Scan 72
Pronouncing and Defing Dictionary of Music, 1896
153 lines. Read by computer on 24 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1CAN
2DICTIONARY OF MUSIC.
4Canterino (kän-tě-rē'nō), It. A singer; a chanter.
6Cantica (kän'tī-kā), It.
7Canticae (kän'tī-tsā), Lat.
8Cantici (kän'tī-tshē), It. pl.
9Cantico (kän-tē'kō), Sp. Canticles; the ancient laudi, or sacred songs of the Roman Catholic Church. one of two readings
10Cantico (kän-tē'kō), Sp. Canticles; the ancient laudi, or sacred songs of the Roman Catholic Church. one of two readings
12Canti carnascialeschi (kän'tē căr-näs-tshī-ä-lēs-kē), It. one of two readings
13Canti carna scialeschi (kän'tē căr-näs-tshī-ä-lēs-kē), It. one of two readings
14Canti charnevali (kän'tē kăr-nē-vā'lē), Songs of the carnival week.
16Canticle. A sacred hymn, or song. (2) A canto, a division of a song.
18Cantico (kän'tī-kō), It.
19Canticum (kän'tī-koom), Lat. A canticle. one of two readings
20Canticum (kän'tī-koom), Lat. A canticle. one of two readings
22Cantillate (kän'tīl-lā'tē). To chant, to recite with musical tones. one of two readings
23Cantillate (kän'til-lā'tē). To chant, to recite with musical tones. one of two readings
25Cantillation. A chanting, a recitation with musical modulations.
27Cantillatio (kän-tīl-lā-tsī'ō), Lat. A singing style of declamation. one of two readings
28Cantillatio (kän-tīl-lā-tsī'ō), Lat. A singing style of declamation. one of two readings
30Cantilena (kän-tī-lā'nā), It. The melody, air, or principal part in any composition; generally the highest vocal part. one of two readings
31Cantilena (kän-tī-lā'nā), It. The melody, air, or principal part in any composition; generally the highest vocal part. one of two readings
33Cantilena scotica (kän-tī-lā'nā skō'tī-kā), It. A Scotch air or tune. one of two readings
34Cantilena scotica (kän-tī-lā'nā skō'tī-kā), It. A Scotch air or tune. one of two readings
36Cantilene (kän-tī-lā'nē), It. A cantilena. one of two readings
37Cantilene (kän-tī-lā'nē), It. A cantilena. one of two readings
39Cantino (kän-tē'nō), It. The smallest string of the violiu, guitar, etc. one of two readings
40Cantino (kän-tē'nō), It. The smallest string of the violiu, guitar, etc. one of two readings
42Cantio (kän'tī-ō), Lat. A song. one of two readings
43Cantio (kän'tī-ō), Lat. A song. one of two readings
45Cantique (känh-tēk'), Fr. A canticle, or hymn of praise. one of two readings
46Cantique (känh-tēk'), Fr. A canticle, or hymn of praise. one of two readings
48Cantique des cantiques (känh-tēk' dē känh-tēk'), Fr. Solomon's Song. one of two readings
49Cantique des cantiques (känh-tēk' dē känh-tēk'), Fr. Solomon's Song. one of two readings
51Canto (kän'tō), It. (1) A song, a melody. (2) The art of singing. (3) The highest part in concerted music. (4) The soprano voice. (5) The highest string of an instrument. (V. Cantino.) one of two readings
52Canto (kän'tō), It. (1) A song, a melody. (2) The art of singing. (3) The highest part in concerted music. (4) The soprano voice. (5) The highest string of an instrument. (V. Cantino.) one of two readings
54Canto a cappella (ä käp-pěl'lā), It. Vocal church music without instrumental accompaniment. one of two readings
55Canto a cappella (ä käp-pěl'lā), It. Vocal church music without instrumental accompaniment. one of two readings
57Canto Ambrosiano (äm-brō-zī-ä'nō), It. Ambrosian chant. one of two readings
58Canto Ambrosiano (äm-brō-zī-ä'nō), It. Ambrosian chant. one of two readings
60Canto armonico (kän'tō är-mō'nī-kō), It. A part-song for two, three, or more voices. one of two readings
