Books › Musical notes. I. The great composers. II. Violinists and the violin. III. The violin and its history (1869)
Musical notes. I. The great composers. II. Violinists and the violin. III. The violin and its history
1869.
Book. On archive.org as musicalnotes00adyegoog.
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| Scan | Page | Starts | |
|---|---|---|---|
| 1 | This is a digital copy of a book that wa… | Read | |
| 6 | MUSICAL NOTES. | Read | |
| 10 | PREFACE. | Read | |
| 20 | violinists as such; yet there is one nam… | Read | |
| 27 | tion. His father, Leopold Mozart, was an… | Read | |
| 33 | so extravagant that the best informed mu… | Read | |
| 34 | posthumous; nine symphonies—the last of… | Read | |
| 35 | from his birth to the year 1800. Second… | Read | |
| 36 | trammelled by conventionalities; and the… | Read | |
| 37 | these, because his specialty was the vio… | Read | |
| 38 | former especially ranks among the finest… | Read | |
| 49 | II. | Read | |
| 50 | culminates in a total change of taste, a… | Read | |
| 51 | present day serve as models for modern s… | Read | |
| 52 | by a fine tone, elegance of expression,… | Read | |
| 53 | him in London. Instead, however, of regu… | Read | |
| 54 | Rode. This really great artiste was born… | Read | |
| 55 | ing at the same time the post of Profess… | Read | |
| 56 | element gave a polish almost cloying; su… | Read | |
| 57 | is one which develops the sterling quali… | Read | |
| 58 | Contemporary with Rode were two violinis… | Read | |
| 59 | contrapuntal knowledge. An acquaintance… | Read | |
| 60 | done duty for the past half-century. For… | Read | |
| 61 | conjointly prepared the violin 'Method'… | Read | |
| 62 | violin practice and composition. Admitte… | Read | |
| 63 | was marked in this country by the presen… | Read | |
| 64 | upon the executants. They learned to pra… | Read | |
| 65 | same class. But these artists, good in t… | Read | |
| 66 | had grounded many pupils here: one of th… | Read | |
| 67 | Still there was a dashing character abou… | Read | |
| 68 | Here then was the new school; and the En… | Read | |
| 69 | prevailing style, with the notable excep… | Read | |
| 70 | to move along with more rapid strides. L… | Read | |
| 71 | ation forms no exception to the statemen… | Read | |
| 72 | sequel proves. However startling might b… | Read | |
| 73 | brated annually by a musical festival at… | Read | |
| 74 | by Paganini in all his concerts. Even th… | Read | |
| 75 | ence of action, and the scantiness of th… | Read | |
| 76 | to accept a fixed position however tempt… | Read | |
| 77 | (1818), when the Polish violinist, Lipin… | Read | |
| 78 | change of air to Marseilles. One day, wh… | Read | |
| 79 | point of fervour in bravura passages, th… | Read | |
| 80 | embellishments. Some of the works so pub… | Read | |
| 81 | ently classical, and his sentiment of th… | Read | |
| 82 | town some months hence, and then your cu… | Read |