Books › Musical Courier 1928-08-09: Vol 97 Iss 6, 1928 › scan 16
Scan 16
Musical Courier 1928-08-09: Vol 97 Iss 6, 1928
155 lines. Read by computer on 28 September 2026. Printed page 17. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1August 9, 1928
3RICHARD BUHLIG, Pianist
4Teaching: in California, July until October, 1928
5in New York City, Winter-Spring, 1928-29
6Address Secretary of Richard Buhlig, 2119 East St., Berkeley, Cal.
7or Room 1311, Subway Hall, New York City
9ENRICA CLAY DILLON STUDIO OF ACTING
10Coaching for Professional Singers—Opera and Light Opera
11By Appointment: 15 West 57th St., New York City
12Phones: Susquehanna 1619—Tridigar 1162
14STEPHEN TOWNSEND
15Teacher of Singing—NEW YORK: 15 East 38th Street, Tuesday, Wednesday, Thursday. BOSTON: 6 Newbury Street, Friday, Saturday, Monday. Choral Director, N. Y. Society of the Friends of Music.
17VINCENT V. HUBBARD
18Successor to ARTHUR J. HUBBARD (Retired)
19Vocal Technique, Diction, Coaching, Program Building
20First Assistant: Dr. George L. Dwyer
21246 Huntington Ave. Boston, Mass.
23Estelle LIEBLING
24SOPRANO
25Studio: 145 West 55th St., New York Tel.: 1787 Circle
27KATHERINE BELLAMANN
28Associate Teacher with ESTELLE LIEBLING
29Studio: 200 West 57th Street, New York, Phone Circle 9873
31EDGAR STILLMAN-KELLEY
32STEINWAY HALL – NEW YORK, N. Y.
34Mme. Martha BRAARUD
35TEACHER OF SINGING
36257 West 86th St., New York Tel. Endicott 1938
38EDWIN SWAIN
39BARITONE
40Mgt. ANNIE FRIEDBERG Fisk Building, New York
42GODFREY LUDLOW
43Australian Violinist
44Instructor of Sevcik and Auer Methods
45Studio: 101 West 58th St., Apt. 18, New York. Circle 4179
47ANNA CASE
48Famous American Soprano
49Exclusive Management:
50R. E. Johnston, 1451 Broadway, New York.
52GIGLI
53Exclusive Management
54R. E. JOHNSTON
551451 Broadway
56New York
57Victor Records Vitaphone
58Hardman Piano
60NORMAL SESSIONS
61Feel Music—Know Music—Express Music
62Courses in Trinity Principle Pedagogy, Musicianship and how to teach the Beginner to play in the First Lesson.
63Sing Singing without "Do re me," "Intervals," "Numbers."
64Send $2 for Rhythm Lesson One and Constructive Music Book.
65Associate Teachers in Every State.
66Send for catalogue and Guest Card
67Address
68EFFA ELLIS PERFIELD
69121 Madison Ave. (30th St.) New York City
70Phone Ashland 5551
72OSCAR SAENGER
73Studios:
746 East Eighty-first Street
75New York
76Consultations and voice trials by appointment only
77Tel. 8573 Butterfield
78L. Lilly, Sec'y
79(From June 25 to July 30 Mr. Saenger will conduct a Master Class at the American Conservatory in Chicago.)
81MUSICAL COURIER
83David Earle, St. Louis Pianist, Wins Critics' Praise
85Solidly Booked Tour Awaits Him at Close of Vacation
86—Busy Season Just Completed
88David Earle made a brief visit to the MUSICAL COURIER offices, during which it was discovered that the pianist had had thirty-two engagements during the past season through the Middle West, West and South; nine radio engagements; that he had appeared with the St. Louis Symphony Orchestra, and finally had finished his work the middle of July.
90As a young boy the artist had studied with Dr. William Mason, Josephy and others. He later went to Europe, where he remained three years, studying composition with Max Reger. On his return he made his home in St. Louis, where he has retained his headquarters. Here the pianist teaches, and his pupils are drawn from all over the country, many of them being well known in the South, in which part of the country Mr. Earle is also a great favorite. Although the pianist has been in St. Louis only four years he has made a niche for himself in musical circles. One of his pupils had over thirty engagements last season, Mr. Earle stated, and he himself gave five radio concerts in five weeks last March. In St. Louis he was heard in recital at the Chase Hotel, programming works by Beethoven, Schubert, Schumann, Chopin, Mendelssohn, Liszt and the moderns.
