Books › Musical Courier 1926-09-30: Vol 93 Iss 14, 1926 › scan 31
Scan 31
Musical Courier 1926-09-30: Vol 93 Iss 14, 1926
69 lines. Read by computer on 27 September 2026. Printed page 32. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1HUGHES
2Management of EDWIN HUGHES, 338 W. 89th St., New York
3Steinway Piano
4JOSEPH REGNEAS
5VOCAL INSTRUCTION
6135 W. 89th St., New York
7Tel. 4386 Trafalgar
8Consultation only by appointment
9ADELAIDE FISCHER
10LYRIC SOPRANO
11Phone Nevins 1091 401 Knabe Building, New York City
12ARNOLD CORNELISSEN
13Conductor Buffalo Symphony Orchestra
14"Although there was no rehearsal the orchestral accompaniment of my piano concerto op. 5, under your baton, was excellent."
15(Signed) ERNST VON DONNANVIL.
16FRANCES SEBEL
17LYRIC SOPRANO
18CONCERT-OPERA-ORATORIO
19Management: R. E. Johnston, 1451 Broadway, New York City
20Personal Address: 164 West 79th St., N. Y. Phone 9666 Endicott
21ETHEL NEWCOMB
22WHITNEY POINT PIANIST NEW YORK
23JOHANNES MACENDANZ
24Director Piano Department
25Utica Conservatory of Music – Utica, N. Y
26JOSEFIN HARTMAN VOLLMER
27COACH AND ACCOMPANIST
28"The perfect accompanist." – Mme. Schumann-Heink
29236 West 70th St., New York City Phone 9930 Susquehanna
30ADALBERT OSTENDORFF
31PIANIST-INSTRUCTION
32Studio: 405 Carnegie Hall New York City
33Write for appointment
34Mme. Martha BRAARUD
35TEACHER OF SINGING
3665 East 54th St., New York Telephone 6747 Plaza
37ANTONIO BASSI
38Correspondent and representative of the Musical Courier for Milan, Italy.
39will be glad to hear from all Americans studying, singing or playing in Italy, and is always at their service for information of any sort, which will be gladly furnished without charge by correspondence or in personal interviews.
40Milan Office of the Musical Courier,
41Via Durini, 31
42Telephone 19-345
43GALLI-CURCI
44SCHIPA
45RETHBERG
46TIBBETT
47Management
48Evans & Salter
49527 FIFTH AVE., NEW YORK
50MUSICAL COURIER
51May Beegle's Busy Season
52May Beegle, Pittsburgh impresario, anticipates the most brilliant season in her career. More attractions have been booked by this well known manager for the season of 1926-27 than in any previous year, and Pittsburgh is promised a most interesting season under this management. In addition to representing the Pittsburgh Orchestra Association for the eleventh season for a series of fourteen symphony concerts, the series of May Beegle Concerts at Syria Mosque consists of eight stellar attractions. In addition to these courses, Miss Beegle will also have Chaliapin and Company in The Barber of Seville, and three performances by the Chicago Civic Opera Company. The orchestras to be heard in the symphony series include the Boston Symphony, Cincinnati, Cleveland, New York Philharmonic in January and again in March, the New York Symphony, and the Minneapolis Orchestra. The May Beegle Concerts include Tamaki Miura and the Manhattan Opera Company and Pavley Oukrainsky Ballet; Lucrezia Bori in a costume recital; Ossip Gabrilowitsch, Mikhail Mordkin and his Russian Ballet; Mary Lewis and Edward Johnson, in joint recital; Rosa and Carmela Ponselle in joint recital; Paul Kochanski, and Maria Jeritza. Other attractions under the May Beegle management during the season include the Ukrainian National Chous, Alexander Koschet, conductor; Louis Caton; Sousa and his Band; Will Rogers and the DeReszke Singers; Yale Glee and Banjo Club; Fritz Kreisler, Sergei Rachmaninoff, Mme. Schumann-Heink and Roland Hayes. E. L.
53Grainger Booked Solidly for Two Years
54Percy Grainger is to play again in Honolulu on his return home from Australia next December. This will be the first of his nine return engagements for next year, the other cities being Montclair, N. J.; Asheville, N. C.; Lawrence, Kans.; St. Louis, Mo.; Winnipeg, Canada; Duluth, Minn.; Urbana, Ill. This list does not include New York, Boston and Chicago, where he appears annually, or any cities on the Pacific Coast where a tour has been arranged under the auspices of Steers, Behymer and Oppenheimer for next April. This will be the fifth tour booked for this artist by the three managers.
55Mr. Grainger's 1926-27 tour opens in the eastern territory the first week of January, and he has not an open date until the close of his California and Northwestern concerts the latter part of next April. From there he must return immediately to New York in order to attend rehearsals for his orchestral concert in Town Hall on May 10. This concert will be the last given by him in New York until the season of 1928-29, as not only is he booked solidly in America but in Europe as well, where he will go in the autumn of 1927 to give piano recitals and conduct performances of his orchestral, choral and chamber works, until the summer of 1928.
56Zimbalist and Naegle in Joint Recital
57One of the interesting out-of-town concerts of the summer was the joint recital given on September 7 at Stillington Hall, the private home of Leslie Buswell at Gloucester, Mass., by Efrem Zimbalist and Charles Naegle. The first part of the program was devoted to two short groups of solos each by Mr. Zimbalist and Mr. Naegle, the second part to the Cesar Franck sonata for violin and piano. Both of the artists are particularly distinguished for their musicianship, and it was this quality which came especially to the fore in the magnificent performance of the work. There was a large audience of invited guests representing the cream of North Shore society, and the entire program was thoroughly enjoyed. The guest of honor was Sir Esme Howard, British Ambassador to the United States, and among those in the audience were the Honorable Nicholas Longworth, Speaker of the House of Representatives, Senator Capper, Col. A. Piatt Andrew, and Mr. and Mrs. Joseph Leiter. Mr. Buswell is planning a series of four subscription concerts next summer, to be given under the auspices of the Stillington Music Club, which he is now organizing.
58MAY BEEGLE
59© A. Parry picture
60SOHMER
61THE pre-eminence of the Sohmer Piano as the ideal musical instrument of the home is further enhanced by Period encasements that give to it the added appeal of fine furniture.
62For more than half a century the Sohmer has enjoyed international fame for its extraordinary beauty of tone. The added charm of beautiful exteriors in various periods of furniture design, at but a slight increase in cost, makes it the most desirable piano for the home of good taste.
63Sohmer Pianos are made in various styles and sizes of Grands, Uprights, Players, and Reproducing Players, all of one quality. Uprights from $700 and upward. Grands $1250 and upward. Period models in Queen Anne, Italian Renaissance, Louis XVI, Spanish Renaissance and Jacobean. Monthly terms of payment if desired. Illustrated Catalog mailed on request.
64SOHMER & CO.
65Established 1872
6631 WEST 57TH ST.
67NEW YORK
68Factory Astoria, L. I.
The computer misreads some letters and numbers. Where a name matters to you, read the scan.