Scan 156
The American history and encyclopedia of music .., 1908
88 lines. Read by computer on 11 September 2026, twice; the two readings disagreed in places. Printed page 134. See the scan on archive.org.
1contrapunctum in decima gradi
2being put above the high ones and vice versa, and in which the parts are written in thirds, that is, intervals of the next but one note below the subject note, and in tenths or intervals of an octave, and a third below the subject.
4contrapunctus simplex (kŏn-trä-pŭnk'-tŭs sim'-plĕx) Lat. one of two readings
5contrapunctus simplex (kŏn-tră-pŭnk'-tŭs sim'-plĕx) Lat. one of two readings
6Simple counterpoint: counterpoint having no ornaments or mixtures of notes and whose notes may not be transposed, the higher part below the lower or vice versa.
8contrapuntal
9Music that is written according to the rules of strict counterpoint. Whatever pertains to counterpoint or the art and rules governing the writing of music in more than one part.
11contrapuntist
12One versed in the practise and theory of counterpoint. Abbr. cptst.
14contrario (kŏn-trä'-ri-ō) It. adj. one of two readings
15contrario (kŏn-tră'-ri-ō) It. adj. one of two readings
16Contrary, adverse: in an opposite direction.
18contrary bow
19A reversed stroke of the bow.
21contrary motion
22See motion, contrary.
24contrasoggetto (kŏn-trä-sôd-jĕt'-tō) It. n. one of two readings
25contrasoggetto (kŏn-tră-sôd-jĕt'-tō) It. n. one of two readings
26Counter subject: in fugue the counter subject or subject that is sung by the second voice when it answers the first subject, sung by the first voice. It is a sort of accompaniment to the answer and is often used as the subject of episodes or accessory parts in the fugue.
28Contratöne (kŏn-trä-tā'-nē) Ger. n. one of two readings
29Contratöne (kŏn-tră-tă'-nĕ) Ger. n. one of two readings
30A name for the deeper tones of the bass voice.
32contratempo (kŏn'-trät-tĕm'-pō) It. n. one of two readings
33contratempo (kŏn'-trăt-tĕm'-pō) It. n. one of two readings
34Against the time.
351. A tone beginning on a weak beat of a measure and ending on a strong.
362. One part moving fast while another moves slowly.
38contrattenore (kŏn-trät-tā-nō'-rē) It. n. one of two readings
39contrattenore (kŏn-trăt-tă-nō'-rĕ) It. n. one of two readings
40Equivalent to contra-tenor, which see.
42contravviolone (kŏn'-träv-vē-ō-lō'-nē) It. one of two readings
43contravviolone (kŏn'-trăv-vē-ō-lō'-nĕ) It. one of two readings
44The double bass viol: the largest and deepest toned stringed instrument that is played with a bow. This is the deepest toned instrument of the orchestra.
46contre (kŏñtr) Fr. prep.
47Against, with, near, close to.
49copula
50contre éclisse (kŏñtr ā-klēs') Fr.
51The linings: the strips of pine wood glued inside the body of instruments, like the violin, to strengthen the structure.
53contre parte (kŏñtr păr-tē') Fr.
54Counterpart: one musical part contrasted to another, as soprano and bass. When a second voice introduces a new melody into the piece which harmonizes with the part already introduced by the first voice.
56contretemps (kŏñtr-tăn) Fr. n. one of two readings
57contretemps (kŏñtr-tăñ) Fr. n. one of two readings
58Literally, against the time; counter measure. A note which enters the composition of an unaccented beat and ends in a strong beat. When one part progresses faster than another part played simultaneously.
60contrebasse (kŏñ-trŭ băs) Fr. n.
61Equivalent of contravviolone.
63contrebombarde (kŏñ-trŭ-bŏñ-bărd') Fr. n. one of two readings
64contrebombarde (kŏñ-trŭ-bôn-bărd') Fr. n. one of two readings
65An organ stop composed of pipes fitted with reeds for producing the tones. It is of very deep pitch, in fact, the deepest the organ is capable of, the lowest tone being four octaves below middle C. The tone is very powerful.
67contredanse (kŏñ-trŭ-dăñs') Fr.
68An obsolete square dance which originated in England. See also country dance.
70contrepoint (kŏñtr-pwăn') Fr. n. one of two readings
71contrepoint (kŏñtr-pwăñ') Fr. n. one of two readings
72Equivalent of counterpoint.
74contresujet (kŏñtr-sŭ-zhă') Fr. n.
75The counter subject. Equivalent of contrasoggetto.
77conversio (kŏn-vŭr'-shi-ō) Lat. n.
78A turning round, an inverting. In counterpoint an inversion, or change of position of intervals and chords, placing the lower notes above and the upper notes below.
80conveyances
81Tubes in the organ which carry the wind from the windchest, where the air is stored, to special rows of the very large pipes which are not placed over the windchest. Conveyances are usually narrow tin tubes.
83coperto (kŏ-păr'-tō) It. adj.
84Covered, muffled: as used in the phrase timpani coperti, muffled kettledrums.
86copula (kŏ'-poo-lă) It. n.
871. In organ playing a coupler or arrangement by which two rows of keys, or a row of keys and the pedals, may be connected together.
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