Bow & Bridge Violin and bow makers, as the old books printed them

Books › the history of the violin, 1864 › scan 433

Scan 433

the history of the violin, 1864

23 lines. Read by computer on 28 September 2026. Printed page 19. See the scan on archive.org.

1TECHNICAL AND THEORETICAL
3THE ART OF MODULATING. A Series of Papers on Modulating at the Pianoforte. By HENRY C. BANISTER. With 62 Music Examples. Crown 8vo, cloth, 6/–; paper covers, 3/6.
5THE ART OF MODULATION. A Handbook showing at a Glance the Modulations from one Key to any other in the Octave, consisting of 1,008 Modulations. For the Use of Organists and Musical Directors. Edited by CARLI ZOELLER. 4to, paper covers, 5/–.
7COMPEND OF MUSICAL KNOWLEDGE. By PERCY BAKER, F.R.C.O., L.Mus.T.C.L. Being a Guide with Notes, Hints and Articles on the Study of Examination Questions. Crown 8vo, cloth, 6/–; paper, 3/6.
9ELEMENTARY MUSIC. A Book for Beginners. By DR. WESTBROOK. With Questions and Vocal Exercises. Crown 8vo, cloth, 4/–; paper, 2/–.
11ESSENTIALS IN MUSIC STUDY FOR EXAMINATIONS. A Helpful Guide both for the General Student and Candidates for Junior and Intermediate Examinations. By REV. E. H. MELLING, F.R.C.O. Cloth, 5/–; paper covers, 2/6.
13EXAMINATION CANDIDATE'S GUIDE to Scale and Arpeggio Piano Playing (with Tests). All that is required for the Various Exams. By WILSON MANHIRE, L.R.A.M. 3/–.
15EXAMINATION TEST QUESTIONS. Containing spaces for the Pupils' Written Answers. By WALTER L. TWINNING, F.R.C.O. No. 1, Musical Notation and Time; No. 2, Formation of Scales; No. 3, Ornaments; No. 4, Intervals, 9d. each.
17EXERCISES IN FIGURED BASS AND MELODY HARMONIZATION. By JAMES LYON, Mus.Doc. 4to, 3/6.
19EXAMPLES OF FOUR-PART WRITING FROM FIGURED BASSES AND GIVEN MELODIES. By JAMES LYON, Mus.Doc. 4to, 5/6.
20These exercises are printed in open score so as to be of use in score reading tests. This volume forms a key to "Exercises in Figured Bass" by the same author (see above).
22EXERCISES ON GENERAL ELEMENTARY MUSIC. A Book for Beginners. By K. PAIGE. Part I, 1/6; Part II, 2/–.

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