Bow & Bridge Violin and bow makers, as the old books printed them

Scan 64

Stokes, Encyclopedia Of Music And Musicians Volume 1, 1908

30 lines. Read by computer on 18 September 2026. No printed page number was found. See the scan on archive.org.

1Notre Dame, Antwerp, 1513–18; composed motets, etc. B. Netherlands; d. 1529.
3Baumgarten (C. F.) composed operas and pantomimes, including "Robin Hood," 1786, and "Blue Beard," 1792, while leader of the English opera at Covent Garden, London, 1780–1794.
5Baxoncillo. Sp. Organ stop like open diapason.
7Bayaderes. Dancing girls in Eastern temples.
9Bayer (Joseph) composed the ballets "Die Puppenfee," "Die Braut von Korea," "Sonne und Erde," "Die Welt in Bild und Tanz"; the operettas "Der Schoene Kaspar," "Meister Menelaus," etc.; became ballet director Vienna Court Opera, 1882. B. 1831; add. Vienna.
11Bayles. Sp. Gipsy dance songs.
13Baylor (Eugene) composed "The Margrave Galop" in Richmond, Va., March, 1864, while major in the Confederate army, and other popular pieces. The "Margrave Galop" was long a favorite in the Southern states after the close of the Civil War. B. Virginia; add. Winchester, Va.
15Bayly (Rev. Anselm) wrote "A Practical Treatise on Singing and Playing," 1771; "The Alliance of Musick, Poetry, and Oratory," 1789; sub-dean of Eng. Chapel Royal, 1764. B. Gloucestershire, 1719; d. 1794.
17Bayreuth became the centre of the Wagner cult from 1872 when Richard Wagner took up his residence there and began his plans for the "Festspielhaus," the corner stone of which was laid May 22, 1872, with elaborate ceremonies, including a performance of Beethoven's Choral Symphony. Wagner societies in all parts of the world raised the money for the new theatre, which was designed by Gottfried Semper with suggestions from Wagner, and opened in Aug., 1876, with performances of two cycles of the "Ring des Nibelungen," causing a loss of nearly $40,000. "Parsifal" was performed there first in July and Aug., 1882, and was restricted to that theatre until Dec. 24, 1903, when it was produced at the Metropolitan Opera House, New York, under management of Heinrich Conried, Alfred Hertz conducting. An excellent English production by Henry W. Savage followed. Bayreuth has continued to be the home of Frau Cosima Wagner, and of Siegfried Wagner, who bitterly opposed the American productions of the "Bunenwehfestspiel" or stage festival dedicatory play, as Wagner termed "Parsifal." However, the music had been made known in concert form before the New York episode. Since the beginning Bayreuth has been the principal training school of Wagnerian singers and conductors.
19B Cancellatum. L. B flat cancelled by a line drawn through it anciently used as natural, and from which our accidentals are derived.
21B Dur. Ger. B flat major.
23B Durum. L. B natural.
25Bazin (François Emanuel Joseph) composed "Le Trompette de M. le Prince," "Le Malheur d'être jolie," "La Nuit de la Saint-Sylvestre," "Madelon," "Maitre Pathe lin," "Le Voyage en Chine," operas performed at the Opéra Comique, Paris; taught in Paris Conservatoire. B. Marseilles, Sept. 4, 1816; d. Paris, July 2, 1878.
27Bazzini (Antonio) composed "Ronde des Lutins" and other works for violin, which he played; directed Milan Conservatory, 1882. B. Mar. 11, 1818, Brescia; d. Milan, Feb. 10, 1897.
29Beach (Amy Marcy Cheney) composed Gaelic Symphony; played 1896, Boston Symphony Orchestra; concerto for piano, which she played with Boston Symphony Orchestra, 1900; Mass, E flat, for mixed voices, soli, chorus, and orchestra, 1892; "The Minstrel and the King," male chorus and orchestra, 1902; "Festival Jubilate," mixed voices and orchestra, for the Chicago Exposition, 1893; played piano in orchestral concerts and recital. Studied with Ernst Perabo, Carl Baermann, and Junius W. Hill; debut Boston Music Hall, Oct. 24, 1883; m. H. H. A. Beach, 1885. B. Henniker, N. H., Sept. 5, 1867; add. Boston.

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