92Mr. Earle, who is spending part of the summer in the north visiting friends, already has a full tour booked for next season when he returns to St. Louis. A fact to be commented upon is the pianist's experience of not having received one unfavorable criticism during his entire season. In Winston-Salem one of the dailies went so far as to comment upon his recital editorially. The Twin City Sentinel praised him as follows: "… The pianist was all that one could hope for in his rendition of works both by old masters and contemporary composers. … It was a delightful surprise to find that he was not an acrobatic performer and that he did not take his daily dozen for the benefit of his audience. His was music that came from deeper than his physical body and emerged as it were from the depths of his soul and came out through the hands and fingers of the master interpreter. Those who listened could not help having their finest and deepest emotion stirred by the exquisite beauty of the music. A delightful atmosphere, that caused one to relax and enter into an attitude to listen and appreciate, was created while the first number by Bach was being played. The passionate inner self of Beethoven, expressed in his sonata, op. 31, No. 2, was felt keenly by the player as he interpreted in a most satisfactory manner this difficult composition which often proves to be a Waterloo for the accomplished pianist. … The genial personality of the artist and his liberality with encore numbers gained for him a large number of admirers."
94Wolfsohn Musical Bureau of New York, Inc., Notes
96Kathryn Meisle, contralto of the Chicago Civic Opera Company, and her husband, Calvin M. Franklin, general manager of the Wolfsohn Musical Bureau of New York, Inc., sailed for Europe on August 4. Miss Meisle will make her European debut while abroad. She and Mr. Franklin will return to America late in September, following which the contralto will make an extensive concert tour.
98Richard Bonelli's appearance for the Movietone proved such a success that he was reengaged for another recording. The baritone, who is well known for his appearances with the Chicago Opera, started work at ten o'clock on the evening of July 25 and finished at two-thirty the next morning.
100Martinelli Closes His Season at Ravinia
102The Fedora performance on August 2 marked the final appearance for the current Ravinia season of Giovanni Martinelli. This celebrated Italian dramatic tenor is desirous of spending the remainder of the summer with his family in Italy, where he has built a new villa. However, Mr. Martinelli will return to Ravinia for the full seasons of 1929 and 1930.
104DAVID EARLE,
105pianist
107WOLFF AND SACHS
108Established 1882
109Oldest concert managerial firm in Germany
110Berlin W. 9, Linkstrasse, 42
111Cable address: Musikwolff
112Managers of the Berlin Philharmonic Concerts
113(Wilhelm Furtwangler, Conductor)
114Managers Berlin Walter Concerts
115Directors of concert and operatic tours of many famous artists throughout Europe
116Representatives of the Metropolitan Opera Company of New York for Middle Europe
118"From the Beginning to the Concert Stage"
119ALEXANDER BERNE STUDIOS
120ALEXANDER BERNE, Director
121PIANO ORGAN HARMONY
12228 East Kinney St., Newark, N. J. Phone Market 4160
124ROMANI
125Teacher of ROSA PONSELLI
126Studio: 244 Riverside Drive, New York Tel. 4193 Riverside
128EVERETT MARSHALL
129AMERICAN BARITONE
130Metropolitan Opera Company
131Management:
132R. E. Johnston
1331451 Broadway, New York City
135PAUL WHITEMAN
136HIMSELF AND HIS ORCHESTRA
137IN CONCERT
138F. C. COPPICUS, Manager
13933 West 42nd Street, New York City
141ALFREDO SAN MALO
142VIOLINIST
143Personal Address: 16 Avenue de la Bourdonnais, Paris
145OUTSTANDING PERSONALITIES IN THE MUSIC WORLD.
146GALLI-CURCI
147HOMER
148RETHBERG
149SCHIPA
150TIBBETT
152MANAGEMENT
153Evans & Salter
154113 WEST 57th ST., NEW YORK
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