Bow & Bridge Violin and bow makers, as the old books printed them

Books › The American history and encyclopedia of music (1910)

The American history and encyclopedia of music

1910.

On archive.org as americanhistorye12hubb.

69 pages read (scans 27 to 496)1 name found0 makers on this site cite it

Pages

Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.

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27 A STUDY ON VIOLIN PLAYING Read
28 slight leaning forwards of head, shoulde… Read
29 5 A STUDY ON VIOLIN PLAYING Read
30 6 The pupil must learn the difference betw… Read
31 7 A STUDY ON VIOLIN PLAYING Read
32 8 The study of exercises (études) must acc… Read
33 9 A STUDY ON VIOLIN PLAYING Read
34 10 simplicity in execution and the student… Read
35 11 A STUDY ON VIOLIN PLAYING Read
36 12 Rode's, but as it contains elements of a… Read
37 13 A STUDY ON VIOLIN PLAYING Read
38 14 Mendelssohn. Concerto. Read
39 15 velocity in all technical matters, a man… Read
40 16 Beethoven. Concerto. Read
41 17 A STUDY ON VIOLIN PLAYING Read
42 18 This is the version of the composer to t… Read
43 19 gance, or vice versa. That gives the stu… Read
44 20 One of the good results arising from the… Read
45 21 Studies," and under the guidance of his… Read
53 ADVANCED VIOLIN INSTRUCTION Read
54 the entire twelve lessons. Being a summa… Read
55 27 The question of relaxation in spite of p… Read
56 28 part of the left hand is worse than usel… Read
57 29 or other unnecessary movements of the bo… Read
58 30 may retain a slight arch. A straight or… Read
59 31 ADVANCED VIOLIN INSTRUCTION Read
60 32 stant retention of the bow on the string… Read
61 33 ADVANCED VIOLIN INSTRUCTION Read
62 34 (thumb, first and little fingers), at en… Read
63 35 in this way the beginner's attention can… Read
64 36 and positions at a distance from each ot… Read
65 37 the glissando. In this form of scale the… Read
66 38 of augmented and diminished intervals in… Read
68 40 exceptions to every rule and so there ar… Read
69 41 LESSON V. Read
70 42 crossings is because two things are bein… Read
71 43 mized in order that the room for the bre… Read
72 44 VARIATIONS OF LEGATO.—1. The interrupted… Read
75 47 bowing belong to the uninterrupted or co… Read
76 48 SPICCATO ARPEGGIOS.—The arpeggio on thre… Read
77 49 ing absolutely on relaxation, quietness… Read
78 50 and the natural varying of finger length… Read
79 51 in the higher positions, retains the sam… Read
80 52 to think of the content. This system of… Read
81 53 sure on the strings. This position must,… Read
82 54 Further, the relationship (only as far a… Read
83 55 rules, with the exception that the chord… Read
84 56 by fastening or fitting a small clasp or… Read
85 57 The left hand pizzicato is done by vehem… Read
86 58 necessity, limited to the overtones of e… Read
95 SOME REMARKS ON QUARTET PLAYING Read
96 ity (this is especially true of the firs… Read
97 65 the viola, thus the lower strings of the… Read
98 66 acter of the movement at once shows that… Read
99 67 As to the selection of material for earl… Read
109 73 Piano-makers knew nothing about harpsich… Read
110 74 the rest being an absurd hybrid compound… Read
121 85 This system of notation is a direct pict… Read
122 86 The form of the viol is simpler and smoo… Read
130 94 perfection, and his six sonatas for the… Read
131 95 The volume of tone of the clavichord com… Read
156 116 may be written on three different degree… Read
454 INDEX Read
455 Europe, musical instruments of: Read
456 INDEX Read
457 Fête du Village Voisin, La, O., ii, 361. Read
458 INDEX Read
459 INDEX Read
496 INDEX Read