincinnati Conservatory of Music on Thursday evening of the past week. Miss Rose has a fine potent voice of good musical quality and is always thoroughly musically. These qualities were apparent at once in her opening group of four Brahms songs. In arias from "Faust" and "The Huguenots" she showed her voice to be in fine training and her manner of delivery denoted energy and assurance. She further sang several groups of classical and modern ballads in expressive beauty of voice and spirit. The program was varied by two violin numbers which introduced in a flattering manner another excellent talent, Mabel Dunn, pupil of Signor Tirindelli. Equipped with a facile technic and endowed with a rare poetic nature, Miss Dunn's playing was a real delight. The concert givers were the recipients of much well merited applause.
103The Saturday Students' Recital, which is a regular event throughout the year at the Cincinnati Conservatory of Music, was yesterday participated in by students from the classes of Signor Tirindelli, John A. Hoffmann, Wilhelm Kraupner, Theodor Bohlmann, Helen May Curtis, Cosby Dansby and Mrs. Jenner, the following taking part: Jean Simon, Rosaling Cohen, Clarence Baiter, Sara Fischer, Maude Mabry, Clara Wilhelmy, Ruth Welch, Bristow Hardin, Margaret Umholtz, Dorothy Barrett, Asenath Breece, Madeline Binswanger, Ella Holroyd, Carol Perinot and Mrs. Arthur Snider.
105In the violin recital by Robert Schenk, pupil of Signor Tirindelli, given at the Cincinnati Conservatory of Music last Wednesday evening, a potentiality worthy of more than passing mention was brought into public ken. Young Schenk has the combination of firmness and surety of tone, thorough appreciation of the artistic and accuracy which makes for a successful career. He played his exacting program with the ease and poise of a seasoned performer and was much applauded. In the rendition of the Vieuxtemps D minor and the Mendelssohn E minor concertos he proved his well founded musicianship and exhibited much brilliance in Wieniawski's "Airs Russes." His program in full was:
106Concerto, D minor ………………………………………….. Vieuxtemps
107Introduction and Cadenza.
108Adagio religioso.
109Allegro energico.
110A Sad Story …………………………………………….. Tirindelli
111Danse Coquette ………………………………………….. Tirindelli
112Danse Hongroise ……………………………………… Brahms-Joachim
113Concerto, E minor ……………………………………… Mendelssohn
114Allegro molto appassionato.
115Andante.
116Allegro vivace.
117Airs Russes …………………………………………….. Wieniawski
118JESSIE PARTLON TYREE.
120Amato En Route to Europe.
122Pasquale Amato, the noted baritone of the Metropolitan Opera Company, sailed for Europe on the steamship Kaiser Wilhelm der Grosse, on Wednesday, May 20. The departure from this country of Mr. Amato nearly completes the long list of celebrated artists who have arranged to spend the summer in foreign countries. Accompanied by his wife, Mr. Amato will go direct to Cesenatico on the Adriatic Sea, where he will spend his vacation with his family.
124THE OPERATIC CHAMPIONSHIP.
126Humperdinck. "JA."
127Debussy. "OUI."
128Wolf-Ferrari. "SI."
130Snapshots of three prominent musicians answering the query: "Are you the greatest living opera composer?"
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