Books › Old violins and violin lore, 1900 › scan 213
Scan 213
Old violins and violin lore, 1900
14 lines. Read by computer on 28 September 2026. No printed page number was found. See the scan on archive.org.
1OLD VIOLINS
3mechanical contrivances for moving violin screws have been suggested, and even tried and adopted for guitars and double basses, the violin retains its simple and primitive screw; nor would any one who lays claim to a decent position in the trade dream of advising a departure in this, or indeed in any other respect from the custom of the Cremona school and its successors.
5Concerning the stringing of your violin, beyond the hints I have given with regard to the accumulation of evils round the peg, there is not very much to be said.
7The quality, manufacture, preservation, and price of strings has already been dealt with; and here, as in everything connected with violins, there must be fine and sympathetic adaptation of strings both to the performer and to his instrument.
9A young girl will naturally incline to thinner strings than a strong man, just as she will usually prefer a lower bridge, which will reduce the resistance because of the reduced distance between the strings and the finger-board.
11Some players will prefer a thick first or third string, according to the quality of tone they are able to elicit; some a smooth or rather thin patent fourth in preference to the usual more roughly-coiled and thicker G-string, which, however, is preferable for orchestral playing; but, as a rule, buy your strings according to gauge, if you can't trust your eye, in a good shop, and you will not be disappointed.
13Remember, as I have previously intimated, that any great inequality in the relative thickness of your strings
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