Scan 422
The American history and encyclopedia of music .., 1908
19 lines. Read by computer on 8 September 2026. Printed page 380. See the scan on archive.org.
1Hinton
2Cæsar, was played in 1896 at Queen's Hall, where only the finest of classical compositions are produced. Other of his works are the opera, Tamara; a symphony in C; a sonata in B flat for violin and piano; a suite in D for same; a trio in D minor; a scherzo for piano, violin and violoncello; two operettas for children, The Disagreeable Princess, and St. Elizabeth's Rose; and a number of songs.
4Hinton, Mrs. Arthur. 1872-
5Born at Watfords, Herts, in 1872 and became the wife of Arthur Hinton the composer, in 1903. Mrs. Hinton is more generally known as Miss Katharine Goodson, and is distinguished as a pianist of fine technique, great musical taste and originality of style. While still a child she appeared in public, and in 1884 went to London to study with Oscar Beringer at the Royal Academy of Music, and later to Vienna, where she was a pupil of Leschetizky for four years. She then appeared at the Popular concerts in London and in a series of recitals through England. Her first appearance in Berlin was in 1899, and the next year she played at the New Philharmonic concerts in Vienna. With Kubelik she toured America in 1902 and 1903.
7Hipkins, Alfred James. 1826-1903.
8Born at Westminster in 1826. When fourteen years old he entered the piano house of Broadwood & Sons, and was connected with this firm as long as he lived. He was an accomplished pianist; his performances of Chopin's compositions were excellent, and he was also master of the harpsichord. Hipkins is best known as a lecturer and authority on points connected with the piano. His lectures, given at the Royal Academy of Music, Royal College of Music, where he was a member, and before musical clubs of Oxford and Cambridge, have been translated into French, German, Italian and Japanese. Hipkins was also a fellow of the Society of Antiquaries. His works are History of Musical Pitch; Musical Scales of All Nations; contributions to the Encyclopædia Britannica; a valuable descriptive catalog; Guide to the Loan Collection of Musical Instruments at Albert Hall; and old Keyboard Instruments.
10Hobrecht
11Hirsch (hērsh), Carl. 1858-
12Born in Bavaria; received his education in Munich, and at various times was teacher in the Violinmakers' School at Mittenwald, and at the King Max Music School, Tegernsee; precentor at Sigmaringen, chorister at St. Imier, Switzerland; church musical director at Munich, and director in Mannheim, Cologne and Elberfeld, where he was director of a school of music and of the Philharmonic concerts. Hirsch is a prolific composer; his compositions are very popular in Germany, and include many male choruses. Other of his works are cantatas; solos; a song cycle, Werinher, setting of a dramatic poem; many single songs; a ballade, Farewell, for solos, mixed chorus and orchestra.
14Hirschbach (hērsh'-bākh), Hermann. 1812-1888.
15Born in Berlin; went to Leipsic in 1842, and made that city his home. He began his study of music with Birnbach. His career as a musical critic was a short one, for his immoderate, sarcastic and bitter criticisms published in the Musikalisch-kritisches Repertoriums in Leipsic made him many enemies, and he forsook the musical career for one of a mercantile nature. His compositions are many. Among them are thirteen string quartets; two string quintets; two quintets with clarinet and horn; fourteen symphonies; overtures; and two operas, Othello and Das Leben ein Traum.
17Hobrecht (hō'brēkht), Jacob. 1430-1506.
18Sometimes given as Jacob Obrecht. Date of birth is not positively known, but was probably about 1430, in Utrecht on the Rhine. He was one of the most famous musicians of the Fifteenth Century. He was chorister at the Utrecht Cathedral in 1465. Later he was a teacher at St. Donatien, Bruges; director of a school of singing of Cambray, and in 1491 chapelmaster of the Antwerp Cathedral. In the records of the cathedral has been found much data concerning Hobrecht and his work. His masses, motets and hymns have been preserved in various collections, some in manuscript in the Munich Royal Library and in the archives of the Papal Chapel. In 1503 Petrucci printed a collection of Hobrecht's masses under
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