Books › Musical Courier 1926-02-04: Vol 92 Iss 5, 1926 › scan 42
Scan 42
Musical Courier 1926-02-04: Vol 92 Iss 5, 1926
90 lines. Read by computer on 29 September 2026. Printed page 43. See the scan on archive.org.
1February 4, 1926
3Dorsey Whittington's New York Recital
4Dorsey Whittington's program for his recital at Aeolian Hall on February 9 includes several novelties, among which is the brilliant Staccato Caprice by Rudolf Frimi, which will be heard for the first time in New York. Other novelties are by Godowsky, Ganz, Nathan Novick, Reuven Kosakoff, Florence Parr Gere, and Felix Deyo. Chopin's B flat minor sonata will be the largest work on the program.
6On March 4, Whittington will make his Chicago debut at Kimball Hall, under the management of Edna Blanche Showalter. He will play a few recitals in the Middle West before his Southern tour, which begins March 22. Reappearances booked for the spring include Meriden, Conn., Brooklyn, N. Y., and Floral Park, N. Y.
8January Dates For Herbert Gould
9A few of the most important engagements which Herbert Gould, prominent basso, filled during the early part of January included: January 1, a Messiah performance in the Tabernacle at Salt Lake City (Utah); 4, Anderson, (Ind.), recital; and 10, Quadrangle Club, Chicago.
11PRIZES AND SCHOLARSHIPS
12[The Musical Courier will endeavor to keep this department up to date and to that end requests that all notices and prospectuses of musical prize contests be sent to the Musical Courier so as to be included in this department. It will be found that in each contest the name and address are given, to which intending candidates may apply directly for further information. Manuscripts are submitted at the risk of the composer.—Editor's Note.]
14The Society for the Publication of American (Chamber) Music—Manuscripts should be sent under nom de plume to William B. Tuthill, 185 Madison Ave., New York.
16Philadelphia Exposition—$3,000 for opera in English to be submitted before March 1, 1926; $2,000 for symphony, $2,000 for ballet, pageant or masque, $500 for choral suite of three or four numbers, to be submitted before April 1, 1926. For further particulars address Henry S. Fry, c/o Sesquicentennial Ass'n., Independence Hall, Philadelphia, Pa.
18Dayton Westminster Choir—Three awards, amounting to $500 for the best a cappella compositions for chorus of mixed voices by an American composer. Contest closes May 1, 1926. Send manuscripts to Mrs. H. E. Talbott, Callahan Bank Bldg., Dayton, Ohio.
20Berkshire Music Colony—$1,000 for sonata or suite for violin and piano. Compositions should be sent, before April 1, to Hugo Kortschak, 1054 Lexington Avenue, New York City.
22People's Choral Union of Boston—$100 for part song, mixed voices, with piano accompaniment, ten minutes in performance. Open to American citizens. Address inquiries to Mrs. William Arms Fisher, 405 Marlboro Street, Boston, Mass.
24Rubinstein Club of Washington—$100 for women's choral (three or four parts) open to American citizens. Manuscripts must be received by December 1, 1926. For further information address Mrs. H. L. Rabbitt, 312 Cathedral Mansions Center, Washington, D. C.
26National Federation of Music Clubs—$1,000 for symphony or symphonic poem; $1,000 for instrumental work written for personnel of N. Y. Chamber Music Society, not to exceed twenty minutes performance; $500 for three part chorus for women's voices; $200 for trio (violin, cello, piano); $100 for cello solo; $100 for song; $100 for harp solo. Open to American composers. Competition closes October 1, 1926. Address inquiries to Mrs. Charles Cooper, Ass't Chairman of American Composers, Peabody Institute, Baltimore, Md.
28National Association of Harpists—$1,000 for harp solo, chamber music including harp, or symphonic poem for solo harp and orchestra; to be sent bearing motto on outside of sealed envelope, before December 15, 1926, to the Association headquarters, 315 West 79th Street, New York City.
30MUSICAL COURIER
32MARION MARSH BANNERMAN
33HARPIST
34East Front Street, Hempstead, L. I.
35Tel. 1894 Hempstead
37WILLIAM SIMMONS
38Concert Baritone and Teacher of Singing
39127 West 75th Street
40Phone Endicott 1185
42RIDER-KELSEY
43Soprano
44Concert Management
45Arthur Judson
46Steinway Hall, N. Y.
47Personal Address:
48135 East 50th St., N. Y.
50ROSATI GIGLI'S Only Teacher
51Vocal Studio: 24 West 59th St., New York City
52Circular Mailed on Request
53Phone Plaza 2875
55ANTON BILOTTI
56CONCERT PIANIST
57AT PRESENT TOURING EUROPE
58Management: A. DANDELOT & FILS, Paris
60CHARLOTTE LUND, Soprano
61Assisted by N. VAL PEAVY, Pianist and Barytone
62IN OPERATIC RECITALS
63Management: R. E. JOHNSTON
64KNABE PIANO
651451 Broadway, New York City
67MAXIMILIAN PILZER
68Soloist and Violin Teacher
69Classes For Advanced Students at 215 West 91st Street, New York City
70Telephone: Riverside 6390
72CRYSTAL WATERS
73Singer of Songs
74Concert Programs — Teacher of singing in all its branches
75Management:
76ARTHUR JUDSON
77Steinway Hall
78Tel. Regent 2822
79by appointment
80Studio:
81126 East 60th St.
83PAPALARDO
84Noted Vocal Coach, Conductor and Accompanist
85Maestro Papalardo is one of the few masters who can see a pupil all the way through from fundamental tone production to the peak of an outstanding artistic career. Catalogue including a distinguished list of artists who have been prepared for the concert and operatic stage by Maestro Papalardo will be sent upon request.
86STEINWAY BUILDING
87109 West 57th Street, New York
88Telephone: Marble 1573
89Steinway Piano Used Exclusively
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