Books › Old violins and violin lore, 1900 › scan 172
Scan 172
Old violins and violin lore, 1900
15 lines. Read by computer on 28 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1VIOLIN BOWS
3side of the nut, to prevent wear and tear of the ebony or tortoise-shell.
5Domminique Peccate (1810–74) is also thought to have almost rivalled Tourte. He was originally a barber, and transferred the delicacy of hand required in ton-sorial operations to the fine adjustments and elegant tapering and octagonal proportions of violin bows. one of two readings
6Domminique Peccate (1810–74) is also thought to have almost rivalled Tourte. He was originally a barber, and transferred the delicacy of hand required in torsorial operations to the fine adjustments and elegant tapering and octagonal proportions of violin bows. one of two readings
8Peccate went to Vuillaume in 1826, stayed with him eleven years, and then became foreman to François Lupôt. He ended his life at Mirecourt, where he began it; latterly he worked entirely on his own account.
10We have now among us one James Tubbs, whose bows are already known throughout the world owing to their attractive appearance and good balance. Time will alone decide Tubbs' position in the scale of bow-makers, for time alone will determine the question of "last," "warp," and flexibility, and general endurance of efficiency.
12On rosin, about which pages have been unnecessarily written, I have but one word to say—get it pure. You can do this by confining yourself to the best shops, or those who deal with them. Go to Hill, Chanot, Hart, Withers, and Vuillaume.
14Some ignorant people talk of rosin as "greasing the bow." Smooth horsehair or greased horsehair is, of course, useless. It is not the absence but the presence of friction which sets the strings in vibration; it is the surface of the horsehair, roughened by infinitesimal particles of rosin, which prevents the horse-
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