Bow & Bridge Violin and bow makers, as the old books printed them

Scan 28

Musical Courier 1926-09-23: Vol 93 Iss 13, 1926

95 lines. Read by computer on 29 September 2026. Printed page 29. See the scan on archive.org.

1September 23, 1926
3Dr. Daniel Protheroe to Organize Department of Sacred Music
5Dr. Daniel Protheroe has just returned from Wales where he had adjudicated at several provincial Eisteddfods and also at the national gathering. Immediately upon his arrival he went to Winona Lake in Indiana where he conducted classes at the Sacred Music School in song interpretation, composition, choral conducting; gave private lessons, and led the festival choruses, also giving a recital of his own songs and chorus with the assistance of Dan Beddoe, Homer Rodeheaver, Helen Protheroe Axtell, Ruth Rodeheaver Thomas and Vivian Tripp. He conducted the Festival Chorus in the Messiah with Ruth Rodeheaver Thomas, Dan Beddoe, Homer Rodeheaver and Vivian Trip as soloists, accompanied by the summer school orchestra, led by Phillip Smith.
7Dr. Protheroe announces that he will celebrate his connection with the Gunn School of Music of Chicago by organizing for the first time in America a Department of Sacred Music. There is a field for a school of this kind where singers and conductors can receive instruction in the best traditions of church music. Classes will be held in the art of choral conducting, with the view of training directors for church choirs, choral societies and other singing bodies. There will be instruction given in the art of solo singing, quartets, ensemble, keeping in mind all the time the practicability and also the effectiveness of church worship, because, after all, music in church should be of a worshipful, dignified, artistic and effective nature, where the entire services will be a harmonious whole. An added feature will be the training of Evangelistic singers and leaders, and during the season Homer Rodeheaver will give talks to the students from his varied experiences and knowledge of such work. Repertory for festival special services, as well as regular services for the year will be made out.
9Plans Arranged for Unification in Music Teaching
11The all-important Commission on Curricula of the National Association of Schools of Music and Allied Arts held a two-day session at the Juilliard Musical Foundation, 49 East Fifty-second Street, New York, during the last week in August. This Commission—consisting of Howard Hanson, Rochester, N. Y.; Edgar Brazelton, Chicago; Gilbert R. Combs, Philadelphia; John J. Hattstaedt, Chicago, and Louise Westervelt, Chicago—has done a colossal piece of work in co-ordinating the various points of view and ideas of the separate independent music schools and those which are parts of universities, and in forming outlines of courses of two years leading to a certificate, four years leading to a Bachelor of Music Degree and five years leading to a Master of Music Degree. The outlines of these courses will set a standard for the Junior and Senior Colleges as well as the music schools which will soon become accepted throughout the United States, and will do much to raise the qualifications of those who will build up the coming generation of musicians in this country.
13The report completed at this meeting will be presented at the next annual meeting of the Association to be held in New York City, November 26 and 27, 1926, at which time it is expected that the Association will adopt rules for the admission of institutions to classified membership. At present the Association is one of individuals who are interested in music schools.
15The executive officers—Kenneth Bradley, New York; Charles N. Boyd, Pittsburgh; and Burnet C. Tuthill, Cincinnati—were also present and arranged plans for the coming annual meeting.
17Cello Scholarships at Master Institute
