Books › Musical Courier 1926-03-11: Vol 92 Iss 10, 1926 › scan 32
Scan 32
Musical Courier 1926-03-11: Vol 92 Iss 10, 1926
101 lines. Read by computer on 29 September 2026, twice; the two readings disagreed in places. Printed page 33. See the scan on archive.org.
1March 11, 1926
3YEATMAN GRIFFITH
4Teacher of Macbeth D'Alvarez, Sparke, Errolle, Stralla, Lappas and many other famous artists.
5Studios: 52 West 70th St., New York City. Tel. Endicott 8144
7U. S. KERR
8Bass Baritone
9RECITALS IN ENGLISH, FRENCH
10ITALIAN AND NORWEGIAN
11561 West 143rd Street, New York City. Tel. 2970 Audubon
13ROXAS
14Coach and Accompanist to MARTINELLI for six years
15Vocal Coach Studio: Steinway Bldg., 109 West 57th St., N. Y. Phone Circle 6161 one of two readings
16Vocal Coach one of two readings
17Studio: Steinway Bldg., 109 West 57th St., N. Y. Phone Circle 6161 one of two readings
19BOWIE
20Voice Placement
21COMPLETE PREPARATION FOR OPERA, CONCERT OR CHURCH
2265 Central Park West, N. Y. City
23Walter Henry Hall
24Professor of Choral Music, Columbia University
25Address 39 Claremont Ave.
27William S. BRADY
28TEACHER OF SINGING
29Studio: 137 West 86th St., New York Tel. Schuyler 3580
31MARIE SUNDELIUS Soprano
32With the Metropolitan Opera Co.
33Exclusive Management:
34HAENSEL & JONES Aeolian Hall, New York
35Edwin Franko Goldman
36CONDUCTOR THE GOLDMAN BAND
37"A Symphony Orchestra in Brass"
38Personal address: 202 Riverside Drive, New York
40HEMPEL
41Concert Management GEORGE ENGLES
42Aeolian Building – 33 West 42nd Street, New York
43Steinway Piano
45ANTONIO CORTIS
46TENOR
47Chicago Civic Opera Company
48VICTOR RECORDS
50WURLITZER
51Pianos—Organs, Harps—Violins, and Musical Instruments
52120 W. 42nd St., New York
54Frank T. Kintzing presents
55THE WORLD FAMOUS JAPANESE SOPRANO
56TAMAKI MIURA
57As Guest Artist in Puccini's
58"MADAM BUTTERFLY"
59and in the New One-Act Japanese Opera
60"NAMIKO SAN"
61By ALDO FRANCHETTI
62World Premiere in December by the Chicago Civic Opera Co.
63Address FRANK T. KINTZING, Steinway Hall, N. Y. City
65WHERE THEY ARE TO BE
66As Announced
68BAER, FREDERICK—April 12, 13, 14, Halifax.
69D'ALVAREZ, MARGUERITE—May 5, Newark, N. J.
70GIANNINI, DUSOLINA—March 20, Atlantic City, N. J.; 25, Boston, Mass.
71JACOBSON, SASCHA—March 21, Hartford, Conn.
72JERITZA, MARIA—March 18, Little Rock, Ark.; 13, New Orleans, La.; 16, Houston, Texas; 19, Fort Worth, Tex.; 22, Des Moines, Ia.; 24, Omaha, Neb.
73KINDERLE, HANS—March 13, Atlantic City, N. J.; 14, Philadelphia, Pa.; (as conductor of Phil. Orch.) 15, Morgantown, W. Va.; 18-20, Cleveland, Ohio (Orchestra soloist); 26-27, Philadelphia, Pa.; (Orchestra soloist).
74LESLE, GRACE—April 12, 13, 14, Halifax.
75LEWIS, MARY—April 12, 13, 14, Halifax.
76LEWIS, MARY—May 6, Newark, N. J.
77LEVITZKI, MISCHA—March 21, Chicago, Ill.
78MIDDLETON, ARTHUR—May 7, Newark, N. J.; Aug. 29, Des Moines, Ia.
79REYNOLD, GEORGE PERKINS—March 14, Erie, Pa. (Orchestra).
80RUSSIAN SYMPHONIC CHOIR—March 19, Albany, N. Y.; 21, Hartford, Conn.
81SPALDING, ALBERT—May 5, Newark, N. J.
82SPARKE, LEONORA—March 16, Springfield, Mass.
