Bow & Bridge Violin and bow makers, as the old books printed them

Scan 13

Musical Courier 1913-11-12: Vol 67 Iss 20, 1913

130 lines. Read by computer on 25 September 2026. Printed page 14. See the scan on archive.org.

1HELENE MAIGILLE AUTHORITY ON BEL CANTO AND VOICE PLACEMENT
242 West 28th Street, New York
3Voice examinations Mondays, Wednesdays and Saturdays at 2 o'clock
5ALBIN ANTOSCH AUSTRIAN CELLIST
6MANAGEMENT: WALTER R. ANDERSON 171 WEST 57TH ST., NEW YORK
8JANE CATHERWOOD SOPRANO and TEACHER
9Fowler Apartments, 1110 W. Washington Street
10Los Angeles, Cal. Phone 20884
12Mrs. CARL ALVES
13SPECIAL ATTENTION TO CORRECT VOICE PRODUCTION
14Opera, Oratorio and Lieder
15Leipsic, Kaiser Wilhelmstr., 61
17Wm. HINSHAW
18BARITONE of the Metropolitan Opera Co.
19Management: R. E. JOHNSTON
201451 Broadway, New York City
22FRANCES ALDA SOPRANO OF THE METROPOLITAN OPERA CO.
23Assisted By
24Gutla Cassini, Cellist, and Frank La Forge, Pianist
25Exclusive Management for Concerts: R. E. JOHNSTON, 1451 Broadway, New York City
26Knabe Piano Used
28SOUSA AND HIS BAND
29EN ROUTE
30SEASON OF 1913-1914
31Office: 1 West 34th Street
32Telephone 6128 Greeley
34EDNA SHOWALTER
35Coloratura Soprano
36For Concert Bookings Address:
37HAENSEL & JONES, Aeolian Hall, New York
39J. FRED WOLLE
40ORGANIST
41Management, The Wolfsohn Musical Bureau
421 West 34th Street, New York
44FLORENCE AUSTIN
45AMERICA'S VIOLINIST
46Season 1913-1914
47Now Booking
48Address: THOMAS McGRATH, 193 East 34th St., N. Y. Phone Murray Hill, 2239
50CARL FLESCH
51THE GREAT HUNGARIAN VIOLINIST
52First American Tour January, February, March, 1914
53Soloist:
54Boston Symphony, Chicago Symphony, Cincinnati Symphony, New York Philharmonic, New York Symphony, Philadelphia Orchestra, St. Paul Symphony, Cleveland Symphony Orchestra Concerts, St. Louis Symphony Orchestra, Metropolitan Opera House Orchestra, Toronto Symphony Orchestra, Rochester Symphony Orchestra, Etc., Etc.
55Exclusive Management:
56HAENSEL & JONES, Aeolian Hall NEW YORK
58KANSAS CITY AUDIENCE ENTHUSES OVER AMATO.
59Metropolitan Opera Baritone Appears in Impressive Song Recital—Good Work on Part of University of Kansas—Various Recitals.
61Kansas City, Mo., November 3, 1913.
62The second concert of the Fritschy series took place last Tuesday afternoon, October 28, when Kansas City heard for the first time the great baritone Pasquale Amato. The fame of his marvelous voice had long preceded his appearance. Not in recent memory has a song recital been anticipated with such expectation. It was a delight to hear Amato's beautiful voice, under such masterful control as was evidenced in the Italian songs. The charming reading of the Haydn sonata for the piano, by G. Bamboscheck, was a relief from the ultra modern piano music many accompanists essay. The program follows:
63Piano solo, sonata …………………………………………..Haydn
64G. Bamboscheck.
65Winterreise …………………………………………..Schubert
66Wasserflut.
67Der stürmische Morgen.
68Das Wirtshaus.
69Schwanengesang …………………………………………..Schubert
70Lichesbotschaft.
71Am Meer.
72Der Doppelganger.
73From Boris Godunoff …………………………………………..Moussorgsky
74Song of Varlam.
75Aria of Boris.
76Hopak (Russian dance) …………………………………………..Moussorgsky
77Dichterliebe …………………………………………..Schumann
78Im wunderschoenen Monat Mai.
79Aus meinen Traenen spriessen.
80Die Rose, Die Lilie, Die Taube.
81Wen ich in Dein Augen seh'.
82Mryten …………………………………………..Schumann
83Widmung
84Du bist wie eine Blume.
85Wanderlied …………………………………………..Schumann
86Eighteenth Century Bergerettes …………………………………………..Weckerlin
87Bergere Legere.
88Jeunes Fillettes.
89Ma Mie Lisette …………………………………………..Burgmein
90Aria—Largo al Factotum (from Barber of Seville) …….Rossini
91Pasquale Amato.
92Romance sans paroles—Mignon …………………………………………..Rebikoff
93Mr. Bamboscheck.
94Old Italian Songs—
95Intorno all'idol mio …………………………………………..Cesti
96Lasciatemi morire …………………………………………..Monteverde
97Danza, danza, fanciulla …………………………………………..Durante
98Damnation of Faust …………………………………………..Berlioz
99Su queste Rose.
100Che fai tu qui.
101Morgen …………………………………………..R. Strauss
102Traum durch die Daeumerung.
103Cacilie.
104Prologue (from Pagliacci) …………………………………………..Leoncavallo
105Pasquale Amato.
107A large audience greeted William A. Bunsen, violinist, in his first public concert here, at the Casino, last Thursday evening, October 30. Mr. Bunsen comes direct from seven years' study, teaching and concert playing in Germany. His playing revealed a musician of breadth and talent. The interpretation of the concerto in D minor by Bruch was especially noteworthy, revealing the industrious student who gives heed to the best traditions of German violin playing. Other violin numbers were air for G string (Bach), "Ave Marie" (Schubert-Wilhelmj), "Spanish Dance" (Sarasate), "Hungarian Dances" (Brahms-Joachim). Mr. Bunsen was assisted by Ina Few Longfellow, soprano; Franklyn Hunt, baritone; Anna St. John, pianist; Clara Crangle, accompanist. Mr. Hunt's singing of Macauley's "If I Were King" was a pleasure to hear.
