Scan 180
The American history and encyclopedia of music, 1908
72 lines. Read by computer on 9 September 2026, twice; the two readings disagreed in places. Printed page 155. See the scan on archive.org.
1Desaccorder
2Desaccorder (dā-zāk-kōr-dā') Fr. v.
3To put out of tune: to untune.
4descant Eng. n. from Lat.
5See discant.
6descend
7To pass from one tone to another of lower pitch.
8descendant (dū-sāñ-dāñ') Fr. part. and adj.
9Descending.
10descendere (dā-shēn'-dē-rē') It. v. one of two readings
11descendere (dā-shēn'-dē-rē) It. v. one of two readings
12descendre (dū-sāñdr') Fr. v.
13To descend.
14descendre d'un ton (dū-sāñdr-d'ūñ-tōñ') Fr.
15To descend one tone: to sing one note lower.
16descent
17The act of passing from higher to lower pitch.
18deschant (dū-shāñ') Fr. n.
19Equivalent to discant.
20Desdes (dās'-dās) Ger. n.
21D double flat.
22Deses (dā'-sēs) Ger. n.
23D double flat.
24desiderio (dā-sē-dā'-rī-ō) It. n.
25Longing, desire, passion: con desiderio, with an expression of longing.
26desinvolturato (dā-sēn-vōl-too-rā'-tō) It.
27désinvolture, avec (āv-ēk- dā-sēn-vōl-tūr') Fr. n.
28With ease and grace of manner, or bearing.
29desk
301. The sloping attachment suspended above the keyboard of a piano for the purpose of holding the music.
312. Key-desk of an organ, the console; the manuals, pedals, stops and mechanical accessories considered as a whole, separate from the pipes and bellows, and, in modern organs, frequently placed at a considerable distance from them, especially when electric action is employed.
32desperazione (dēs-pē-rā-tsī-ō'-nē) It. n.
33Despair; desperation.
34Dessauer Marsch (dēs'-sow-ēr mārsh) Ger.
35A celebrated instrumental march, one of Germany's national march songs.
36dessin (dūs-sāñ) Fr. n.
37Design, sketch, plan: the design or structure of a composition; also an arrangement.
38dessus (dūs-sū') Fr. n.
39Literally, over, uppermost: the soprano or treble part.
40deutsche flöte
41desterita (dās-tā-rē'-tā) It. n.
42Dexterity.
43desto (dās'-tō) It. adj.
44Lively, brisk.
45destra (dās'-trā) It. adj.
46Right. Abbr. d., dest.
47destra colla (kōl'-lā dās'-trā) It.
48With the right hand.
49destra mano (dās'-trā mā'-nō) It.
50The right hand: it signifies the use of the right hand in playing a certain passage and is found chiefly in piano music. Abbr. d.m.
51détaché (dā-tā-shā') Fr. part. and adj.
52Detached: a term in violin playing indicating the use of the bow in alternate up and down movements, producing an effect midway between legato and staccato.
53détaché, grand (grān dā-tā-shā') Fr.
54The use of the bow in playing each note with a whole stroke.
55determinato (dā-tēr-mī-nā'-tō) It. part. and adj.
56Resolute, determined.
57determinazione (dā-tēr-mī-nā-tsī-ō'-nē) It. n.
58Determination.
59detonation (dā-tū-ās'-yōñ) Fr. n.
60Singing or playing off the pitch; especially, flattening. It is more common among vocalists than instrumentalists and is due to laxity of attention, or to a defective musical ear.
61detonieren (dā-tō-nē'-rēn) Ger. v.
62détomner (dā-tūn-nā') Fr. v.
63To sing or play out of tune; used especially of the gradual lowering of pitch which is apt to occur in ordinary choral singing without accompaniment.
64detto (dēt'-tō) It. adj.
65Said; named; the same; the aforesaid.
66deuterus (doo'-tūr-ūs) Grk.
67A Greek word meaning second. In naming the medieval modes or scales, the second authentic note was called authentus deuterus, the second plagal, plagius deuterus, an authentic mode being one which began on the keynote and extended an octave above it, while a plagal mode began four tones below the keynote of the authentic mode on which it was based.
68deutlich (doit'- likh) Ger. adj.
69Distinct, clear.
70deutsche flöte (doitsch'-ē flā'-tē) Ger.
71The German flute, otherwise known as the transverse or cross flute, which
The computer misreads some letters and numbers. Where a name matters to you, read the scan.