83ST. OLAF LUTHERAN CHOIR—March 5, Milwaukee, Wis.; 7, Ann Arbor, Mich.; 8, Flint, Mich.; 9, Saginaw, Mich.; 10, Grand Rapids, Mich.; 4, Muskegon, Mich.; 12, Detroit, Mich.; 13, Lima, Ohio; 14, Toledo, Ohio; 15, Cleveland, Ohio; 16, Pittsburgh, Pa.; 17, Wheeling, W. Va.; 18, Zanesville, Ohio; 19, Columbus, Ohio; 20, Chicago, Ill.; 21, San Bernardino.
84STRATTON, CHARLES—April 22, Brooklyn Academy of Music; May, Ann Arbor, Mich., May Festival.
85TIBBETT, LAWRENCE—May 6, Newark, N. J.
86VAN DER VEER, NEVADA—April 16, Forest Hills, L. I.
88Miami's First Opera Venture Huge Success
89(Special telegram to the Musical Courier)
90MIAMI, Fla.—Miami's first venture in grand opera proved an overwhelming success. The Coral Gables Stadium was all aglow on the first night of grand opera, with music lovers, society, and those in search of musical thrills keenly enthusiastic. A great ovation was given the Chicago Civic Opera Company, and it is estimated about 4,500 persons heard Aida. Rosa Raisa triumphed in the title role, her distinctive bell-like tones ringing to the utmost parts of the huge auditorium. Cyrena Van Gordon's lovely voice captivated her hearers in the part of Amneris, and her duets with Raisa called for most enthusiastic applause. Alexander Kipnis, as the King, won much favorable comment, and the tenor quality of Charles Marshall's voice in the role of Radames proved best in the middle register, although in the last scene the warmth and feeling grew to a great climax. Lazzari, as Ramfis, exhibited his rich, low voice to good advantage. Lodovico Olivero, new to some hearers, has a mellow tone and his phrasing is clear-cut. Rimini, too, scored a triumph, and has never been heard to better advantage as Amonasro, his acting with Raisa being without fault. Elizabeth Kerr, as the Priestess, displayed a clear voice, extraordinarily sweet. Polacco's conducting brought forth much admiration from the audience, and the ballet, chorus and orchestra gave wonderful support.
91(Signed) ANNIE FORD WIGHT.
93The Dunning Messenger a New Publication
94The Dunning Messenger, the official organ of the National Dunning Teachers Association, made its initial appearance in February in the form of a thirty-one page magazine. It was twenty-one years ago that Carre Louise Dunning founded the Dunning System of Improved Music Study for Beginners, and for years it has been one of her ambitions that teachers of her method throughout the world should have a medium of their own through which they might tell of their activities and the results accomplished in their pedagogical work. That ambition has now been realized, and it is up to Dunning teachers to cooperate with Mrs. Dunning and her assistants in putting the publication on a firm basis. The February number contains photographs of the officers of the National Dunning Teachers Association, some words of advice from Mrs. Dunning, editorials, a cross-word puzzle for the kiddies, notes on the activities of Dunning teachers, jokes and bright sayings of children studying the System, as well as many other items of interest, one of them being the announcement of an attractive pin which can be secured by members of the Dunning Teachers Association.
96Recital Club's Monthly Musicale
97On February 27, the usual monthly musicale of the Recital Club was held under the efficient direction of Rose Hazard. It was a delightful program—one might almost say the season's best, although all Recital Club musicales are outstanding in the excellence of the programs presented and the artistic ability of the participants. Particularly fine was Chester Moffatt's rendition of four numbers, by Verdi, Keel, Lawson and Logan. Mr. Moffatt gave evidence of a powerful baritone voice of splendid quality completely controlled. Also much appreciated was Blanche Anthony's interpretation of the Caro Nome aria from Rigoletto. She displayed a voice of clear, crystal loveliness, and again proved her worth as artist and singer in another group of additional numbers. Margaret Kane, pianist, and Joseph Buzanca, violinist, were the other participants and each played their solo groups to the evident satisfaction of all present. It was an event that may be noted as outstanding among the Recital Club's presentations of the year.
99From Violin to Insurance
100Lazarus Monfried, violinist, composer and journalist, former editor of The Musical World and Theater Magazine, learned a lesson at a high price, but will utilize it to good advantage. Some time ago an accident fractured his left wrist, cutting off his main source of income as violin teacher. This caused him to realize the vital necessity of insurance to professionals, whose bread and butter and the ability to support their families depend entirely upon their own personal state and condition. Prompted by this great problem, Mr. Monfried completed a course in insurance, especially life insurance, and resolved to make it his career. He joined the Equitable Life Assurance Society of the United States and is reported very prosperous. This mission Mr. Monfried conducts chiefly among artists and professionals—the type of people nearest to his heart. He is thus specializing in their various insurance needs and in forms of protection especially designed to suit their individual purposes.
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