Scan 139
The American History and Encyclopedia of Music, 1908
87 lines. Read by computer on 18 September 2026. No printed page number was found. See the scan on archive.org.
1clef note
3clef note
4The note upon which the clef is placed; G in the treble and F in the bass.
6clef sol (klā sūl) Fr.
7The G, or treble clef.
9clef, soprano
10The C clef, placed on the first line, thus making the note on the first line middle C; this clef denoted the soprano part. See also soprano clef.
12clef, tenor
13The C clef, placed on the fourth line and denoting the tenor part. See also tenor clef.
15clef, treble
16The G clef, placed on the second line of the staff. See also treble clef.
18cliquette (klē-kět') Fr.
19Four pieces of wood, bone or ivory, held two in each hand between the fingers and shaken. They form a rattling accompaniment to song, dance or instrumental music.
21clocca (klōk'-kä) Lat. n.
22cloche (klōsh) Fr. n.
23Bell.
25cloche de l'elevation (klōsh dū lā-vās-yōñ') Fr.
26Bell of the elevation: mass bell, sacring bell. A bell rung at the altar during the elevation of the Host and other solemn parts of the celebration of the mass in the Roman Catholic Church.
28cloche funèbre (klōsh fü-näbr') Fr.
29A funeral bell: the toiling of a bell at funerals.
31cloche sourde (klōsh soord) Fr.
32A dull bell: a muffled bell.
34clocher (klō-shā) Fr. n.
35A belfry or steeple: a tower where a bell or bells are hung.
37clochette (klō-shět') Fr. n.
38Hand-bell.
40clock, musical
41A clock containing an arrangement of weights and springs similar to that in a barrel-organ, and which produces various tunes.
43clock, to
44To produce sounds from a bell by attaching a rope to the clapper and swinging it until it strikes the stationary sides of the bell.
46clog dance
47This is a jig-like dance in which the dancers wear clogs, which are shoes having very thick soles and often high heels. The dance is commonly ascribed to Ireland and is one in which the dancer varies the steps at will.
49coda
50The feet are kept constantly in motion, the performer tapping the floor with his heels, tapping his soles together, in as many varied steps as his ingenuity and balance will allow. This dance is a great favorite even to-day with the small boys and grown-ups and can be seen in many a vaudeville performance. It is danced without music as a rule, bystanders sometimes clapping hands to form a rhythmic accompaniment.
52clokerre, Old Eng. n.
53A belfry or tower where bells are hung.
55clorone (klō-rō-ně) It. n.
56A kind of clarinet which is tuned five tones lower than the regular clarinet. The clarinet is sometimes called by this name.
58close
59The end or conclusion, as the closing movement of a composition or the closing measure. When the close is based upon the keynote of the composition it is called a perfect close, when it is based on another note it is an imperfect close. A cadence is often called a close because it often concludes a composition or a division of one.
61close harmony
62That in which the notes or parts are kept as close together as possible. For instance, in a composition of four parts where the three highest parts lie within the compass of an octave.
64close play
65The style of lute playing in which the fingers are kept on the strings as much as possible.
67close position
68The same as close harmony.
70close score
71A score with more than one voice or instrumental part on a stave. The same as compressed score.
73clynke-bell
74Chime.
76coalottino (kō-ä-lôt-tě'-nō) It n.
771. A short concerto.
782. The part for the principal instrument in a concerto or other piece for large orchestral performance. See also concertino.
80cocchina (kō-kē'-nä) It. n.
81A rustic dance of Italy.
83coda (kō'-dā) Eng. and It. n.
84Tail, end.
851. The tail of a note.
862. To an infinite canon, a composition in which two or more parts
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