Bow & Bridge Violin and bow makers, as the old books printed them

Scan 149

Old violins and violin lore, 1900

10 lines. Read by computer on 28 September 2026. No printed page number was found. See the scan on archive.org.

1CHAPTER IX
3VIOLIN VARNISH
5When a true chemist enters a laboratory fitted up with the usual mysterious tubes, crucibles, "baths," and general apparatus for distillation, and his nose scents the aroma of gums, spirits, essential oils, and what not, he experiences an atmospheric sensation which enthuses him for his work. What the odour of stables is to the lover of horses, or the smell of paint to the artist, that is the laboratory aroma to the chemist.
7I have no insight into crucibles, and I don't like smells. The proportion of subtle weights and measures, avoirdupois or troy, are beyond me; the disputations of science and the general incapacity of scientists to agree about mixed problems puzzles and sometimes "impatients" me, as the French say.
9In wading through various treatises on Cremona varnish I regret to say I have experienced vague emotions of annoyance and perplexity which I would fain conceal from the reader. I should like to pose as the clear exponent of the famous Cremona secret, or hold some one fixed opinion, buttressed by arguments weighty enough to confound all opponents, and

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