Books › Old violins and violin lore, 1900 › scan 345
Scan 345
Old violins and violin lore, 1900
16 lines. Read by computer on 28 September 2026. No printed page number was found. See the scan on archive.org.
1THE ART OF MODULATION. A Handbook showing at a Glance the Modulations from one Key to any other in the Octave, consisting of 1,008 Modulations. For the Use of Organists and Musical Directors. Edited by CARLI ZOELLER. Third Edition. Roy. 8vo, cloth, 8s. net (paper, 5s. net).
3THE STUDENT'S BOOK OF CHORDS. With an Explanation of their Inversions and Resolutions. By PASCAL NEEDHAM. Crown 8vo, sewed, 1s. 6d. net.
5The chords with their inversions and resolutions are briefly and clearly explained.
7TRANSPOSITION AT SIGHT. For Students of the Organ and Pianoforte. By H. E. NICHOL. Fourth Edition, with numerous Musical Exercises. Crown 8vo, 2s. net.
9The practice of transposing upon the lines here laid down develops the "mental ear," quickens the musical perception and gives ease in sight reading; as it is evident that, if the student can transpose at sight, he will not have much difficulty in merely playing at sight. Free use is made of the tonic sol-fa as well as the standard notation in many musical examples.
11SCHUMANN'S RULES AND MAXIMS FOR YOUNG MUSICIANS. Sewed, 6d.
13THE STUDENT'S HELMHOLTZ. Musical Acoustics, or the Phenomena of Sound as Connected with Music. By JOHN BROADHOUSE. With more than 100 Illustrations. Fifth Impression. Crown 8vo, cloth, 12s. 6d. net.
15"In his Preface the author says: 'The object of the present book is to give, in one volume, a good general view of the subject to those who can neither spare time to read, nor money to buy a number of large and expensive works.' A perusal of the book justifies us in asserting that this design is most satisfactorily carried out; and it is not too much to say that although the plan of the work excludes the possibility of minutely dissecting every subject treated upon, any careful reader may obtain so clear an insight into the principle of acoustics, as to enable him not only to pass an examination but to store up a large amount of general knowledge upon the phenomena of sound."—Musical Times.
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