Books › Old violins and violin lore. Famous makers of Cremona and Brescia, and of England, France, and Germany (with biographical dictionary); famous players; and chapters on varnish, strings and bows, 1893 › scan 20
Scan 20
Old violins and violin lore. Famous makers of Cremona and Brescia, and of England, France, and Germany (with biographical dictionary); famous players; and chapters on varnish, strings and bows, 1893
4 lines. Read by computer on 14 September 2026. Printed page 14. See the scan on archive.org.
1nay, even when cut up and dismembered, its several parts, scattered through a dozen workshops and three hundred years, live on with a kind of metempsychosis in new forms, and still cling strangely to their individuality, so that men taking up a patchwork violin say, 'It is fine—the front is poor, the head is tame, but see here is a Stradivarius back!'
3"Thus human in its power and pathos, superhuman in its immortal fabric, the violin reigns supreme, the king and queen of all instruments—and, in the hands of a Paganini, a Joachim, an Ernst, or a Sarasate, the joy and wonder of the civilised world."
The computer misreads some letters and numbers. Where a name matters to you, read the scan.