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Scan 141
Old violins and violin lore, 1900
10 lines. Read by computer on 28 September 2026. No printed page number was found. See the scan on archive.org.
1OLD VIOLINS
3He had five sons; all made violins and three played professionally, whilst the other two, like the present four brothers Hill in Bond Street, followed their father's vocation alone. The third son, Lockey Hill, was the father of Henry Lockey Hill, who became in his turn the father of William Ebsworth Hill, known in the middle of this century as Mr. Hill of Wardour Street. Hill's father, Henry Lockey, an excellent violin-maker, died in 1835. The Hills seem prolific in sons, and Lockey left four sons. Henry distinguished himself as an admirable quartet player, and well do I remember the splendid tone of his Barak Norman tenor at Willis' Rooms as far back I think as 1848, when, with Sainton, Piatti, and Cooper—one of the best, as it was almost the earliest string quartet cast in London—he assisted in delighting and educating a select public in the mysteries of chamber music, which has been since so freely expounded by Ella's Musical Union and the Monday Popular Concerts.
5Berlioz always spoke of Henry Hill in terms of the highest praise; he even went so far as to say that he considered him one of the first performers in Europe.
7It is seldom that a tenor player ever comes in for direct commendation. He acts as a sort of go-between to violoncello and violin; but his individual efforts, although so important to the combined effect, are usually lost sight of between the grand work of the bass and the brilliant lead and musical embroideries of the first and second violins.
9There are too few concertos or strong parts written
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