Books › Researches into the early history of the violin family (1883)
Researches into the early history of the violin family
London, Novello, Ewer & co.; Boston [etc.] Ditson & co., 1883.
On archive.org as researchesintoea00enge.
75 pages read (scans 11 to 163)0 makers on this site cite it
Pages
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| Scan | Page | Starts | |
|---|---|---|---|
| 11 | AVAILABLE EVIDENCE. | Read | |
| 12 | The same remark applies also to the inst… | Read | |
| 13 | 3 | term "mediaeval." The reader, should he… | Read |
| 14 | 4 | THE FIDDLE-BOW. | Read |
| 20 | 10 | consisted almost entirely of accompanime… | Read |
| 24 | 14 | Chinese communicated the bow to the Japa… | Read |
| 25 | 15 | where it is still flourishing. The Kalmu… | Read |
| 26 | 16 | stan the European violin has actually be… | Read |
| 27 | 17 | from the Asiatic nations. As this questi… | Read |
| 28 | 18 | neck is not unfrequently carved in the s… | Read |
| 29 | 19 | the two sound-holes of the violin. The C… | Read |
| 30 | 20 | with three strings of twisted silk. It m… | Read |
| 31 | 21 | wire which are placed beneath the former… | Read |
| 32 | 22 | because the black hair is generally thic… | Read |
| 38 | 28 | Barrington. The strings are exhibited as… | Read |
| 39 | 29 | others are touched with a bow. It is muc… | Read |
| 40 | 30 | painting on which this lyre occurs is su… | Read |
| 41 | 31 | Vol. i., p. 23 (London, 1809), remarks t… | Read |
| 42 | 32 | exhibits an instrument which appears to… | Read |
| 43 | 33 | was Gruffydd ab Davydd ab Howel. As this… | Read |
| 44 | 34 | Be this as it may, I think I shall be ab… | Read |
| 45 | 35 | Thomas Wright, in his "Essays on Archæol… | Read |
| 46 | 36 | seen that there is no reason whatever fo… | Read |
| 47 | 37 | THE CROWD. | Read |
| 48 | 38 | writers which indicate an early populari… | Read |
| 49 | 39 | (The CROWD. | Read |
| 50 | 40 | plishments, is still called a crowder. B… | Read |
| 51 | 41 | Neither a bridge nor a finger-board are… | Read |
| 52 | 42 | with a finger-board, which is not indica… | Read |
| 68 | 58 | Musik," Vol. ii., p. 232) quotes a poem… | Read |
| 69 | 59 | originally the same meaning. The explana… | Read |
| 70 | 60 | and supposed to designate the lyre, appe… | Read |
| 74 | 64 | Or the following:— | Read |
| 75 | 65 | THE CHROTTA. | Read |
| 76 | 66 | regards any statements respecting music… | Read |
| 84 | 74 | a shell or cover, crogen; the crab, cran… | Read |
| 85 | 75 | but he examines it thoroughly, especiall… | Read |
| 86 | 76 | applied to a characteristic peculiarity… | Read |
| 90 | 80 | In fact, there is no known European inst… | Read |
| 91 | 81 | to find a musical system similar to that… | Read |
| 92 | 82 | and were probably made in imitation of a… | Read |
| 96 | 86 | The illustration on page 85 represents a… | Read |
| 97 | 87 | and the same is the case with the neck a… | Read |
| 98 | 88 | sometimes called rebab. Its body consist… | Read |
| 99 | 89 | pany the voice. It is tuned in the inter… | Read |
| 100 | 90 | The kind of rebab which in Europe became… | Read |
| 101 | 91 | THE REBEC. | Read |
| 102 | 92 | is generally supposed to designate a dim… | Read |
| 103 | 93 | from Spain, as appears to have been the… | Read |
| 106 | 96 | instance, kniegeige, the viola-da-gamba;… | Read |
| 107 | 97 | by Jacob Grimm ("Kinder und Hausmärchen,… | Read |
| 108 | 98 | to Daniel Sanders, in Old High German, j… | Read |
| 109 | 99 | of its having only a single string is no… | Read |
| 110 | 100 | the present century, Paganini especially… | Read |
| 111 | 101 | has ever been much in use. The highest s… | Read |
| 112 | 102 | Respecting the compass of tones obtainab… | Read |
| 113 | 103 | p. 167, gives the following notations of… | Read |
| 114 | 104 | to obtain the correct intonation of seve… | Read |
| 115 | 105 | THE FIDDLE. | Read |
| 116 | 106 | michol, and schalisim—which are represen… | Read |
| 117 | 107 | single figure supposed to be a Muse, an… | Read |
| 118 | 108 | highly interesting representations allud… | Read |
| 119 | 109 | nor tuning-peg indicated. The latter wer… | Read |
| 120 | 110 | instruments," and fidicula as well as fi… | Read |
| 124 | 114 | the instrument. The circumstance of the… | Read |
| 125 | 115 | stringed instruments provided with a nec… | Read |
| 126 | 116 | latina was originally the fidicula, intr… | Read |
| 128 | 118 | have strung their telyn originally with… | Read |
| 129 | 119 | Present Time." This evidence alone might… | Read |
| 130 | 120 | in its outward appearance, and also in i… | Read |
| 159 | 149 | of lute and viol makers—Gerle, in Nürnbe… | Read |
| 160 | 150 | fantastical light way, better suited to… | Read |
| 161 | 151 | THE VIOLIN. | Read |
| 162 | 152 | RETROSPECT. | Read |
| 163 | 153 | 6. The Welsh crwth preserved longest the… | Read |