61Canto armonico (kän'tō ār-mō'nī-kō), It. A part-song for two, three, or more voices. one of two readings
63Canto clef. The C clef when placed on the first line. one of two readings
64Canto clef. The C clef when placed on the first line. one of two readings
66Canto concertante (kän'tō kōn-tshēr-tän'tē), It. The treble of the principal concerting parts. one of two readings
67Canto concertante (kän'tō kōn-tshēr-tän'tē), It. The treble of the principal concerting parts. one of two readings
69Canto cromatico (kän'tō krō-mä'tī-kō), It. Chromatic vocal music. one of two readings
70Canto cromatico (kän'tō krō-mā'tī-kō), It. Chromatic vocal music. one of two readings
72Canto fermo (kän'tō fār'mō), It. A chant or melody. (2) Choral singing in unison on a plain melody. (3) Any subject consisting of a few long, plain notes, given as a theme for counterpoint. one of two readings
73Canto fermo (kän'tō fār'mō), It. A chant or melody. (2) Choral singing in unison on a plain melody. (3) Any subject consisting of a few long, plain notes, given as a theme for counterpoint. one of two readings
75Canto figurato (kän'tō fē-goo-rä'tō), It. A figured melody. one of two readings
76Canto figurato (kän'tō fē-goo-rā'tō), It. A figured melody. one of two readings
78Canto fioritto (kän'tō fē-ō-rē'ttō), It. A song in which many ornaments are introduced. one of two readings
79Canto fioritto (kän'tō fē-ō-rē'ttō), It. A song in which many ornaments are introduced. one of two readings
81Canto funebre (kän'tō foo-uā'brē), It. A funeral song. one of two readings
82Canto funebre (kän'tō foo-ū'brē), It. A funeral song. one of two readings
84Canto Gregoriano (kän'tō grē-gō-rī-ä'nō), It. The Gregorian chant. one of two readings
85Canto Gregoriano (kän'tō grē-gō-rī-ā'nō), It. The Gregorian chant. one of two readings
87Canto llano (kän'tō lyā'nō), Sp. The plain chant or song. one of two readings
88Canto llano (kän'tō lyā'nō), Sp. The plain Canto piano (kän'tō plā-nō), It. chant or song. one of two readings
90Canto necessario (kän'tō nā-tchēs-rā'ri-ō), It. A term indicating those parts that are to sing through the whole piece. one of two readings
91Canto necessario (kän'tō nā-tchēs-rā'ri-ō), It. A term indicating those parts that are to sing through the whole piece. one of two readings
93Canto primo (kän'tō prē'mō), It. The first treble or soprano. one of two readings
94Canto primo (kän'tō prē'mō), It. The first treble or soprano. one of two readings
96Cantor (kän-tōr'), It. A singer, a chanter. one of two readings
97Cantor (kän-tōr'), It. A singer, a chanter. one of two readings
99Cantor (kän-tōr), one of two readings
100Cantor (kän'tōr), one of two readings
101Cantor choralis (kän-tōr kō-rā/līs), Lat. A precentor; a leader of the choir. one of two readings
102Cantor choralis (kän'tōr kō-rā/līs), Lat. A precentor; a leader of the choir. one of two readings
104Cantorate (kän-tō-rā'tē), It. A leading singer of a choir. one of two readings
105Cantorate (kän-tō-rā'tē), It. A leading singer of a choir. one of two readings
107Cantore (kän-tō'rē), It. A singer, a chanter, a poet. one of two readings
108Cantore (kän-tō'rē), It. A singer, a chanter, a poet. one of two readings
110Canto recitativo (kän-tō rā-tshī-tā-tē'vō), It. Recitative, declamatory singing. one of two readings
111Canto recitativo (kän-tō rā-tshī-tā-tē'vō), It. Recitative, declamatory singing. one of two readings
113Cantorei (kän-tō-rī'), Ger. The dwelling-house of the cantor. (2) A class of the choristers in the public school. one of two readings
114Cantorei (kän-tō-rī'), Ger. The dwelling-house of the cantor. (2) A class of the choristers in the public school. one of two readings
