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Scan 53
Old violins, 1910
12 lines. Read by computer on 3 September 2026. Printed page 45. See the scan on archive.org.
1the later Amatis have a tendency to revert to the browner hue.
3That Andrea made some choice violins for Charles IX. of France—twenty-four violins, twelve large, twelve small pattern, known as "les petits violons du roi"—there can be no doubt, but they disappeared from Versailles in the political disturbances about 1790. The arms of France, we are told, were painted on the backs, and they are said to have been of beautiful workmanship.
5A 'cello, "Andrea Amati Cremonentis faciebat, 1572," was sold amongst some others belonging to Sir William Curtis, May 1827. This is known as the "Bridge's viollo." Its history is romantic, it having been presented by Pope Pius V. to Charles IX. of France, and surnamed the "King."
7The Amati characteristic, which culminates, along with other qualities of sonority, in the great Nicolo, 1596-1684, is sweetness of tone; but a certain want of power is noticeable, especially on the fourth string. The "A" is beautiful, the "E" soft and delicate, and the third very full and round—qualities which are also conspicuous in the brothers Geronimo.
9But if Amati tone is of cabinet, not concert quality, its quality is of a kind unequalled for charm and sensitiveness, and although not loud, some violins made by the brothers have a considerable carrying power.
11The Amati heads or scrolls retained a certain simplicity and antique Brescian look even after the finish and form of the body of the violin had left the Brescian
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