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Scan 117
Pronouncing and defining dictionary of music, 1896
58 lines. Read by computer on 9 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1Forte-piano (fôr-tē-pē-ä'nō), It. The piano-Forte-pianof (fôr-tē-pi-ä'nō), Fr. forte; a key-Forte piano (fôr'tē-pi-ä'nō), Ger. ed instrument of German invention, so called from its capability of expressing different degrees of power or intensity of tone. one of two readings
2Forte-piano (fôr-tē-pē-ä'nō), It. The piano-Forte-pianof (fôr-tē-pi-ä'nō), Fr. forte; a key-Fortepiano (fôr'tē-pi-ä'nō), Ger. ed instrument of German invention, so called from its capability of expressing different degrees of power or intensity of tone. one of two readings
3Forte possibile (fôr'tē pôs-sē'bĭ-lĕ), It. As loud as possible.
4Fortiss. An abbreviation of Fortissimo.
5Fortissimo (fôr-tē'sĭ-mo), It. Very loud.
6Fortissimo quanto possibile (fôr'tē'sĭ-mō kwän-tō pôs-sē'bĭ-lĕ), It. As loud as possible.
7Fortschreitung (fôr'tshrĭ-toong), Ger. Progression (in harmony).
8Fortsetzung (fôr'tsēt-soong), Ger. A continuation.
9Forza (fôr'tsă), It. Force, strength, power.
10Forzando (fôr-tsän'dō), It. Forced; laying a Forzato (fôr-tsā'tō), stress upon one note or chord; sometimes marked √ ∧ >.
11Forzar la voce (fôr'tsär lä vō'tshĕ), It. To force the voice.
12Forzare (fôr-tsā'rĕ), It. To strengthen.
13Fourchette tonique (foor-shēt tōn-h-ēk), Fr. A tuningfork.
14Four-part song. A song arranged for four parts.
15Fourth. A distance comprising three diatonic intervals; that is, two tones and a half.
16Fourth flute. A flute sounding a fourth higher than the concert flute.
17Fourth shift. The last shift in violin-playing.
18Française (frān-sāz'), Fr. A graceful dance in 3-4 time.
19Franchezza (frän-kēt'ză), It. Freedom, confidence, boldness.
20Française (frān-sāz'), Fr. French; in Franzese (frän-tsā'zĕ), It. the French Französisch (frän-tsō'zĭsh), Ger. style.
21Frappe (frāp), Fr. Stamping, striking; a peculiar manner of beating time or striking notes with force.
22Fraper (frāp-pā), Fr. To beat the time; to strike.
23Frase (frā-zĕ), It. A phrase; short musical passage.
24Frasi. Phrases.
25Fraseggiare (frā-sēd-jĭ-är'ĕ), It. To phrase; to deliver a melody or idea properly, i.e., with expression.
26Frauenstimme (frou'ën-stĭm'mĕ), Ger. A female voice.
27Freddamente (frēd-dă-mĕn'tĕ), It. Coldly, without animation.
28Freddezza (frēd-dē't'tsă), It. Coldness, frigidity.
29Freddo (frēd'dō), It. Cold, devoid of sentiment.
30Fredon (frē-dō'n), Fr. Trilling; a flourish or other extemporaneous ornament.
31Fredonnemente (frē'dōn-măn'h), Fr. Humming. one of two readings
32Fredonnemente (frē'dō'n-măn'), Fr. Humming. one of two readings
33Fredonner (frā-dō'n-nā'), Fr. To trill, to shake; also to hum, to sing low.
34Free composition. In a free style; a composition not in strict accordance with the rules of musical art.
35Freemen's songs. Little compositions for three or four voices, in use about 1600.
36Free reed. A reed-stop in an organ, in which the tongue by a rapid vibratory motion to and fro produces the sound. The tone of a free reed is smooth and free from rattling, but not usually so strong as that of the striking reed.
37Fregiare (frā-jĭ-är'ĕ), It. To adorn, to embellish.
38Fregiatura (frā-jĭ-ā-too'ră), It. An ornament, an embellishment.
39Frei (fri), Ger. Free.
40Frémissement (frā'mēss-măn'h), Fr. Humming, singing in a low voice. one of two readings
41Frémissement (frā'mēss-măn'), Fr. Humming, singing in a low voice. one of two readings
42French horn. See Horn.
43French sixth. One form of an augmented sixth; a chord composed of a major third, extreme fourth, and extreme sixth.
44French treble clef. The G clef on the bottom line of the staff, formerly much used in French music for violin, flute, etc.
45Fresco (frē'skō),
46Frescamente (frēs-kā-měn'tĕ), It. Freshly, vigorously, lively.
47Fretta (frē'ttă), It. Increasing the time; accelerating the movement.
48Frets. Thin strips of wood, metal, or ivory, inserted transversely in, and slightly projecting from, the fingerboard of various stringed instruments—the old viols, lutes, theorboes, and the still flourishing guitar—in order to facilitate correct stopping. Catgut frets, too, are found on old instruments. Strings bound round the necks of instruments were, indeed, the earliest frets.
49Freude (froy'dĕ), Ger. Joy, rejoicing.
50Freudengesang (froy'd'n-gē-säng'), Ger. A song of joy.
51Freudig (froy'dĭgh), Ger. Joyfully.
52Freudigkeit (froy'dĭgh-kit), Ger. Joyfulness, joyousness.
53Fr i (fri), Ger. Free, unrestrained as to style.
54Freie Schreibart (fri'ē shrib'ărt), Ger. Free style of composition.
55Friedensmarsch (frē'd'ns-mărsh), Ger. A march in honor of peace.
56Frisch (frish), Ger. Freshly, briskly, lively.
57Friska. The quick movement in the Hungarian national dances called Czárdás. (See C.)
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