Scan 33
The American history and encyclopedia of music, 1910
27 lines. Read by computer on 11 September 2026. Printed page 9. See the scan on archive.org.
1Simon —— Berceuse.
2Fr. Thome, Simple Aveu.
3Dancla, Carnival.
4A. d'Ambrosio, Op. 6, Canzonetta.
5Mascagni, Intermezzo (Franko arrangement).
6Saint-Saëns, "The Swan."
7Borowski, Adoration.
9THIRD GRADE.
11After mastering the seventh position it is necessary that the pupil, besides continuing in David's school, should start with Kreutzer's 40 Exercises (Litolf Edition) but up to the double-stops only, as by studying easier exercises in double-stops he will be better prepared for the last eleven numbers in Kreutzer.
13Regarding easier double-stop exercises, there exists sufficient material, but particularly recommended may be:
14Eduard Herrmann, 25 Double-stop Exercises, 1st volume (Schirmer Edition).
15Concert pieces for this grade:
16Viotti, 23 Concerto in G (Concert-Studies by David).
17Bériot, Airs varie Nos. 5 and 6 (Schirmer Edition).
18Wieniawski, Mazurka "Kujawiak" (Schirmer Edition).
19Alard, Faust-Fantasie.
20Raff, Cavatine.
21F. Listemann, Op. 3, Berceuse.
22Vieuxtemps, Op. 40, No. 3, Romance.
23Svendsen, Romance.
24Accolay, Concerto No. 1.
26The first movement of the 23rd concerto by Viotti requires for its technical part extremely well-trained fingers and a solid, powerful bowing arm. The many detached figures in sixteenths have almost throughout to be played with a long bow more or less at the point. The melodies of the concerto, especially those of the adagio, require a noble
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