Scan 155
Musical instruments, historic, rare and unique, 1888
11 lines. Read by computer on 3 September 2026. No printed page number was found. See the scan on archive.org.
1PLATE XXIX.
3GUITAR,
4BY ANTONIUS STRADIVARIUS.
6HIS Guitar is inscribed on the back of the peg-box ANTS STRADIVARIUS CREMONENS F 1680. It was brought from Brescia in 1881, and was acquired by Messrs. W. E. Hill and Sons of London. It has been supposed that this might have been the only guitar made by the illustrious violin-maker; but another, in the Museum of the Paris Conservatoire, is also claimed for Stradivarius.
8The beautiful arabesque rose of this Guitar will attract attention. The coat of arms upon the finger-board indicates the noble family to which the instrument formerly belonged.
10While often made in Italy, France and Germany, the Guitar is the national Spanish instrument, and although fashion may for a time permit its use in other countries, it is as an exotic, for the character and traditions of the instrument attach it closely to Spain, where it is the universal accompaniment to song and dance. The Andalusian Seguidilla and Fandango with castanet accompaniment are characteristic measures for dances, with which are combined vocal performances of coplas and estrevillo (couplets of four short lines and a refrain of three), partaking more of the character of an improvisation than a set performance. In the north of Spain, the Jota Aragonesa and Jota Navarra are accompanied by a vocal refrain as well as castanets, hand-clapping and finger-snapping. All these Spanish dances are in triple time with certain peculiarities of rhythm; occasionally professed guitar players elaborate them into compositions of special interest and beauty, astonishing the listener with the capabilities of the Spanish guitar as a solo instrument. But, in truth, the artist will make himself felt, however limited the range and power of the instrument may be.
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