Books › Old violins and violin lore, 1900 › scan 35
Scan 35
Old violins and violin lore, 1900
14 lines. Read by computer on 3 September 2026. No printed page number was found. See the scan on archive.org.
1OLD VIOLINS
3bass, may still be seen at the South Kensington Museum, and I exhibited it at the Royal Institution in 1872. His work is heavy and lacks refinement, but his tone is grand and full-bodied.
5GIO. PAOLO MAGGINI was the child of his father's old age, and born at Botlicino, near the town of Brescia, which afterwards became the family headquarters.
7Brescia was at this time a strongly fortified place, and a print as late as 1764 probably gives us a fair notion of what it looked like between 1560 and 1632.
9Swift brooklets ran down the streets, and outside the walls were spreading woodlands and ploughed fields. It boasted of a splendid brick palace, the Broletta, and a massive belfry of rough stone (Torre del Popolo), a Castello, and an old Duomo; the streets were adorned with frescoes. The Cathedral of San Pietro de Dom was famous for its music, and had an organ and full orchestra. The viol-makers and the monks were then, as they have since been, in intimate relations, and it was a couple of monks who befriended Gasparo when he was down in the world in health and fortune and sadly needed it.
11The princes of Italy at this time (1512–1630) were great patrons of art, letters, and especially music. Brescia in 1600 was under Venetian rule. The town or fortress was from its very position constantly in the midst of wars and rumours of wars, and was appropriately famed amongst other things for its manufactory of swords and armour.
13It is surprising how little military commotions seem
The computer misreads some letters and numbers. Where a name matters to you, read the scan.