Books › Musical instruments, 1908 › scan 142
Scan 142
Musical instruments, 1908
7 lines. Read by computer on 3 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1with a small stringed instrument resembling the nablum (see p. 86). The next musician, also represented as a royal personage, plays on a small species of harp. Then follows a crowned musician playing the viol which he holds in almost precisely the same manner as the violin is held. Again, another, likewise crowned, plays upon a harp, using with the right hand a plectrum and with the left hand merely his fingers. The last two performers, apparently a gentleman and a gentlewoman, are engaged in striking the tintinnabulum—a set of bells in a frame.
3In this group of crowned minstrels the sculptor has introduced a tumbler standing on his head, perhaps the vocalist of the company, as he has no instrument to play upon. Possibly the sculptor desired to symbolise the hilarious effects which music is capable of producing, as well as its elevating influence upon the devotional feelings.
5The two positions in which we find the viol held is worthy of notice, inasmuch as it refers the inquirer further back than might be expected for the origin of our peculiar method of holding the violin, and the violoncello, in playing. There were several kinds of the viol in use, differing in size and in compass of sound. The most common number of strings was five, and it was tuned in various ways. One kind had a string tuned to the note running at the side of the finger-board instead of over it; this string was, therefore, only capable of producing a single tone. The four other strings were tuned thus: Two other species, on which all the strings were placed over the finger-board, were tuned: one of two readings
6The two positions in which we find the viol held is worthy of notice, inasmuch as it refers the inquirer further back than might be expected for the origin of our peculiar method of holding the violin, and the violoncello, in playing. There were several kinds of the viol in use, differing in size and in compass of sound. The most common number of strings was five, and it was tuned in various ways. One kind had a string tuned to the note running at the side of the finger-board instead of over it; this string was, therefore, only capable of producing a single tone. The four other strings were tuned thus: Two other species, on which all the strings were placed over the finger-board, were tuned: and: one of two readings
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