Bow & Bridge Violin and bow makers, as the old books printed them

Scan 16

Old violins and violin lore. Famous makers of Cremona and Brescia, and of England, France, and Germany (with biographical dictionary); famous players; and chapters on varnish, strings and bows, 1893

10 lines. Read by computer on 14 September 2026. Printed page 10. See the scan on archive.org.

1in the sixties. I never heard anything so weird—spirit voices in the twilight—the wail of lost souls—one positively saw ghosts. I have heard the "Legende" a hundred times since by Neruda, Nachez, Sarasate, and I know not how many more, but I have never again seen ghosts.
3What was it? It was the mystery of touch. The language of touch is but half understood, but the language of touch is the language of soul, and the perfection of touch is reached when a sensitive finger controls a vibrating string or nerve and sends its own psychic thrill along the waves of sound or sensibility.
5The same no doubt is true of the pianoforte touch, though in a less degree, because a percussive touch can never have the power of a sustained and modified pressure.
7Recent science has thrown some curious sidelights upon this same sense of touch. It affirms that the trained fingers of the blind actually acquire from exercise, practice, and adaptation, new nerve-cells filled with grey matter exactly similar to the thinking and feeling grey nerve matter of the brain—in fact, the fingers of the sensitive musician have the power of thought and emotion delegated to them; and just as thinking matter is not confined to brain cells, but extends all down the medulla oblongata, which responds to stimulus, even when the head is cut off—so we now know that brain cells may be acquired, I had almost said cerebrated, and used even by the fingers.
9Now, supposing we bring these thinking, pulsating

The computer misreads some letters and numbers. Where a name matters to you, read the scan.