109The Music Department of the School of Fine Arts of the University of Kansas is opening up the year's work auspiciously. Dean Skilton has engaged for a series of three concerts Mr. and Mrs. Ongawa in a Japanese song recital, Otto Meyer in a violin recital, and Heniot Levy in a piano recital. At the first faculty concert of the year original compositions were presented in a "Transcription of Weber's 'Moto Perpetuo'" for piano, by Carl Preyer, and an "Impromptu" for violin by Dean Skilton, played by Wort S. Morse. October 28 Dean Skilton gave a recital on the fine organ in Fraser Hall. His program included Koch's prelude and fugue on the name B-A-C-H, and some short numbers.
111The music clubs of the city are getting down to real work, as is evidenced by the following programs given by the music department of the Athenaeum and the Kansas City Musical Club. This week the following is the program for the Kansas City Musical Club: Sarabande (Bach), finale from sonata, op. 10, No. 1 (Beethoven), "Ungarische" (Macdowell), Cora Lyman; "My Heart Ever Faithful" (Bach), Mrs. Raymond Havens; "With Verdures Clad" (Haydn), Mrs. C. G. Heydon; "I Will Lay Me Down in Peace" (Dudley Buck), Mrs. Maclay Lyon; "La Folia" (Corelli), romanza in G major (Beethoven), canzonetta (Herbert), Mrs. Stewart C. Forbes; "Pur dicesiti" (Lotti), Eleanor Beardsley; "Voi che sapete" (Mozart), Bessie Gaffney; "Bird Song" (Leoncavallo), Eleanor Beardsley; sonata (Scarlatti), scherzo from sonata, op. 31, No. 3 (Beethoven), scherzo (Ernest Hutcheson), Ida Simmons; "Charmant Papillon" (Andri Campra), "Aus meinen grossen Schmerzen" (Franz), "Tell Me No More" (Cadman), Mrs. G. S. Hickman; concerto (A. Vivaldi), violins, Mrs. Forbes, Mrs. Craven, Miss LaQuay, piano, Miss Boulter; larghetto (Mozart), allegro commodo (Carl Bohm), violins, Mrs. Forbes, Mrs. Craven, Miss Brooks, Miss LaQuay.
113The subject for the Athenaeum program was "Rubinstein" and comprised the following selections, all by Rubinstein: Polka, op. 82, No. 7, "Trot de Caveleri," Mrs. Fred Clarke and Nita Locke; valse, op. 82, No. 5, Maude Armstrong; etude on false notes, Alice Leonard; vocal, "The Asra," "Shyly Sweet My Heart Entreat," Mrs. F. A. Sherburne; etude in E, op. 26, Martha Wittamore; "Kamennoi Ostrow," Mrs. Harold van Stoltzfus; concerto in D minor, Mrs. G. Lake and Mrs. G. G. Walker.
115Geraldine Shepard, one of the younger pianists here, was heard in her third public recital Monday evening, November 3. Miss Shepard gave evidence of great talent and unusual power of concentration for one so young, handling the difficult program which is appended entirely from memory: "Italian" concerto (Bach); sonata, op. 31, No. 3 (Beethoven); preludium, op. 10 (MacDowell); "Moment Musical," op. 7 (Moszkowski); "Caprice Espagnol" (Moszkowski); concert etudes, op. 35 (Chaminade); No. 3, "Spinning Song"; No. 6, tarantelle.
117GENEVE LICHTENWALTER.
119Ossip Gabrilowitsch's Plans.
121The first appearance this season of the brilliant pianist, Ossip Gabrilowitsch, was at the Philharmonic concert in Berlin on October 27, when he played the Beethoven-Chopin E minor concerto, Arthur Nikisch directing. In Munich he will give three recitals, besides playing the Beethoven "Emperor" concerto at one of the Akademie concerts under Bruno Walter. On November 5 he again played with Nikisch in Hamburg, and during the season will appear as recitalist or with orchestra in nearly all of the principal German cities. In January he will play several times in Bucharest, and in February make a tour of Italy. In April and May it is probable that he will give the historical series, "The Development of the Piano Concerto" (which was so well received in Berlin and Munich last season), in Paris and possibly in London as well.
123Easley-Rogers Song Recital.
125A song recital will be given in Aeolian Hall, New York, Thursday afternoon, November 20, by Donna Easley, soprano, assisted by Francis Rogers, baritone. Miss Easley will sing an aria from "Lucia," songs of Grieg, Mozart, Schumann, and Donizetti, and a group of English songs. Mr. Rogers' numbers will include an Italian group, several French and German selections, and a group of songs in English by Huhn, Kramer, and Spross.
127Lina Cavalieri has been singing at San Sebastiano in Spain.
129OSSIP GABRILOWITSCH.

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