Scan 193
The American history and encyclopedia of music, 1908
49 lines. Read by computer on 11 September 2026. Printed page 170. See the scan on archive.org.
1doppelt Trillerlauf
2doppelt Trillerlauf (dôp'-plt tril'-lêr-lowf) Ger.
3A double cadence.
4doppelte Noten (dôp'-plt-ě nô'-těn) Ger.
5Double notes.
6Doppelzunge (dôpl'-tsoong'-ě) Ger. n.
7Double tonguing.
8doppio (dôp'-pî-ō) It. adj.
9Double; two-fold; used at times to indicate the doubling of a part by playing it in octaves.
10doppio lyra (dôp'-pî-ä lê'-rê) It.
11A double lyre.
12doppio movimento (dôp'-pê-ō mô-vê-mên'-tô) It.
13Double movement, e. g., twice as fast as the movement preceding the one so marked.
14doppio pedale (dôp'-pî-ō pê-dä'-lê) It.
15Double pedal, a term in organ music directing to play the pedal part in octaves. Abbr. dopp. ped.
16doppio tempo (dôp'-pî-ō têm'-pô) It.
17Double time; twice as fast as the time preceding the part so marked.
18dopple Be (dôp'l bâ) Ger.
19A double flat (bb). Also written doppel B.
20Dorian (dô'-rî-ăn) Eng. adj. from Grk.
211. Name applied to ancient Greek mode of this form: e'—d'—c'—b—a—g—f—e—indicates a whole step; — indicates a half step; — connects the tones forming a tetrachord, or group of four tones; + indicates the location of the diazeuxis, or tone separating the tetrachords.
222. Dorian was also the name of the Greek transposition scale beginning on d, embracing two octaves and formed from five tetrachords.
233. In medieval church music Dorian was the name of the first authentic mode, the authentic modes being those which began on the final or keynote. Its range was from d to d'. See also Greek modes and music, and church modes.
24doric (dôr'-îc) Eng. adj. from Grk.
25dorien (dô'-rê-ăn) Fr. adj.
26Same as Dorian.
27dossologia (dôs-sô-lô'-jâ) It. n.
28Doxology.
29dot
301. A point, placed after a note or rest, which prolongs the duration of the note or rest by half of its original value. Each additional dot in-
31dotted touch
32creases the note or rest by half the length of the dot preceding it, e. g.,
34or
36or
382. A point placed below or above a note to indicate it is to be executed staccato. A series of dots together with a slur indicate that the notes so marked are to be rendered mezzo staccato, i. e., detached, but not so short as staccato. See also mezzo staccato.
393. Dots in two or all of the spaces of the staff at the side of a bar indicate a repetition of the music on the side of the bar on which they appear. See also repeat.
404. In old music the sub-division of a note into shorter notes was indicated by as many dots over the note as they were to be notes, thus: and in modern violin music dots are sometimes used to show the exact number of notes into which a note marked with a tremolo sign is to be divided, as:
425. In old tablatures a dot represented a breve, a dot over a line a breve rest. In tablature for wind instruments vertical rows of dots were placed on a staff instead of notes, the number of dots in each row corresponding to the number of holes which had to be stopped to produce the tones intended.
43dotted double bar
44A double bar with dots, placed either before, after or on both sides of it, indicating a repetition of the music on the corresponding side or sides of the double bar.
45dotted semibreve
46A semibreve the duration of which is prolonged by a dot or dots.
47dotted touch
48An old term signifying a strict accuracy in the playing of passages containing doted notes, and which
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