116Cantoren (kän-tō'r'n), Ger. Chanters, a choir of singers. one of two readings
117Cantoren (kän-tō'r'n), Ger. Chanters, a choir of singers. one of two readings
119Canto ripieno (kän'tō rē-pī-ā'nō), It. The treble of the grand chorus; the part that sings or plays only in the grand chorus. one of two readings
120Canto ripieno (kän'tō rē-pī-ā'nō), It. The treble of the grand chorus; the part that sings or plays only in the grand chorus. one of two readings
122Cantoris (kän-tō'rīs), Lat. A term used in cathedral music to indicate the passages intended to be sung by those singers who are placed on that side of the choir where the cantor or precentor sits. This is usually on the left-hand side on entering the choir from the nave. one of two readings
123Cantoris (kän-tō'rīs), Lat. A term used in cathedral music to indicate the passages intended to be sung by those singers who are placed on that side of the choir where the cantor or precentor sits. This is usually on the left-hand side on entering the choir from the nave. one of two readings
125Canto rivoltato (kän'tō rē-vōl-tā'tō), It. The treble changed. one of two readings
126Canto rivoltato (kän'tō rē-vōl-tā'tō), It. The treble changed. one of two readings
128Canto secondo (kän'tō sē-kōn'dō), It. The second treble. one of two readings
129Canto secondo (kän'tō sē-kōn'dō), It. The second treble. one of two readings
131Canto simplice (kän'tō sīm-plē'tshē), It. A plain song. one of two readings
132Canto simplice (kän'tō sīm-plē'tshē), It. A plain song. one of two readings
134Cantrice (kän-trē'tshē), It. A female singer one of two readings
135Cantrice (kän-trē'tshē), It. A female singer one of two readings
136Cantrix (kän'trīx), Lat. a songstress. one of two readings
137Cantrix (kän'trīx), Lat. a songstress. one of two readings
139Cantus (kän'toos), Lat. A song, a melody; also the treble, or soprano part. one of two readings
140Cantus (kän'toos), Lat. A song, a melody; also the treble, or soprano part. one of two readings
142Cantus Ambrosianus (kän'toos äm-brō-sī-ä'-noos), Lat. The four chants, or melodies, introduced into the Church by St. Ambrose, Bishop of Milan, in the fourth century, and which are supposed to be derived from ancient Greek melodies. one of two readings
143Cantus Ambrosianus (kän'toos äm-brō-sī-ä'-noos), Lat. The four chants, or melodies, introduced into the Church by St. Ambrose, Bishop of Milan, in the fourth century, and which are supposed to be derived from ancient Greek melodies. one of two readings
145Cantus figuratus (kän'toos fē-goo-rä'toos), Lat. Embellished or figurative chants or melodies. one of two readings
146Cantus figuratus (kän'toos fē-goo-rā'toos), Lat. Embellished or figurative chants or melodies. one of two readings
148Cantus firmus (kän'toos fir'moos), Lat. The plain song or chant. See Canto fermo. one of two readings
149Cantus firmus (kän'toos fir'moos), Lat. The plain song or chant. See Canto fermo. one of two readings
151Cantus Gregorianus (kän'toos grē-gō-rī-ä'-noos), Lat. Those four chants, or melodies, introduced into the Church by St. Gregory, and which, with the Ambrosian chants, formed a series of eight modes, or tones, as they were called. one of two readings
152Cantus Gregorianus (kän'toos grē-gō-rī-ā'-noos), Lat. Those four chants, or melodies, introduced into the Church by St. Gregory, and which, with the Ambrosian chants, formed a series of eight modes, or tones, as they were called. one of two readings
The computer misreads some letters and numbers. Where a name matters to you, read the scan.