Scan 158
The American history and encyclopedia of music, 1908
68 lines. Read by computer on 9 September 2026. Printed page 133. See the scan on archive.org.
1contra-tenor
2the development of the falsetto or artificial tones in male voices. The usual register for alto voice lies between tenor G and treble C, and its characteristics are a peculiar spirituality and tenderness. It is cultivated almost exclusively in England, where it is heard effectively in glees and anthems. It is practically unknown in Europe. Equivalent to alto.
4contrabass
5The double bass viol, the lowest toned member of the family of stringed instruments played with a bow. Abbr. c. b.
6Contrabassposaune (kôn-trâ-bâs'-pô-zow'-nê) Ger. n.
7Equivalent to bombardon, which see.
9contrabass tuba
10Equivalent to trombone, which see.
12contrabbass (kôn'-trâb-bâs) It. n.
13Same as contrabass.
15contraction
16When two parts of a fugue compress the subject, counter subject, or an intervening subject.
18contraddanza (kôn-trâd-dân'-tsâ) It. n.
19An obsolete square dance which originated in England. See also country dance.
21contrafagotto (kôn-trâ-fâ-gôt'-tô) It. n.
22Equivalent to double bassoon, which see.
24contralto (kôn-trâl'-tô) It. n.
25Contralto: the lowest of the three chief varieties of female voice. This word is often used as synonymous with alto.
27contrapas (kôn-trâ-pâs') Spa. n.
28A dance of the people of Catalonia, Spain, usually danced only by men. The dancers join hands and move round in a circle. There are two leaders who give the time and the steps; they dance a few steps on one side then on the other, and are then imitated by the other performers, who sway back and forth and occasionally vary the monotony by clacking one heel against the other instep.
30Contraposaune (kôn-trâ-pô-zow'-nê) Ger. n.
31The bass trombone: until recently the lowest instrument of the trombone series, the lowest now being the contrabass trombone.
33contrappuntista (kôn-trâp-poon-tês'-tâ) It. n.
34One skilled in counterpoint.
36contrapunctum in decima gradi
37contrappunto (kôn-trâp-poon'-tô) It. n.
38Counterpoint. Certain rules governing the writing of part-music; also music written under those rules.
39contrappunto alla decima (kôn-trâp-poon'-tô âl'-lâ dâ'-chi-mâ) It.
40Counterpoint in the tenth, that is, in which one part is written an octave plus two tones, above or below the other part.
42contrappunto alla zoppa (kôn-trâp-poon'-tô âl'-lâ tsôp'-pâ) It.
43Limping counterpoint, that is, counterpoint of which the natural rhythm of one part is interrupted to make a discord with the other part.
45contrappunto allamente (kôn-trâp-poon'-tô âl-lâ-mên'-tê) It.
46Parts extemporized to the melody sung by other singers.
48contrappunto doppio (kôn-trâp-poon'-tô dôp'-pî-ô) It.
49Double counterpoint. Counterpoint in which the position of the parts may be changed, the lower part becoming the upper and the upper the lower.
51contrappunto doppio alla duodecima (kôn-trâp-poon'-tô dôp'-pî-ô âl'-lâ doo-ô-dâ'-chi-mâ) It.
52Double counterpoint in the twelfth, that is, parts written higher than the and a fifth, or an octave plus three and a half tones, higher or lower than before and each in the other's place.
54contrappunto sciolto (kôn-trâp-poon'-tô shôl'-tô) It.
55Free counterpoint. Parts not written strictly according to the rules of counterpoint.
57contrappunto sincopato (kôn-trâp-poon'-tô sên-kô-pâ-tô) It.
58The syncopation or interruption of the natural arrangement of one part in order to produce discord.
60contrappunto sopra il soggetto (kôn-trâp-poon'-tô sô-prâ êl sôd-jêt'-tô) It.
61Counterpoint above the subject, that is, parts written higher than the subject or theme of the composition.
63contrapunctum floridum (kôn-trâ-pûnk'-tûm flô'-rî-dum)
64Ornamental counterpoint; admitting the use and mixture of every kind of note.
66contrapunctum in decima gradi (kôn-trâ-pûnk'-tûm in dês'-l-mâ grâ-di) Lat.
67Counterpoint in ten steps. A name given to counterpoint which allows the notes to be inverted, the low notes
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