Books › Musical Courier 1926-09-23: Vol 93 Iss 13, 1926 › scan 31
Scan 31
Musical Courier 1926-09-23: Vol 93 Iss 13, 1926
75 lines. Read by computer on 29 September 2026. Printed page 32. See the scan on archive.org.
1HUGHES
2Management of EDWIN HUGHES, 338 W. 89th St., New York
3Steinway Piano
4JOSEPH REGNEAS
5VOCAL INSTRUCTION
6135 W. 86th St., New York
7Tel. 4386 Trafalgar
8Consultation only by appointment
9ADELAIDE FISCHER
10LYRIC SOPRANO
11Phone Nevins 1051 401 Knabe Building, New York City
12ARNOLD CORNELISSEN
13Conductor Buffalo Symphony Orchestra
14"Although there was no rehearsal the orchestral accompaniment of my piano concerto op. 5, under your baton, was excellent.
15(Signed) ERNST VON DORNANYI."
16FRANCES SEBEL
17LYRIC SOPRANO
18CONCERT—OPERA—ORATORIO
19Management: R. E. Johnston, 1451 Broadway, New York City
20Personal Address: 164 West 79th St., N. Y. Phone 9666 Endicott
21ETHEL NEWCOMB
22PIANIST
23WHITNEY POINT NEW YORK
24JOHANNES MAGENDANZ
25Director Piano Department
26Utica Conservatory of Music Utica, N. Y
27ROBERT PERUTZ
28VIOLINIST
29For terms apply: BURNET TUTHILL Cincinnati, Ohio
30Mme. Martha BRAARUD
31TEACHER OF SINGING
3265 East 54th St., New York Telephone 6747 Plaza
33FLORENCE LEONARD
34PIANO
35Assistant to Breithaupt
36500 Carnegie Hall, New York
37Baker Building, Philadelphia
38For Season 1926-27
39MURDOCH
40Pianist
41"A Great Artist"
42Boston Christian Science Monitor
43Management
44Loudon Charlton, Carnegie Hall, New York
45Steinway Piano
46ANTONIO BASSI
47Correspondent and representative of the Musical Courier for Milan, Italy.
48will be glad to hear from all Americans studying, singing or playing in Italy, and is always at their service for information of any sort, which will be gladly furnished without charge, by correspondence or in personal interviews.
49Milan Office of the Musical Courier,
50Via Durini, 31
51Telephone 19-345
52MUSICAL COURIER
53Paris and Madrid Applaud Brailowsky
54Alexander Brailowsky, whose tours of America were a tremendous success, has been winning plaudits abroad this summer. Irving Scherweke in the Paris edition of the Chicago Tribune writes: "Consecrated by American approval, Brailowsky 'returned' to Paris Tuesday evening. He gave his concert in the Paris Opera, the first piano recital to take place in that venerable building. Long after the reading of the program the huge audience remained to applaud and cheer. It was a significant soiree and must have been a close approximation of the scenes of enthusiasm concert-goers indulged in during the romantic reigns of Liszt and Paganini. Encore after encore was demanded and given and it was only when the lateness of the hour obliged the authorities to close the Opera that the seance ended. . . . There is only one Brailowsky. He has emerged from the difficult test of America greater than ever. The way he played Chopin Tuesday evening baffles description. His performance was one of overwhelming splendor. . . ." Adolfo Salazar in El Sol, Madrid, writes: "In spite of countless hearings, Chopin is always admirable, and when Brailowsky is the interpreter our veneration is unreserved, not because we want to hear a recital but because we should like to hear the same recital from him twenty times consecutively." Carlos Bosch, in El Imparcial, Madrid, says: "In all categories of music he is always romantic, always classical, always poetic. His interpretations lift us out of ourselves. He is a pianist who escapes the pianistic, the artist so perfect and all inclusive that he enriches the art he interprets."
55Brailowsky returns to America in January and will make a tour to the Pacific Coast, besides being heard in many cities in the East.
