Books › Old violins and violin lore, 1900 › scan 47
Scan 47
Old violins and violin lore, 1900
8 lines. Read by computer on 3 September 2026. No printed page number was found. See the scan on archive.org.
1OLD VIOLINS
3The confusion has arisen from confounding Geronimo, brother of Antonio, with Geronimo, son of the great Nicolo (born 1649, died 1740). But if there exists a signed Geronimo and Antonio dated 1698, which seems very doubtful, it would be certainly easier to believe that, as the demand for Italian instruments by makers of repute had well set in before 1700, the late Antonio and Geronimo label was stolen from the old workshops—the last two figures of 16—being filled in, and the label clapped on to cover the fraud; whilst any Geronimo violin dated 1698 would be by Geronimo, son of Nicolo; or at most, one made up by some enterprising pupil out of the débris of the elder Geronimo's workshop—perhaps about the time that Nicolo the Great, son of Geronimo and grandson of Andrea, was working with his pupils, Stradivari and Andrea Guarnerii, and his own son, the younger Geronimo or Girolamo Amati.
5But with this Geronimo Amati, son of Nicolo (born 1649), and a certain Don Nicolo Amati, an Italian priest, we need not trouble ourselves beyond recording their names.
7A good deal has been said about Andrea Amati and his violins. He was certainly the founder of the family, but not much is known about him except that he probably, almost certainly, acquired from Brescia the Maggini type, and that his violins are somewhat smaller, arched in the belly, with a varnish that runs out of the Brescian brown into the mellow and brilliant gold and ruddy tints common to the Cremona varnish;
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