Bow & Bridge Violin and bow makers, as the old books printed them

Scan 32

The American history and encyclopedia of music .., 1908

29 lines. Read by computer on 3 September 2026. No printed page number was found. See the scan on archive.org.

1A STUDY ON VIOLIN PLAYING
3Simon —— Berceuse.
4Fr. Thome, Simple Aveu.
5Dancla, Carnival.
6A. d'Ambrosio, Op. 6, Canzonetta.
7Mascagni, Intermezzo (Franko arrangement).
8Saint-Saëns, "The Swan."
9Borowski, Adoration.
11THIRD GRADE.
13After mastering the seventh position it is necessary that the pupil, besides continuing in David's school, should start with Kreutzer's 40 Exercises (Litoff Edition) but up to the double-stops only, as by studying easier exercises in double-stops he will be better prepared for the last eleven numbers in Kreutzer.
15Regarding easier double-stop exercises, there exists sufficient material, but particularly recommended may be:
16Eduard Herrmann, 25 Double-stop Exercises, 1st volume (Schirmer Edition).
17Concert pieces for this grade:
18Viotti, 23 Concerto in G (Concert-Studies by David).
19Bériot, Airs varie Nos. 5 and 6 (Schirmer Edition).
20Wieniawski, Mazurka "Kujawiak" (Schirmer Edition).
21Alard, Faust-Fantasie.
22Raff, Cavatine.
23F. Listemann, Op. 3, Berceuse.
24Vieuxtemps, Op. 40, No. 3, Romance.
25Svendsen, Romance.
26Accolay, Concerto No. 1.
28The first movement of the 23rd concerto by Viotti requires for its technical part extremely well-trained fingers and a solid, powerful bowing arm. The many detached figures in sixteenths have almost throughout to be played with a long bow more or less at the point. The melodies of the concerto, especially those of the adagio, require a noble

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