19Two scholarships in cello—the Maurice Lichtmann and Percy Such—have been added to the list of scholarships to be presented this season at the Master Institute of United Arts, New York. Each scholarship includes a year's tuition in cello at the Institute, the work being under the direction of Percy Such. Additional scholarships to be awarded are the Nicholas Roerich scholarships in music, Louis L. Horch scholarship in piano, Corono Mundi, International Art Center scholarships, Curt and Florence Rosenthal scholarships for women, Frederick W. Trabold, R. W. Hall, Constance Towne and Allen Cohen scholarships, and the Esther J. Lichtmann and Sina Lichtmann scholarships in piano. These scholarships are given in each department of art and awards will be made early in October.
21MUSICAL COURIER
23MASTER INSTITUTE OF UNITED ARTS
24Music—Painting—Sculpture—Architecture—Opera Class—Ballet—Drama—Lectures
25310 Riverside Drive, New York City
26Phone Academy 3860
28MOST PROFICIENT NEGRO CHOIR IN AMERICA
29Available for Recitals, Concerts or Special Programs of Negro Spirituals
30WILSON LAMB, Organizer and Manager
31METROPOLITAN BUILDING, ORANGE, N. J.
33VAN YORX THEO.—TENOR
34Studio: 4 West 40th Street, New York
35Opposite Public Library. Tel. 4792 Penn.
37FLETA TENOR
38Metropolitan Opera Company
39PERSONAL ADDRESS: VILLA FLETA.
40CIUDAD LINEAL, MADRID, SPAIN
42Rosza Ponselle
43METROPOLITAN MUSICAL BUREAU
44AEOLIAN HALL, NEW YORK CITY
46FREE ORGAN SCHOLARSHIPS
47offered by Hon. and Mrs. Philip Berolzheimer at the
48Guilmant Organ School
49Exams. Sept. 27th.—Write for Information
50New Catalog ready 17 East 11th Street, New York
52ANNA FITZIU
53Soprano Chicago Opera
54Management: R. E. Johnston
551451 Broadway, New York
57DUNNING SYSTEM of Improved Music Study for Beginners
58THE DEMAND FOR DUNNING TEACHERS CANNOT BE SUPPLIED—WHY?
59Normal Classes as follows:—
60MRS. CARRE LOUISE DUNNING, Originator, 8 WEST 40th Street, New York City
61MRS. ZELLA E. ANDREWS, Leonard Bldg., Spokane, Wash.
62KATHARINE M. ARNOLD, 93 Madison St., Tiffin, Ohio. Arnold School of Music.
63ALLIE E. BARCUS, 1006 College Ave., Ft. Worth, Texas. Normal for Teachers.
64ELIZETTE REED BARLOW, 817 E. Central Ave., Winter Haven, Fla.
65CATHERINE GERTRUDE BIRD, 658 Collingwood Ave., Detroit, Mich.
66BEULAH CROWELL, 201 Wellston Bldg.; 1506 Hadamont Ave., St. Louis, Mo.
67MRS. JEAN WARREN CARRICK, 100 East 88th St., Portland, Ore.
68DORA A. CHASE, Carnegie Hall, New York City; Pouch Gallery, 348 Clinton Ave., Brooklyn, N. Y.
69MRS. H. R. WATKINS, 124 East 11th St., Oklahoma City, Okla.
70ADDA C. EDDY, 136 W. Sandusky Ave., Bellefontaine, Ohio. Summer, Cincinnati Conservatory and Bellefontaine, O. Sept., Wichita, Kans.
71BEATRICE S. EIKEL, Kidd-Key College, Sherman, Texas.
72LA VERNE C. FLEETWOOD, 1344 Spaulding Ave. Studio: Hollywood Women's Club, 7078 Hollywood Boulevard, Hollywood, Calif.
73IDA GARDNER, 17 East 6th Street, Tulsa, Okla. Normal Classes.
74GLADYS MARASLIS GLENN, 1605 Tyler Street, Amarillo, Tex. October 1st and February 1st, Amarillo.
75FLORENCE ELIZABETH GRASLE, Lansing Conservatory of Music, Lansing, Mich. Normal classes, June 28, 1926; Jan. 15, 1927.
76CARRIE MUNGER LONG, 608 Fine Arts Bldg., Chicago, Ill. Memphis, Tenn., June; Chicago, July, Aug., Sept.
77HARRIET BACON MACDONALD, 13434 Detroit Avenue, Cleveland, Ohio. June; Dallas, Texas; July; Cleveland, Ohio; September; Little Rock, Ark.
78MRS. KATE DELL MARDEN, 61 North 16th Street, Portland, Ore.
79MRS. WESLEY PORTER MASON, 6262 Oram Avenue, Dallas, Texas. Normal Classes, Feb. 1, three months; June 1, five weeks.
80ROBIN OGDEN, Box 544, Waterbury, Conn.
81MRS. LAUD GERMAN PHIPPEN, 1536 Holly St., Dallas, Tex. Classes held Dallas and Oklahoma.
82ELLIE IRVING PRINCE, 4106 Forest Hill Ave., Richmond, Va.
83VIRGINIA RYAN, 1070 Madison Avenue, New York City.
84ISOBEL M. TONE, 626 S. Catalina St., Los Angeles.
86INFORMATION AND BOOKLET UPON REQUEST
88PAPALARDO
89Noted Vocal Coach, Conductor and Accompanist
90Maestro Papalardo is one of the few masters who can see a pupil all the way through from fundamental tone production to the peak of an outstanding artistic career. Catalogue including a distinguished list of artists who have been prepared for the concert and operatic stage by Maestro Papalardo will be sent upon request.
92STEINWAY BUILDING 109 West 57th Street, New York
93Telephone: Marble 1573
94Steinway Piano Used Exclusively

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