Books › Old violins and violin lore, 1900 › scan 54
Scan 54
Old violins and violin lore, 1900
8 lines. Read by computer on 28 September 2026. No printed page number was found. See the scan on archive.org.
1VIOLINS AT CREMONA
3acknowledged; for we find that a certain Tomaso Antonio Vitali, who seems to have bought a violin with a Nicolo label inside, and paid twelve doubloons (or about £12, 10s.) for it, complained bitterly that on removing the false label he had discovered the name of Ruggeri underneath it. The aggrieved Tomaso thereupon applied to his liege sovereign, the Grand Duke of Modena, for summary redress, avowing that he had given a higher price because the violin had a label of Nicolo, "who," he adds, "was a maker of great repute in his profession, but now it was proved to be only a violin by Rugerius the pupil, a maker of less credit." The violin, he said, was scarce worth to him more than three doubloons; the petitioner therefore prayed the Duke for redress. Whether he got it or not was no doubt very important to him, but of very little consequence to us. The fact that he made the application is the point.
5The Guarnerii family must have made violas or violins as the sand of the sea in number, if the frequency of their labels may be taken as any guide; and in truth they were a long-lived and industrious family, and doubtless made a good many instruments, chiefly violins. But the reputation of Andrew and Peter, and above all the great Giuseppe (Joseph) del Gesù, led to the early fabrication of pseudo Josephs, and labels in numbers far beyond what all the great makers of Cremona together could have produced.
7Andrea Guarneri (Andrew Guarnerius) the apprentice, as we have seen, was one of the witnesses to the
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