56Margaret Rice to Be Busy in Milwaukee
57Margaret Rice has announced the artists she will present for the tenth season of the Twilight Musicales, which are held Sunday afternoons at the Pabst Theater and have become a decided factor in the musical world of Milwaukee. She will offer the English Singers—six mixed voices in a program of ballads, madrigals, canzonettes and folk songs; this group will open the season in Milwaukee, November 7. The following month will bring Sylvia Lent and Gilbert Ross; this will be a return engagement of these young artists. In January, Josef Szigeti, Hungarian violinist, will give the program. Dusolina Giannini will come in January (this also is a return engagement), and Pablo Casals, cellist, with Edouard Gendron, pianist, will present the program in February. The series will close March 20 with Walter Gieseking, pianist.
58The Chicago Symphony Orchestra will again be heard in Milwaukee in a series of ten concerts under the auspices of the Milwaukee Orchestral Association, of which Miss Rice is the secretary. Word also comes from Miss Rice's office that the Chicago Civic Opera Company will present Aida, Tristan and Isolde, and Resurrection in the Auditorium, on November 26, December 10, and January 7, under the auspices of the Milwaukee Grand Opera Association.
59PRIZES AND SCHOLARSHIPS
60[The Musical Courier will endeavor to keep this department up to date and to that end requests that all notices and prospectuses of musical prize contests be sent to the Musical Courier so as to be included in this department. It will be found that in each contest the name and address are given, to which intending candidates may apply directly for further information. Manuscripts are submitted at the risk of the composer.—Editor's Note.]
61The Society for the Publication of American Music—Manuscripts (Chamber and Orchestra Music) should be sent under nom de plume to William B. Tuthill, 185 Madison Ave., New York.
62Lorenz Publishing Company—$600 in twelve cash prizes offered for the most attractive unpublished anthems submitted before February 1, 1926. For further information address Lorenz Publishing Co., 70 East 45th Street, New York, N. Y.
63Rubinstein Club of Washington—$100 for women's choral (three or four parts) open to American citizens. Manuscripts must be received by December 1, 1926. For further information address Mrs. H. L. Rabbitt, 312 Cathedral Mansions Center, Washington, D. C.
64National Federation of Music Clubs—$1,000 for symphony or symphonic poem; $1,000 for instrumental work written for personnel of N. Y. Chamber Music Society, not to exceed twenty minutes performance; $500 for three part chorus for women's voices; $200 for trio (violin, cello, piano); $100 for cello solo; $100 for song; $100 for harp solo. Open to American composers. Competition closes October 1, 1926. Address inquiries to Mrs. Charles Cooper, Ass't Chairman of American Composers, Peabody Institute, Baltimore, Md.
65National Association of Harpists—$1,000 for harp solo, chamber music including harp, or symphonic poem for solo harp and orchestra; to be sent bearing motto on outside of sealed envelope, before December 15, 1926, to the Association headquarters, 315 West 79th Street, New York City.
66Bookfellows Prize—$25 for sonnet on musical subject. Contest from May 1 to October 1. Further particulars obtained from Mrs. Flora W. Seymour, 1217 East 53rd Street, Chicago, Ill.
67Century Theater Club—$2,000 for play of three or more acts by American author, manuscripts to be forwarded before January 1, 1927. For further information address Esther L. Leigh, 697 West End Ave., New York City.
68North Shore Festival Ass'n—$500 for cantata for children's voices with orchestral accompaniment or $300 with piano accompaniment—open to American Citizens. Compositions to be submitted before November 1, 1926. For further particulars address J. H. Hilton, Davis St. and Sheridan Rd., Evanston, Ill.
69THE moods and fancies of youth find sympathetic understanding in the sensitive mechanism of the Steinway. In the early years of musical effort, attainment seems so difficult and so far away. It is then there is vital need of just the encouragement which the Steinway never fails to give.
70Its superior worth is accepted throughout the world without question. Yet the Steinway's cost is moderate, and terms are made convenient.
71Write for illustrated literature.
72STEINWAY & SONS
73STEINWAY HALL
74109 West 57th Street, New York
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