Bow & Bridge Violin and bow makers, as the old books printed them

Scan 144

The American history and encyclopedia of music, 1908

62 lines. Read by computer on 11 September 2026. Printed page 119. See the scan on archive.org.

1coda
2exactly repeated the same subject, a few chords or measures are added to form an ending that satisfies the ear; this is called a coda.
33. Also something added to the regular ending of a passage or movement of a composition to make a more complete and effective ending. Originally this was only a few simple chords or measures usually ending with a cadence or ornament which followed the regular ending of the movement. It was elaborated gradually until now it often forms a complete part by itself, especially in the works of Beethoven, who makes it a strong summary of the movement or piece and an important part of the composition, even introducing new material into it. In forms like canon, rondo and sonato it often forms an almost separate division of the composition.
4coda brillante (kō'-dā brīl-lān'-tē) It.
5A brilliant ending: a brilliant termination to a composition.
6codetta (kō-dět'-tā) It. n.
7Codetta is the diminutive of coda, a tail or end, and so means a little tail or end; hence a few notes introduced after the subject of a fugue to link it to the answer, or response given by the second part, which is in higher or lower pitch than the subject. A short coda or independent passage at the end of a piece, to make the ending more complete.
8codon (kō'-dōn) Eng. and Grk. n.
91. A small bell, such as those attached to the trappings of horses.
102. The bell-shaped mouth of a trumpet or a trumpet with a bell mouth.
113. The bell rung by the town crier.
12coelestine
13coelestino
14An Eighteenth Century name for several modifications of keyboard stringed instruments in which changes of tone could be produced by mechanism under control of the player.
15coffre (kōfr) Fr. n.
161. A trunk, chest, or box: the case holding the mechanism of a piano.
172. The body or main part of the violin, and the frame of instruments like the lute or guitar.
18cogli (kol'-yē) It. prep.
19A combination of the two Italian word con and gli, meaning with the.
20cogli strumenti (kōl'-yē strō-měn'-tē) It.
21With the instruments.
23colle parte
24cognoscente (kōn-yō-shēn'-tē) It. adj.
25Knowing: a person who knows much about music. A connoisseur. An obsolete form of conoscente.
26coi (kō'-ē) It.
27The combination of con, with, and i, the; con i-coi, with the.
28coi fagotti (kō'-ē fā-gōt'-tē) It.
29With the bassoon.
30coi bassi (kō'-ē bās'-sē) It.
31With the basses.
32col arco (kōl är'-kō) It.
33With the bow: a direction meaning that the notes are to be played with the bow, rather than plucked with the fingers. Abbr. c. a.
34col basso (kōl bās'-sō) It.
35With the bass. Abbr. c. b.
36col canto (kōl kān'-tō) It.
37With the voices, with the melody. Abbr. col. c.
38col' legno (kōl lān'-yō) It.
39With the wood: a direction, meaning that the passage is to be played by striking the strings of the violin with the wooden part of the bow.
40col violini (kōl vē-ō-lē'-nē) It.
41With the violins.
42coll (kōll) It.
43With the: used in combination, as coll' ottava, with the octave. Abbr. c.
44coll' ottava (kōl ôt-tā'-vā) It.
45With the octave: a direction meaning add its octave to the printed note. Abbr. coll' ott., col' otta., c. 8va.
46colla (kōl'-lā) It.
47With the: used in combination with other words.
48colla destra (kōl-lā dās'-trō) It.
49With the right hand. Abbr. c. d.
50colla massima discrezione (kōl'-lā-mās'-sī-mā dis-krē-tsī-ō'-nē) It.
51With greatest discretion.
52colla parte (kōl-lā pār'-tē) It.
53With the part: a direction meaning that the time is to be accommodated to the solo players or singer. Abbr. c. p.
54colla punta d'arco (kōl'-lā poon'-tā dār'-kō) It.
55With the point or tip of the bow: a direction meaning to touch the strings with the tip of the bow.
56colla sinistra (kōl'-lā sin'-īs-trā) It.
57With the left hand. Abbr. c. s.
58colla voce (kōl'-lā vō'-chē) It.
59With the voice: a direction for the accompanist to pay no attention to the time as written, but follow the singer. Abbr. col vo., c. voc.
60colle parte (kōl'-lē pār'-tē) It.
61With the principal parts.

The computer misreads some letters and numbers. Where a name matters to you, read the scan.